Jeremy Kemp

Camilla Sparv

Catherine Schell

Michael Redgrave

Philip Scott (Stephen Boyd), head of a successful toy company, is also secretly the head of a British spy unit. When his cover is blown, enemy agents kidnap his girlfriend to force him to reveal the identities of his operatives.—Daniel Frankham

Assignment K

Assignment K (1968)

Joan Greenwood

Edith Evans

Margaret Rutherford

Jack Worthing and Algernon Moncrieff are two men that are both pretending to be someone they are not.—Simone Denvile

The Importance of Being Earnest

The Importance of Being Earnest (1952)

Alexander Knox

Anthony Quinn

Virna Lisi

During World War II, Johann Moritz (Anthony Quinn), a Romanian gentile peasant, whose pretty wife is lusted after by the village gendarme, is denounced as being Jewish, arrested, and sent to a concentration camp. In the camp, the camp commander mistakes him for a new recruit, a volunteer to the S.S. and he is drafted into the S.S. Ironically, after the war, he is detained by the Allied authorities for his wartime involvement with the S.S.—nufs68

The 25th Hour

The 25th Hour (1967)

Audie Murphy

Giorgia Moll

Bruce Cabot

In this adaptation of Graham Greene's prophetic novel about U.S. foreign policy failure in pre-war Indochina, Audie Murphy plays an innocent Young American opposite the older, cynical Brit Sir Michael Redgrave. They play out their widely different views on the prospects struggle for the hearts and minds of the Vietnamese people in their competition over a young woman. Murphy wants to reform her and make her a typical middle class American housewife; Redgrave accepts her inability to formulate or retain a political ideal and while promising her no real future, he objects to Murphy's attempts to change her. It's not clear whether Murphy is just what he appears - a bungling Yankee do-gooder, or a deliberate agent of U.S. covert operations.—Rita Richardson

The Quiet American

The Quiet American (1958)

Vanessa Redgrave

Tony Wager

Judy Parfitt

Philip Selwood has just passed his final exams for the Royal College of Surgeons of England, and has immediately secured a job as registrar at a teaching hospital under well respected Sir Arthur Benson-Gray, who happens to be his imminent father-in-law in Sir Arthur's daughter, Pamela Benson-Gray, having accepted his proposal of marriage. In the job offer for which Philip had to "compete", Sir Arthur asks Philip to postpone announcement of the engagement in not wanting to appear that the offer is a case of nepotism, which it is in part in some employment candidates rightly believing it's not what you know, but who you know. One of the employment candidates with that belief is native Pole Carl Romek, who, in having an Eastern European accent on top of everything else, has been passed over for job after job, he applying for the other open position at the hospital of anesthetist. Romek is surprised to get the job, although he is unaware that he only got it in a power play between Sir Arthur and his chief rival surgeon, Neil Isherwood. Philip demonstrates that he was the correct choice not only in his knowledge and skill as a surgeon, but in his humanistic approach to the patients, while Carl may be another matter in the unknown heavy baggage which he brings affects how he does his job. In Philip wanting to help Carl in being his friend, Philip risks his own position at the hospital and threatens his relationships with both the Benson-Grays in the process.—Huggo

Behind the Mask

Behind the Mask (1958)

Alfred Hitchcock

Googie Withers

Paul Lukas

Passengers on a scheduled train out of the mountainous European country of Mandrika are delayed by a day due to an avalanche, and thus get up close and personal with each other out of necessity in the only and what becomes an overcrowded inn in the area. Once the train departs, the one person who it is uncertain is on the train is a middle aged English governess named Miss Froy (Dame May Whitty). Iris Henderson (Margaret Lockwood), who was vacationing in Mandrika with girlfriends before heading back to England to get married, is certain that Miss Froy was on the train as they were in the same compartment and they had tea together in the dining car, but all those people who can corroborate her story don't seem to want to do so. Iris' thoughts are easily dismissed as a possible concussion as Iris was hit over the head just before boarding the train. Iris will take anyone's help in finding Miss Froy, even that of an Englishman named Gilbert (Sir Michael Redgrave), a musicologist with whom she had a not so pleasant encounter at the inn the evening before. As Iris and Gilbert go on their quest throughout the train, they believe there is a conspiracy amongst many of the passengers against the validity of there being a Miss Froy. But if there is a conspiracy, Iris and Gilbert still have to find Miss Froy and find out why anyone would want to kidnap a middle aged English governess.—Huggo

