Vanessa Redgrave

Franco Nero

Madeleine Damien

John Francis Lane

Renowned painter Leonardo Ferri, whose works have a standard price set by the market, and his girlfriend Flavia live together in his studio in Milan. He has not completed any paintings in two months as he slowly goes mad. His mental issues, about which Flavia is aware, includes a recurring dream where she is torturing him before attempting to kill him. As such, Flavia makes arrangements for them to rent a country villa outside of Venice where the change in scenery may recharge his creative juices. Because she can feel negative energy toward her at the villa, Flavia decides to spend her weekdays in Milan, visiting on the weekends, leaving Leonardo alone at the villa during week with only the housekeeper, Egle. Still haunted by his mental problems, Leonardo tries but is unable to restart his work. During this time alone, he learns of Vanda Valier, a previous occupant of the villa who was killed outside the villa walls during the war at age fifteen. Many of the locals still have their own stories of Vanda, some who still seem obsessed with her and her timeless beauty. Leonardo becomes one of those obsessed. In his mental state, Leonardo will have to reconcile hie obsession with Vanda with his relationship with Flavia, especially as many believe Vanda's ghost still controls what happens at the villa.—Huggo

A Quiet Place in the Country

A Quiet Place in the Country (1968)

William Berger

Sybil Danning

Massimo Vanni

An American narcotics agent is murdered in Italy. The head of the department decides to hire Larry Stanziani, 'The Cobra'. Larry, a former agent and now a third-rate private detective, uses the opportunity to get even with an old enemy, but soon he finds out he's facing a relentless organization.—Kurt Aerden

Il giorno del Cobra

Il giorno del Cobra (1980)

Quentin Tarantino

Emir Kusturica

Maria Pia Fusco

The unbridled life and kaleidoscopic filmography of Piero Vivarelli, who made ltalian B-movies of all genres, wrote hit rock songs and penned the screenplay for Sergio Corbucci's Western 'Django,' adored by Tarantino, are creatively intertwined in a portrait of an unsung postwar provocateur and revolutionary (the only non-Cuban besides Che Guevara to be given a Cuban Communist Party card signed by Fidel Castro) that is also a prism into an unexplored pop culture and its unique vitality.

Piero Vivarelli, Life as a B-Movie

Piero Vivarelli, Life as a B-Movie (2019)

Stefania Sandrelli

Jean-Claude Brialy

Vittorio Gassman

Country girl starlet seeks fame and fortune in Rome and ends in tragedy.

I Knew Her Well

I Knew Her Well (1965)

Woody Strode

Giovanni Cianfriglia

Keoma returns to his border hometown after service in the Civil War and finds it under the control of Caldwell, an ex-Confederate raider, and his vicious gang of thugs. To make matters worse, Keoma's three half-brothers have joined forces with Caldwell, and make it painfully clear that his return is an unwelcome one. Determined to break Caldwell and his brothers' grip on the town, Keoma partners with his father's former ranch hand to exact violent revenge.—Ørnås

Keoma

Keoma (1976)

Romano Puppo

Nino Castelnuovo

Salvatore Borghese

In 1866 New Mexico, Tom Corbett is a prospector who is called back to his hometown in Laramie Town, Texas at the bequest of a old family friend. Tom arrives in the town to see it under the control of a ruthless and greedy gangster named Jason Scott, who's psychotic and murder-crazed son, Junior Scott, runs it with fear with a posse of thugs who kill anyone who protests their business tactics. Tom finds his brother Jeff, a drunkard looked after by their family maid Mercedes. Tom then tries to persuade Jeff to help him take down the sadistic Scotts so the town can rest easy in peace and harmony again.—matt-282

Massacre Time

Massacre Time (1966)

Mark Lester

Telly Savalas

Antonio Paris

Sadism and sleaze dominate this fast-paced film about the getaway aftermath of a heist-gone-wrong-turned-kidnapping.

