Larry Arnold

Yvette Vickers

Jacques Aubuchon

James Cagney

Short Cut to Hell

Short Cut to Hell (1957)

Bud Abbott

Argentina Brunetti

Lou Costello

Joe Bascom was implicated in an oil stock swindle in Iowa. He is pursued by authorities even though he was a victim, more than a perpetrator. He heads to Mexico where he believes Harry Lambert, the real con man, has gone. Once there, he finds Harry has helped a mutual acquaintance, Mary, become a toreador known as Montana. Harry, Dagmar (another woman) and Mary are in cahoots with Gus Adamson to launch a new silver mine scam in Mexico. The key to it is having Montana toss her hat to Gus in a promotion to select the Amigo Americana Week honoree. With all the planned appearances, it will make a perfect platform to pitch the phony stock. Mary sees Joe in the crowd and tosses the hat at him in a fit of anger. Suddenly, Joe is a celebrity. He changes his name to Humphrey Fish to stay away from two US policeman who are pursuing him. Harry manages to recruit Joe into their scheme, but they don't count on his basic honesty. He keeps the money from the new stock sales to return to the investors. Dagmar tries to trick him into revealing where he hid the money but falls for him in the process. She takes it, but returns it to him in a bull ring, complete with a bull.—Garon Smith

Mexican Hayride

Mexican Hayride (1948)

Martin Milner

Aline Towne

Harold J. Stone

Burglar FRANKIE breaks into a suburban home through MIKE's (7) bedroom window. The boy is asleep in his bed. Frankie stays in the bedroom after he realizes that the boy's PARENTS are awake in the next room. When Frankie opens a music box and music plays, Mike awakens and screams. Mike's mother LISA rushes into the room and finds Frankie trying to suffocate the boy with a pillow. She grabs at Frankie who whips her in the face with a rope. Mike's FATHER bursts into the room and struggles with Frankie. When the burglar brandishes a knife, Mike's Father hurls a solid glass snow globe at Frankie and hits him in the head. The burglar collapses.Later at the police station, police detective LT. MARTIN takes a statement from Mike's Father, who is the REVEREND DAVID COLLINS. When Martin reveals that Frankie died from the blow to the head, the Reverend is stunned. Lurking in the background is Frankie's father SIMMONS, a chain smoking, poverty stricken tailor with a limp. Outside the station, it is a media circus. The press hails the Reverend as a hero. The Reverend goes home to find a TV crew set up in his son's room. They are eager to reenact the crime. The Reverend orders them out of his house, Lisa's eyes were injured in the attack and she has been confined to bed with both of her eyes bandaged. Meanwhile, Simmons sees a news report comparing his dead son, a habitual criminal, with the Reverend's angelic little boy. Simmons stares hard at the picture of Mike and an idea forms in his head.That night, the Reverend feels guilt over Frankie's death. Mike can't sleep, he is afraid someone is watching him. The Reverend lets Mike sleep with him. The boy says he is praying to be brave and strong just like his father. Lurking outside the house is Simmons. Days later, the Reverend goes to Simmons' shop in the hopes of somehow consoling the man. However, the LANDLADY says Simmons has been missing for days and reports that he owes three months back rent. She also says Frankie was a "born murderer." Meanwhile, Mike and his friends wander down to the old wharf. Mike climbs aboard a derelict paddle boat. Simmons follows the boy onto the boat and corners him. Mike is terrified. Just then a WATCHMAN appears and Simmons flees.That night at dinner, Mike insists that Simmons cornered him and intended to murder him. Lisa is fearful but the Reverend thinks Mike is telling a tall tale because the boy was forbidden from going to the old wharf. That evening, the Reverend urges Mike to walk alone to his friend SKUNKY'S house. The Reverend is meeting with a fellowship group when a fearful Mike appears. He claims that Simmons is lurking nearby. The Reverend is skeptical but goes out to investigate. No one is there, but he does find a distinctive tin of cigarette butts just like the one he saw Simmons carrying. At home later that night, the Reverend finds Skunky at his son's window. He persuades Skunky not to run away from home just yet. Then the Reverend calls the police, but Martin isn't in. Lisa overhears the conversation and is very worried. The next day, the Reverend tells Martin about the incident aboard the boat and about the cigarette butts. The cop is skeptical that Simmons is menacing the family, especially after they cannot find the cigarette butts. That Sunday, the Reverend presides over church services. Mike is singing in the choir when he notices the ponies arrive for the church bazaar. The Reverend is spooked when Simmons briefly appears at the back of the church. The clergyman panics after he notices that Billy is missing. The Reverend frantically searches the church grounds for his son and finally finds him sitting atop a pony. He orders the boy to go home with his mother's NURSE. Meanwhile, Simmons enters the Reverend's home, kicks at Mike's toys and then approaches the terrified Lisa. She pulls the bandages off her eyes and flees from Simmons. Mike finds his mother cowering in a closet. Afterwards, a skeptical Martin says there is no proof that Simmons was in the Reverend's home. Lisa is hysterical so the Nurse administers a sedative. Later, Mike is in the first bout at the church bazaar's peewee boxing contest. The Reverend is the referee. Simmons slinks into the tent where the match is being held and sets fire to a pail of rags. The billowing smoke creates a panic. In the confusion, Mike wanders under the stands and Simmons grabs him. Mike screams and the Reverend wrestles Simmons to the ground. But when Simmons croaks out the word murderer, the Reverend releases him. Later at the police station, Martin says there is no real evidence that Simmons set the fire. He bluntly tells the Reverend that they can't do anything until Simmons commits a crime, and then it will be too late. The Reverend goes home and tells his family to start packing; they are leaving town to escape from Simmons. However, Skunky's parents call from the hospital and say their son is asking for the Reverend. Skunky was injured during the fire. The Reverend goes to the hospital. He is unaware that Simmons is watching his every move. Then Simmons phones Lisa, impersonates a hospital employee, and says that the Skunky is asking for Mike. The Nurse drives Lisa and Mike to the hospital. The boy runs ahead of his mother and he is snatched by Simmons. Mike escapes from Simmons and flees to the nearby beach. Meanwhile, Lisa finds her husband and they realize that the phone call was a ruse. They go outside and the Reverend chases after Simmons and Mike. The boy hides among the pier pilings but Simmons spots him. Mike climbs out underneath the pier over deep water. Simmons chases him. The Reverend soon catches up to them. Simmons loses his footing and falls in the water. Simmons is drowning so the Reverend dives in and rescues him. Mike makes his way back to the beach where the Reverend insists he never hated Simmons son and he begs the man's forgiveness. Simmons cries and then departs. The Reverend and his family watch him go.

