Kevin Costner

Rebecca De Mornay

William Devane

Jane Fonda

Nuclear war in the United States is portrayed in a realistic and believable manner. The story is told through the eyes of a woman who is struggling to take care of her family. The entire movie takes place in a small suburban town outside San Francisco. After the nuclear attack, contact with the outside world is pretty much cut off.—Mark Logan

Testament

Testament (1983)

Nancy Reagan

Madonna

William Shatner

Marion Stokes secretly recorded television 24 hours a day for 30 years from 1975 until her death in 2012. For Marion taping was a form of activism to seek the truth, and she believed that a comprehensive archive of the media would be invaluable for future generations. Her visionary and maddening project nearly tore her family apart, but now her 70,000 VHS tapes are being digitized and they'll be searchable online.

Recorder: The Marion Stokes Project

Recorder: The Marion Stokes Project (2019)

Robert De Niro

Stephen Root

Loretta Devine

Stanley Cox is an illiterate short-order cook who has never taken a chance at love. Iris King is a newly widowed factory worker who has vowed never to love again. Still grieving eight months after her husband's death, she lives from paycheck to paycheck and raises two children. To make ends meet, she rents out space to her sister and brother-in-law who have financial and marital problems as well. Her daughter seeks escape through the company of boys resulting in an out of wedlock pregnancy, which makes matters worse. However, as their friendship slowly blossoms and Iris helps Stanley learn to read, his strong yet gentle kindness helps mend her broken heart. And where two lonely strangers stood trapped within the past, Stanley and Iris can now begin a new chapter of their lives - together.—MGM/UA Home Video

Stanley & Iris

Stanley & Iris (1990)

Heather McMahan

Lily Tomlin

Brooklyn Decker

Jane Fond and Lily Tomlin host a women led comedy variety show.

Jane Fonda & Lily Tomlin: Ladies Night Live

Jane Fonda & Lily Tomlin: Ladies Night Live (2022)

Donald Trump

Ronald Reagan

HyperNormalisation tells the extraordinary story of how we got to this strange time of great uncertainty and confusion - where those who are supposed to be in power are paralysed - and have no idea what to do. And, where events keep happening that seem inexplicable and out of control - from Donald Trump to Brexit, the War in Syria, the endless migrant crisis, and random bomb attacks. It explains not only why these chaotic events are happening - but also why we, and our politicians, cannot understand them. The film shows that what has happened is that all of us in the West - not just the politicians and the journalists and the experts, but we ourselves - have retreated into a simplified, and often completely fake version of the world. But because it is all around us, we accept it as normal. From BBCiPlayer

HyperNormalisation

HyperNormalisation (2016)

Anna Karina

Françoise Dorléac

Catherine Spaak

Having previously been filmed under the same title by Max Ophüls, Arthur Schnitzler's once-controversial play "Reigen" got an appropriately scintillating update courtesy of swinging-sixties eroticist Roger Vadim. Jane Fonda, Anna Karina, and Jean-Claude Brialy are among the bed-hopping coterie of soldiers, prostitutes, maids, actors, and aristocrats who swap lovers amid the opulence of pre-World War I Europe, captured in sumptuous color by celebrated New Wave cinematographer Henri Decaë.

Circle of Love

Circle of Love (1964)

Richard Gere

The Dalai Lama

Greta Thunberg

Picking up where its predecessor, the short film anthology "Climate Emergency: Feedback Loops," left off, "Earth Emergency" paints a more hopeful picture of the future if warnings are heeded and changes are made soon. However, the film warns that if left unchecked, feedback loops amplify the threat of rising temperatures and speed up global warming in ways that many aren't aware of.—Variety Magazine

Earth Emergency

Earth Emergency (2021)

Rachel Brosnahan

Stephanie Beatriz

Chelsea Peretti

A comedy special that tackles some of 2021's highlights that people probably want to forget about.

Yearly Departed

Yearly Departed (2021)