Redneck

Redneck (1973)

Catherine Deneuve

José María Caffarel

Saturno Cerra

When the young woman Tristana's mother dies, she is entrusted to the guardianship of the well-respected though old Don Lope. Don Lope is well-liked and well-known because of his honorable nature, despite his socialistic views about business and religion. But Don Lope's one weakness is women, and he falls for the innocent girl in his charge, seduces her, makes her his lover, though all the while explaining to her that she is as free as he. But when she acts on this freedom, Don Lope must deal with the consequences of his world-view.—Gary Dickerson

Tristana

Tristana (1970)

Jeanne Moreau

Brad Davis

Robert van Ackeren

The French naval ship, Le Vengeur, based out of Marseille, has just docked in Brest for an extended stay. The ship's captain, Lieutenant Seblon, can see the passion in his men, which can as easily manifest itself in violence as it can in sex. Seblon has in part become an officer to remain at arms length from his men, one of them, Querelle, with who he is secretly in love. Querelle goes to La Feria, a bar and makeshift whorehouse owned and operated by husband and wife Nono and Lysiane, one of the whores. La Feria is infamous and notorious as anyone wanting sex with Lysiane must first roll the dice with Nono, Nono winning meaning that he will get to sodomize the loser instead. At La Feria, Querelle is surprised to see his brother, Robert, who is Lysiane's current on-going sexual partner, and who did not have to go through the roll of the dice with Nono is his special position with Lysiane. That passion in Querelle extends to his brother, the two who share more than just a family resemblance. Outwardly, Querelle goes to La Feria as a place to sell opium. However, the opium may only be a pretense as Querelle is trying to discover who he is as a man. Everyone in this collective is also on a similar sense of discovery, some who may be more aware and open about their own thoughts about the lines between sex, desire and love, those who are not as open possibly feeling shame which leads to ways to deal with that shame. Including those already mentioned, this collective includes a local stone mason named Gilles who purports to desire Paulette, a young man named Roger, Paulette's brother, with who there is unspoken sexual tension with Gilles, and Mario who, at least in appearance, "polices" the activities at La Feria.—Huggo

Querelle

Querelle (1982)

David Wurawa

Tatiana Luter

Federico Rossi

The year is 2033, three years prior an infection, a virus, or a bacteriological attack wiped out almost 90% of the global population. Cities are no longer a safe place to live, rotting corpses are spreading new diseases. A city called New Birth City was set up by what's left of global government and military, a place where humanity could survive and search for a cure. The research was headed by two Oxford professors, two years after the out break one of the professors died leaving Dr Cornelius Van Morgen (Franco Nero), a world renowned biologist to continue the research. Dr Cornelius Van Morgen choose five people from among the survivors and puts them up in an old country house where his deceased colleague had set up a research laboratory. Working with the notes his research partner has left behind and observing the five survivors Dr Cornelius Van Morgen continues his desperate search for a cure or vaccine. The five survivors Thomas James (David Wurawa),Alice Molina (Margherita Remotti),Robert Lloyd (James Kelly),Mark Scott (Federico Rossi),Betty Duval (Tatiana Luter)wear body scans that allow/help Dr. Cornelius Van Morgen to observe his test subjects, gather medical and neurological information and record their daily events with the hope of making a break through in finding some-sort of answers. Before long the five survivor's brain waves begin to display extraordinary neurological activity that allow them to have paranormal powers, with fatal consequences........—David Wurawa

New Order

New Order (2012)

Lochlyn Munro

Alexander Ludwig

Tyler Hynes

The story of four American soldiers in WW2, who after they witness a vicious murder of an innocent civilian at the hands of their platoon Sergeant, are sent on a reconnaissance/suicide mission led by a local partisan, an elderly man whose indeterminate loyalties add to the terror and confusion that engulfs the Americans as they are hunted by an unseen enemy. Peace centers around young men in the midst of war.

Recon

Recon (2019)

Robert Webber

Earl Hammond

Hit-man Clint Harris has one more job to do before he can retire. He's to kill an ex-employee who has become a snitch for the police. At first Harris refuses, but when his brothers assassinated, he's forced to accept. He's assigned an assistant, whom he teaches the ropes as they pursue their prey. When a beautiful woman identifies the target, it turns out it's the wrong man. As bodies pile up as he wonders whom he can really trust.—Fiona Kelleghan

The Hired Killer

The Hired Killer (1966)

Asia Argento

Rade Serbedzija

Monica Guerritore

A discontented New York family woman called unexpectedly to Tuscany to execute her estranged mother's Will. There, she deciphers visions of her forgotten childhood and confronts a spectral "Lady in Red," whose dark secret unlocks a terrifying destiny.

Agony

Agony (2020)

John Steiner

Virna Lisi

Harry Carey Jr.