Man Afraid

Man Afraid (1957)

Carolyn Jones

James Brolin

John Astin

Wealthy entrepreneur Bruce Wayne (Adam West) and his ward Dick Grayson (Burt Ward) lead a double life: they are actually the crime-fighting team of Batman and Robin. Two secret Batpoles in Wayne Manor lead down to the Batcave, where Police Commissioner Gordon (Neil Hamilton) summons the Dynamic Duo on the Batphone with the latest emergency threatening Gotham City. Racing to the scene of the crime in the jet-powered Batmobile, Batman and Robin must (with the help of their trusty utility belts) thwart the schemes of a rogues gallery of flamboyant arch-villains, including the Joker (Cesar Romero), the Penguin (Burgess Meredith), the Riddler (both Frank Gorshin and John Astin) and the Catwoman (Julie Newmar, Lee Meriwether and Eartha Kitt).—Murray Chapman

Batman

Batman (1966)

Desi Arnaz

Fred Astaire

Adele Mara

The Acunas, a rich Argentine family, have the tradition that the daughters have to get married in order, oldest first. When sister #1 gets married, sisters #3 and #4 put pressure on Maria, sister #2, because they have their husbands picked out already. But Maria hasn't yet met a man she likes. Eduardo Acuna, believing that men aren't romantic enough these days, sends his daughter flowers and anonymous love letters, creating a "mystery man" for her to fall in love with. He intends to pick out an appropriate beau for her later, to fill the role. But Robert Davis, an American dancer looking for work, stumbles into the picture. Maria falls for him, but the father does not approve.—John Oswalt

You Were Never Lovelier

You Were Never Lovelier (1942)

James Caan

Colleen Camp

Barbra Streisand

The continuing story of Fanny Brice following that depicted in Funny Girl (1968) is presented. An established star on Broadway as a headliner for the Ziegfeld Follies, Fanny and the rest of the world are hitting difficult times entering into the 1930s. Her marriage to Nicky Arnstein, who she still loves is ending in divorce, and even Florenz Ziegfeld Jr. is having trouble coming up with money to continue to produce the Follies. Along comes brash nightclub owner, song lyricist and wannabe impresario Billy Rose, who says he can raise the money and has the material to produce his own revue, which he wants to star Fanny. Fanny is both attracted to and repelled by Billy because of his chutzpah, his stubbornness and knowing that underneath his outer veneer is the soul of a true hustler... much like she was when she was first starting out and much like she still is now. Through their professional trials and tribulations, they slowly start to fall for each other. But Fanny admits that Nicky is still never far from her mind...—Huggo

Funny Lady

Funny Lady (1975)