Paul McCartney

David Bowie

Freddie Mercury

"The American Revolution" chronicles free-form radio station WBCN-FM and Boston's other underground media, from 1968 to 1974, through the extraordinary original sights, sounds and stories.The American Revolution is a feature-length documentary film that takes viewers on a dazzling, rock and roll-fueled roller-coaster ride to witness the dramatic and historic political, social and cultural changes that took place in Boston MA during the late-1960s and early-1970's that would fuel the great transformations during one of the most volatile and historic eras in this nation's history.
The film chronicles the untold story of how Boston, beginning in 1968, on the heels of San Francisco's "Summer of Love" a year earlier, emerged as a central crossroad of the counterculture and New Left political activism. The story of the film follows the events that led to the emergence of the anti-draft and later the anti-Vietnam war protests, militant civil rights struggles, the women's and gay liberation movements, and the revolutionary activities of the Weather Underground, set against the powerful musical and cultural ferment of the day.At the hub of it was the radical, underground radio station, WBCN-FM, born on March 15, 1968, in makeshift studios in the dressing room of the legendary rock hall, the Boston Tea Party. Almost immediately, the station's unprecedented mix of new and eclectic music and subversive politics caught the ear of radio listeners, including the hundreds of thousands of high school and college students in the greater Boston area, and the station's impact soon spilled over nationally.This story of the radio station and the era will be told through a rich audio and visual filmic experience expertly and powerfully crafted from the original sights and sounds of the critical events of the era, as captured by some of the leading filmmakers and photographers of the time, gathered by producers in an unprecedented archival search that resulted in more than 100,000 items shared for the film, to be put in context by engaging and dramatic first-person accounts.We follow the personal and political journeys of a compelling cast of characters who were connected to the radio station, and whose lives intersected with militant anti-war activism, civil rights struggles, and the emerging women's and gay liberation movements. We watch as their struggles and activism, and their innovative use of media, helped change forever the roles and rights of women, gays and lesbians, and African-Americans in what had previously been America's white male-dominated society. Through our characters, we see the tremendous counter-cultural transformations of the era, as institutions of authority are challenged, sexual mores dramatically change, and the materialism that was for so long at the heart of the "American Dream" is called into question.Virtually every major political and musical figure during the era crossed paths with Boston, and with WBCN. Frequently heard on-the-air were such iconic activists as Professors Noam Chomsky and Howard Zinn; Abbie Hoffman; Jane Fonda; Daniel Ellsberg; and John Lennon, among many others. Meanwhile, WBCN was a critical launch pad for the careers of many soon-to-be super groups, including those who intersected with the radio station during its early days in the dressing room at the Boston Tea Party. These include The Who; Led Zeppelin; Grateful Dead; Fleetwood Mac; and the Velvet Underground, which with the group's dozens of appearances at the Tea Party were virtually the club's house band. Later, the station jump-started the careers of Bruce Springsteen; Bonnie Raitt; Patti Smith; and Aerosmith, among many others, and gave critical wide public exposure to great blues and jazz artists who had been largely unheard by mass audiences, including B.B. King; Muddy Waters; Miles Davis; and Sun Ra, and later reggae music.The documentary, propelled by a powerful soundtrack of some of the most evocative and memorable music ever created, powerfully demonstrates media's role in creating social change and facilitating political dissent. The American Revolution tells a story that will resonate today, at a time when, once again, media is at the center of efforts for democracy and social change, by showing viewers, including a new generation of young people, how in the days before Facebook and Twitter, cell phones and GPS, powerful changes were facilitated through the convergence of media, politics and culture, perhaps most importantly music, creating a movement that helped end a war and drove two unpopular sitting presidents from office. At a time when it's never been easier to communicate, but never been more difficult to be heard, it's a timely and critical story to be told.

WBCN and the American Revolution

WBCN and the American Revolution (2019)

Capucine

Lillian Bronson

Barbara Stanwyck

At the Doll House, a 1930s New Orleans bordello, Hallie is the main attraction both for clients and for Jo, the madam. Her comfortable if tedious life is disrupted by the arrival in town of Dove Linkhorn, her true love of three years before, who is now searching for her. When Linkhorn learns the truth of her profession he triggers a chain of events involving a number of people, including the young Kitty with whom he traveled from Texas, who is now the Doll House newest recruit.—Jeremy Perkins {J-26}

Walk on the Wild Side

Walk on the Wild Side (1962)

Alain Delon

George Gaynes

Lola Albright

French filmmaker Rene Clement presents Alain Delon as a petty criminal on the run from the underground. On the Rivera, he seeks refuge in a flophouse whose soup line is served by Jane Fonda and Lola Albright. The two women move him to a Gothic mansion owned by Albright, a millionairess with a Salvation Army complex. Fonda, her cousin, is hot for him and repeatedly attempts to seduce him while someone is attempting to poison him; and his murderous former associates have got wind of his whereabouts.—alfiehitchie

Joy House

Joy House (1964)

Donald Sutherland

Peter Boyle

Steve Jaffe

A documentary about a political troupe headed by actors Jane Fonda and Donald Sutherland which traveled to towns near military bases in the US in the early 1970s. The group put on shows called "F.T.A.", which stood for "F**k the Army", and was aimed at convincing soldiers to voice their opposition to the Vietnam War, which was raging at the time. Various singers, actors and other entertainers performed antiwar songs and skits during the show.—frankfob2@yahoo.com

FTA (1972)

Sylvester Stallone

Edward Asner

This feature-length documentary focuses on the efforts by troops in the U.S. military during the Vietnam War to oppose the war effort by peaceful demonstration and subversion. It speaks mainly to veterans, but serves as a ready reminder to civilians that soldiers may oppose war as stridently as any civilian, and at greater personal peril.—Steve Fenwick (scf@w0x0f.com)

Sir! No Sir!