Lucio Fulci's sequel to Zianna Bianca (White Fang), set some years after the events in the first White Fang movie, has the wolf-dog befriended by another young boy, named Bill Tarwater, the grandson of fur trader John Tarwater, in which the dog teams up once again with novelist Jason Scott and his partner Kurt Jansen to stop the evil Beauty Smith, now living under the alias Forth, in another Northern Canada town and exploiting the townspeople including Sister Evangelina who's trying to open a new mission hospital in town.—Anonymous

Challenge to White Fang

Challenge to White Fang (1974)

Sabin Tambrea

Susanne Wuest

Jürgen Vogel

The Ötztal Alps, more than 5300 years ago. A Neolithic clan has settled near a creek. It is their leader Kelab's responsibility to be the keeper of the group's holy shrine Tineka. While Kelab is hunting, the settlement is attacked. The members of the tribe are brutally murdered, among them Kelab's wife and son; only one newborn survives; and Tineka is gone. Blinded by pain and fury, Kelab is out for one thing alone: vengeance. The pursuit of the murderers is shaping up to be quite an odyssey for Kelab. He fights for the infant's survival and against the forces of nature. And a fatal error even turns Kelab from hunter to hunted. On top of all that, the loneliness causes Kelab to doubt his actions more and more. When Kelab finally faces the murderers of his clan, his greatest challenge will be not to become a murderer himself. -Ötzi-The Iceman is one of the oldest and most well-known mummies in the world. With emotional impact, writer/director Felix Randau depicts the first unsolved murder case in the history of mankind.

Iceman

Iceman (2017)

Elyas M'Barek

Alexandra Maria Lara

Heiner Lauterbach

2001, Fabrizio Collini (Franco Nero), a retired Italian worker, who had been living in Germany for 35 years, kills an elderly wealthy industrialist well known throughout the country. Collini's defense has been assigned to a public defender, the young lawyer Caspar Leinen (Elayas M'Barek), at his first major trial. However, Caspar had been a protegee of the murdered person, who he considered as a kind of father.—Ferruccio

The Collini Case

The Collini Case (2019)

Martin Balsam

Dante Cleri

Michael Forest

One of the first films about the mafia occurrence, in which the fight is hopeless, because "the polyp's feeler" reaches everything and everybody. A police inspector and a deputy public prosecutor try to prove that the architect in the city is in the mafia.—Kornel Osvart

Confessions of a Police Captain

Confessions of a Police Captain (1971)

Rolando De Santis

Giovanni Ivan Scratuglia

Silvana Bacci

Squelching across a God-forsaken ghost town near the US/Mexican border, always dragging a heavy coffin, blue-eyed Django, a drifting, mud-spattered, former Union soldier, saves runaway María from certain death. But, the wooden container with the mysterious content has already caught the attention of the racist ex-Confederate officer, Major Jackson, and his gang of white supremacists, and before long, things get nasty. Now, the guns have the final say, and as if that weren't enough, Jackson's sworn enemy, General Hugo Rodríguez, and his feared revolutionaries, enter the picture, wanting to have a piece of the action. Can Django, the taciturn stranger with the lighting-fast right hand, take on two armies of murderous henchmen, and live to tell the tale?—Nick Riganas

Django

Django (1966)

Richard Harris

Ava Gardner

Peter O'Toole

An elaborate Hollywood retelling of the Bible stories narrated by the film's director John Huston. We open with the Creation of the World and arrive at the Garden of Eden with our first ancestral parents and continue on to Cain murdering his younger brother Abel. Next, we visit Noah and his ark with its spectacular flood sequence. Then we come to the story of Nimrod, King of Babel, the emergence of man's vanity and the heights to which it could aspire if unchecked. Finally we cover Abraham, a mystic who spoke personally with God, a leader of men, a builder of nations, a pioneer and a warrior and Sarah. At the time she conceived her first child, the event being forecast by an Angel of the Lord. Three such Heavenly Messengers appeared in the course of events which befell Abraham and Sarah.—Anonymous

The Bible in the Beginning...

The Bible in the Beginning... (1966)

Pamela Tiffin

Edmund Purdom

Edward Mannix

After a high-class party in Rome, there's an assault. The victim is injured but lives. Andrea, an investigative reporter who drinks too much, is assigned the story. Then, always on Tuesdays, there are a series of murders. At each crime scene, a glove is left with a finger cut off for each victim. After four murders, Andrea thinks he's making progress, but by this time he may himself be a suspect, and someone he loves is in danger.—

The Fifth Cord

The Fifth Cord (1971)

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