Frank Sinatra

Rossano Brazzi

Dorothy McGuire

Three American women, rooming together while working abroad in Rome, Italy hope for romance and marriage. Frances, oldest of the three, has been 15 years a secretary to novelist John Frederick Shadwell, whom she loves but whose reclusive nature prompts most people to believe that he's long dead. Anita, one week away from returning to America under the claim of getting married, finally bucks company rules (and gets caught) by finally accepting an invitation from an Italian co-worker to visit his family's farm for his sister's wedding. Newly-arrived Maria soon sets her generally-innocent eyes on Dino di Cessi, an actual prince with a reputation for womanizing, and makes a play for him by making herself his perfect match.—statmanjeff

Three Coins in the Fountain

Three Coins in the Fountain (1954)

Jason Wingreen

James Garner

Edward Asner

Quincy Drew and his black friend Jason O'Rourke have pulled off every dodge known for conning a well-heeled sucker, but it wasn't until they hit on the old skin game that they started to clean up. The game is simple. Jason, though born a free man in New Jersey, poses as Quincy's slave as the pair ride through Missouri and Kansas in 1857. Quincy picks a likely mark in each town, sells Jason to him for top money and rides out of town. Then Quincy and Jason get back together on the road to another town, because if Jason can't just run off after dark, Quincy finds a way to spring him loose.—Anonymous

Skin Game

Skin Game (1971)

Julie Andrews

Mary Tyler Moore

Pat Morita

In 1922 New York City, Millie Dillmount (Dame Julie Andrews) and Miss Dorothy Brown (Mary Tyler Moore) are just two of the girls living at the Priscilla Hotel for Single Young Ladies run by Mrs. Meers (Beatrice Lillie). Orphaned, Miss Dorothy, just recently arrived, is a naive, old-fashioned girl from a seemingly privileged background who has aspirations to be a stage actress. From more modest means, Millie, in New York City for three months, used to be old-fashioned, but now has a new modern sensibility and look to match, complete with bobbed hair and dresses with hemlines above the knee. Included in this new modern sensibility is Millie's goal of getting a job as a stenographer, with a quick promotion to being her wealthy boss' "Mrs." Love is not to factor into the equation. She believes she's found the right employer in the form of chisel-jawed Trevor Graydon (John Gavin) of the Sincere Trust Insurance Company. Millie's pursuit of Mr. Graydon is despite the fact that Mr. Graydon sees her as one of the boys, he has old-fashioned sensibilities, and Millie has a mutual attraction to another boy named Jimmy Smith (James Fox). Although she likes Jimmy, Millie feels that Jimmy, as a paper clip salesman with an overwhelming happy-go-lucky attitude, is not driven enough to be husband material. That doesn't stop Jimmy's pursuit of Millie. In her association with Jimmy, Millie meets flamboyant wealthy Renaissance woman Muzzy Van Hossmere (Carol Channing). Jimmy's father once worked as Muzzy's gardener. Originally from humble means much like Millie, Muzzy tries to convince Millie that true love will lead to happiness, as that is what happened when she met the now deceased Mr. Van Hossmere, who she had no idea was rich. In other goings-on amongst this new circle of friends, Miss Dorothy leaves New York City without a word to anyone except Mrs. Meers. Thinking this situation rather odd, Millie connects Miss Dorothy's leaving with that of other girls previously living at the Priscilla Hotel. With Mr. Graydon's help, Jimmy and Millie try to find out what happened to Miss Dorothy.—Huggo

Thoroughly Modern Millie

Thoroughly Modern Millie (1967)

Frank Faylen

Bob Hope

Kasey Rogers

Peanuts White, a burlesque comic, is recruited by U.S. agents to impersonate international spy Eric Augustine (whom White resembles) in a mission to purchase a million-dollar microfilm in mysterious, exotic Tangier. There, he encounters the irresistable Lily Dalbray, an "old friend" of Augustine who is now dealing with his arch-enemy, Brubaker. But where is the real Eric? Comedy thriller with slapstick climax.—Rod Crawford

My Favorite Spy

My Favorite Spy (1951)

Sophia Loren

Majel Barrett

Anthony Quinn

After mobsters murder her husband, Rose Bianco works long hours making artificial flowers, to support herself and her son. Some suspect that Rose's demand for a lavish lifestyle pushed her husband to a life of crime, and they blame her for his death. Widower Frank Valente is attracted to Rose, and must convince her that real love exists. He must also deal with his own daughter, who has her own reasons for opposing his marriage to Rose.—Molly Malloy

The Black Orchid

The Black Orchid (1958)

Alfred Hitchcock

Richard Derr

Anna Navarro

A high ranking Russian official defects to the U.S., where he is interviewed by U.S. Agent Michael Nordstrom. The defector reveals that a French spy ring codenamed "Topaz" has been passing N.A.T.O. secrets to the Russians. Michael calls in his French friend and counterpart Andre Devereaux to expose the spies.—Col Needham

Topaz

Topaz (1969)