The Lady Vanishes

The Lady Vanishes (1938)

Joan Bennett

Anabel Shaw

Barbara O'Neil

In this Freudian version of the Bluebeard tale, a young, trust-funded New Yorker goes to Mexico on vacation before marrying an old friend whom she considers a safe choice for a husband. However, there she finds her dream man, a handsome, mysterious stranger who spots her in a crowd. In a matter of a few days they marry, honeymoon, and move to his mansion, to which he has added a wing full of rooms where famous murders took place. She discovers many secrets about the house and her husband, but what she really wants to know is what is in the room her husband always keeps locked.—Julie van Arcken

Secret Beyond the Door...

Secret Beyond the Door... (1947)

James Fox

Julia Foster

Edward Fox

A rebellious youth, sentenced to a boy's reformatory for robbing a bakery, rises through the ranks of the institution through his prowess as a long distance runner. During his solitary runs, reveries of his life and times before his incarceration lead him to re-evaluate his privileged status as the Governor's prize runner.

The Loneliness of the Long Distance Runner

The Loneliness of the Long Distance Runner (1962)

Orson Welles

Gert Fröbe

Patricia Medina

From the lips of a dying man at a dimly-lit Italian dock, Guy Van Stratten, the disreputable American fortune hunter, receives invaluable information about the powerful financial titan, Gregory Arkadin. In high hopes that something good might come out of it, Guy finally approaches the cryptic multi-million tycoon, intent on exploiting him; instead, the ambitious opportunist finds himself mysteriously hired by Mr Arkadin, to reconstruct the history of his murky past before 1927. However, as the methodical detective scours the globe to put together the dangerously knotty puzzle, people end up dead, gradually closing in on Van Stratten, who now begins to shed light on this murderously difficult assignment. Are those cases linked together? In the end, has the reclusive magnate something to hide?—Nick Riganas

Confidential Report

Confidential Report (1955)

Stanley Holloway

Trevor Howard

John Mills

Life on a British bomber base, and the surrounding towns, from the opening days of the Battle of Britain, to the arrival of the Americans, who join in the bomber offensive. This movie centers around Pilot Officer Peter Penrose (Sir John Mills), fresh out of a training unit, who joins the squadron and experiences life during wartime. He falls for Iris Winterton (Renée Asherson), a young girl who lives at the local hotel, but he becomes disillusioned about marriage when the squadron commander dies in a raid, leaving his wife, the hotel manager, to bring up their young son alone. As the war progresses, Penrose comes to terms about surviving while others have been killed.—mike.wilson6@btinternet.com

Johnny in the Clouds

Johnny in the Clouds (1945)

Sean Connery

Neil McCarthy

Roy Kinnear

World War II, in a British disciplinary camp located in the Libyan desert, prisoners are persecuted by Staff Sergeant Williams (Ian Hendry), who made them climb again and again, under the heavy sun, an artificial hill built right in the middle of the camp. Harris (Ian Bannen) is a more human and compassionate guard, but the chief, R.S.M. Wilson (Harry Andrews), refuses to disown his subordinate Williams. One day, five new prisoners arrive. Each of them will deal in a different way with the authority and Williams' ferocity.—Yepok

The Hill

The Hill (1965)

Michael Hordern

Denholm Elliott

At a fashionable dinner party in Hong Kong, a Naval officer is coaxed into revealing details of a dream in which eight people take off from Bangkok, Thailand in a Dakota bound for Tokyo, Japan and crash in the Japanese mountains. Amongst those listening is Air Marshal Hardie (Sir Michael Redgrave), who is due to fly to Tokyo the next day. Hardie initially dismisses the dream because he is scheduled to fly out in a Liberator, but as Hardie arrives at the airport, he discovers that the Liberator has developed mechanical problems and has been replaced by a Dakota. When, just before the flight is due to depart, two soldiers board the plane making a complement of eight, Hardie fears that the dream may be coming true, and he is destined to die.—Dave Jenkins

The Night My Number Came Up

The Night My Number Came Up (1955)