Sir! No Sir! (2005)

Ellen Burstyn

Millie Perkins

Cindy Williams

In the 70s and 80s, activist Carole Roussopoulos and actress Delphine Seyrig made use of new video technologies to fight for the women's movement. Archive material documents their interventions into the events of the time.

Delphine and Carole

Delphine and Carole (2019)

George Segal

Thalmus Rasulala

Anne Ramsey

Manager Dick Harper and his attractive young wife Jane are used to a comfortable lifestyle. They just build a swimming-pool when Dick is fired very unexpectedly - leaving him with $70,000 debt on the house. They try to hide this from the neighbors and just cut down their expenses, but soon it's obvious: living from unemployment bonus drives them crazy, it's uncertain if they can keep the house. Dick doesn't see another way out than robbing drug stores - but this takes more skill than expected! Only as a team Dick and Jane can succeed.—Tom Zoerner

Fun with Dick and Jane

Fun with Dick and Jane (1977)

John Astin

Lois Nettleton

William Boyett

On December 23rd, Korean War veteran George Haverstick and nurse Isabel Crane - who George lovingly refers to as "Little Bit" - get married in a civil ceremony. They met when George was admitted to Belvedere General Hospital in St. Louis for a nervous shake, with Isabel being his night nurse. They got married immediately following his release, which occurred despite the doctors never discovering the reason for his affliction. They plan on honeymooning in Miami, and stopping in suburban High Point, Tennessee along the way to visit George's best friend, fellow Korean War vet Ralph Bates, and Ralph's wife of six years, Dorothea Bates. By the time they arrive on the Bates' doorstep on Christmas Eve, George and Isabel are hardly speaking to each other when they aren't yelling at each other as each had a preconceived notion of their role in the marriage incompatible with the other, and a romanticized view of how the other should behave. Ralph's marriage is currently in no better shape. Dottie has just left him, taking their infant son Junior with her. Although he never stated such to her, Ralph married insecure Dottie despite not loving her because her wealthy father, for who he worked, promised him the family business as an inheritance. Ralph and Dottie's current problem is primarily because Ralph could no longer stand her parent's pretentious and overbearing ways, both professionally and personally. Although Ralph, George and Isabel seem blind to the source of and solution to their own marital problems, each seems to have a clearer view of what ails the other couple and how best to fix their marriage.—Huggo

Period of Adjustment

Period of Adjustment (1962)

Yves Montand

Anne Wiazemsky

Luce Marneux

Jean-Luc Godard dissects the structure of society, movies, love and revolution. He asks compelling questions: Can love survive a relationship? Can ideology survive revolution? He also looks at the French student riots of the 1960s with a critical eye, and ends up satirizing contemporary views of history. A battery of thoughts complete with criticism of modern society and movies.—Mikael Halila

All's Well

All's Well (1972)

Jeff Bridges

Kathy Bates

Kathleen Wilhoite

Alex Sternberg wakes up with a hangover and no memory of how she ended up in bed with a dead man. She flees, convinced that she has had another blackout and stabbed someone. Her only support, Turner, an ex cop and recovering alcoholic who is unsympathetic to her plight. She could believe that it is as simple as a violent act committed while drunk, except that the body keeps re-appearing.—John Vogel

The Morning After

The Morning After (1986)

James Robertson Justice

Terence Stamp

Three directors each adapt a Poe short story to the screen: "Toby Dammit" features a disheveled, drugged and drunk English movie star who nods acceptance in the Italian press and his producers fawn over him. "Metzengerstein" features a medieval countess who has a love-hate relationship with a black stallion - who, it turns out, is really her dead lover. "William Wilson" tells the story of a sadistic Austrian student with an exact double whom he later kills.—alfiehitchie

Spirits of the Dead

Spirits of the Dead (1968)

Robert Redford

Quinn K. Redeker

Patricia Blair

Sonny Steele used to be a rodeo star, but his next appearance is to be on a Las Vegas stage, wearing a suit covered in lights, advertising a breakfast cereal. When he finds out that they are planning to drug the horse in case it is too frisky, he rides off into the desert on it.—Colin Tinto

The Electric Horseman

The Electric Horseman (1979)

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