Lex Barker

John Dehner

Patricia Medina

In 1820, André Tulane (Lex Barker), hot-tempered scion of a Louisiana plantation family, is debt-bound to Lili Scarlet (Patricia Medina), notorious gambling ship queen, and the daughter of Jacques Scarlet (Ian Keith (I)'), a former pirate with Jean Lafitte. André helps Lili fight off the river pirates led by her former fiance Hugo Marat (Warren Stevens), after he has seized control of Lili's gambling-boat.—Les Adams

Duel on the Mississippi

Duel on the Mississippi (1955)

James Woods

Robert Redford

Murray Hamilton

Set in the period from the mid-1930s to the 1950s, a love story involving two markedly different people. Katie is an idealistic, uptight, Stalin-loving political activist. Hubbell is an easy-going, athletic, All American-type, and a talented writer. We see their different personalities affect their relationship and how they manage despite the differences...—grantss

The Way We Were

The Way We Were (1973)

Dennis Hopper

Carroll Baker

Elizabeth Taylor

Texan rancher Jordan "Bick" Benedict, Jr. (Rock Hudson) visits a Maryland farm to buy a prize horse. While there he meets and falls in love with the owner's daughter Leslie (Dame Elizabeth Taylor), they are married immediately and return to his ranch. The story of their family and its rivalry with cowboy and (later oil tycoon) Jett Rink (James Dean) unfolds across two generations.—Col Needham

Giant

Giant (1956)

Leslie Nielsen

Gene Hackman

Ernest Borgnine

A passenger ship, on her way to the scrap yard is pushed to her limits by the new owners to save on the dismantling fees. A tidal wave hits her, flipping her over so that all the internal rooms are upside down. A priest takes a mixed band of survivors on a journey through the bowels of the ship in an attempt to survive.—John Vogel

The Poseidon Adventure

The Poseidon Adventure (1972)

Robert Duvall

Marlon Brando

Most everyone in town thinks that Sheriff Calder is merely a puppet of rich oil-man Val Rogers. When it is learned that local baddie Bubber Reeves has escaped prison, Rogers' son is concerned because he is having an affair with Reeves' wife. It seems many others in town feel they may have reasons to fear Reeves. Calder's aim is to bring Reeves in alive, unharmed. Calder will have to oppose the powerful Rogers on one hand and mob violence on the other, in his quest for justice.—Buxx Banner

The Chase

The Chase (1966)

Gary Cooper

Walter Brennan

Biopic traces the life of Lou Gehrig, famous baseball player who played in 2130 consecutive games before falling at age 37 to ALS, a deadly nerve disease which now bears his name. Gehrig is followed from his childhood in New York until his famous 'Luckiest Man' speech at his farewell day in 1939.—Jerry Milani

The Pride of the Yankees

The Pride of the Yankees (1942)

Carroll O'Connor

Richard Widmark

John Saxon

In the turn-of-the century Texas town of Cottownwood Springs, marshal Frank Patch is an old-style lawman in a town determined to become modern. When he kills drunken Luke Mills in self-defense, the town leaders decide it's time for a change. They ask for Patch's resignation, but he refuses on the basis that the town on hiring him had promised him the job for as long as he wanted it. Afraid for the town's future and even more afraid of the fact that Marshal Patch knows all the town's dark secrets, the city fathers decide that old-style violence is the only way to rid themselves of the unwanted lawman.—Jim Beaver

Death of a Gunfighter

Death of a Gunfighter (1969)

Peter Lorre

Shirley MacLaine

John Carradine

When this movie is made in 1956, one could circumnavigate the globe in a little less than two days. When Jules Verne wrote the story "Around the World in Eighty Days" in 1872, he predicted that one day man could accomplish the task in eighty hours, but which most considered folly to do in eighty days in current times, that is except for people like Englishman Phileas Fogg, a regimented man who believed all it would take is exacting work, the skills he possesses. He just has to make sure a train's schedule meets the required sailing schedule which meets the required coach schedule and so on. As such, he takes up what ends up being the highly publicized twenty thousand pounds sterling wager from his fellow members at the London Reform Club to do so, losing the bet which would ruin him financially. Along for the ride is Fogg's new, loyal and devoted valet, the recently arrived Latin immigrant, Passepartout, who possesses unusual skills which could be major assets, but whose all consuming thoughts on the opposite sex could take away his focus from the task at hand. Although Fogg has accounted for certain transportation delays, he may not account for cultural peccadilloes he may encounter along the way which could also cause delays. He is also unaware of the true reason a man name Fix is following them, he who could also derail Fogg's task permanently. As Fogg and Passepartout proceed on their journey, they get into one misadventure after another. Ultimately, Fogg may find other things in life more important than winning the bet.—Huggo

Around the World in 80 Days

Around the World in 80 Days (1956)

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