Jean Kent

Wilfrid Hyde-White

Anton Rodgers

Andrew Crocker-Harris (Michael Redgrave) is a classics teacher at an English boys school. After 18 years of teaching there, today is his last day before moving on to a position at another school. The students speculate on why he is leaving, but don't much care since despite being academically brilliant, he is universally despised as being strict, stern and humorless. They have nicknamed him "The Crock." Even the school administrators treat him poorly, regardless of his long tenure. Millie Crocker-Harris (Jean Kent), his wife, is quite a bit different from her husband: she's younger and vivacious. She no longer loves her husband but rather loves Frank Hunter (Nigel Patrick), another teacher, who, despite having an affair with her, knows that he is not in love with her. On this last day, one student named Taplow (Brian Smith), who doesn't hate Mr. Crocker-Harris but feels sorry for him, provides him with a small going-away gift. The gift brings about a series of actions which make Mr. Crocker-Harris reflect on his past, contemplate his future, and evaluate how he is going to finish his tenure at the school.—Huggo

The Browning Version

The Browning Version (1951)

Bette Davis

Kay Walsh

Gabrielle Drake

Explores the relationships shared by the residents of a seedy boarding house in London owned by dour Mrs. Brent (Kay Walsh). Amongst them are busker Wanda Fleming (Bette Davis), who is flattered by the attention paid her by rebellious pop songwriter wannabe Mickey Hollister (Alexis Kanner), and former schoolmaster James Wallraven (Sir Michael Redgrave), who has been accused of pedophilia and reduced to working as a janitor in an art gallery.—Ulf Kjell Gür

Connecting Rooms

Connecting Rooms (1970)

Deborah Kerr

Pamela Franklin

Peter Wyngarde

In Victorian England, the uncle (Sir Michael Redgrave) of orphaned niece Flora (Pamela Franklin) and nephew Miles (Martin Stephens) hires Miss Giddens (Deborah Kerr) as governess to raise the children at his estate with total independence and authority. Soon after her arrival, Miss Giddens comes to believe that the spirits of the former governess Miss Jessel (Clytie Jessop) and valet Peter Quint (Peter Wyngarde) are possessing the children. Miss Giddens decides to help the children to face and exorcise the spirits.—Claudio Carvalho, Rio de Janeiro, Brazil

The Innocents

The Innocents (1961)

Peter Cushing

Joan Plowright

Lois Maxwell

Alec Graham (Alec McCowen) is sentenced to death for the murder of his girlfriend Jennie Cole (Christina Lubicz), with whom he was spending the night at the flat of the parents of his friend Brian Stanford (Paul Daneman). Alec's father, David Graham (Sir Michael Redgrave), a not-so-successful writer and alcoholic who has neglected his son in the past, flies in the day before the planned execution from Canada to visit his son on death row. Alec is resigned to his fate and not amenable to his father's attempts for a final reconciliation. David Graham, convinced of his son's innocence and, despite his preoccupation with himself and his own alcoholism, mounts a last-ditch effort to find the true murderer in the twenty-four hours remaining until the planned execution. Graham encounters the wealthy and famous car manufacturer Robert Stanford (Leo McKern), tyrant at home and in the office, and an apparent womanizer, Stanford's young, curiously troubled wife Honor (Ann Todd), their ill-at- ease adopted son Brian, himself disturbed by his parents' relationship, and Vickie Harker (Lois Maxwell), a young, brazen secretary at Stanford's factory who received a promotion following Alec's conviction.—freddy-11

Time Without Pity

Time Without Pity (1957)

Jill Ireland

Anthony Quayle

"Die Fledermaus" (The Bat) is the pseudonym adopted by Dr. Falke (Anton Walbrook). Floating on the buoyant waltzes of Strauss, this Viennese romp is sure to please. Disguises, tricks, and every kind of deception combine to reveal a would-be cheat in hot pursuit of his own wife, much to his chagrin. Silly, charming, always entertaining, always fun. This is a movie version of "Die Fledermaus" set in post-war Vienna with the main protagonists of Dr. Falke represented by the three occupying powers. This is not just a movie of a staged production, but a truly filmic version of the operetta.—Steve Crook

Oh... Rosalinda!!

Oh... Rosalinda!! (1955)

Mervyn Johns

Sally Ann Howes

Architect Walter Craig (Mervyn Johns), seeking the possibility of some work at a country farmhouse, soon finds himself once again stuck in his recurring nightmare. Dreading the end of the dream that he knows is coming, he must first listen to all the assembled guests' own bizarre tales.—Doug Sederberg

Dead of Night

Dead of Night (1945)

John Gielgud

Jennifer

Elvin Jenkins

This brief documentary-style film presents the status of Great Britain near the end of the Second World War by means of a visual diary for a baby boy born in September, 1944. Narration explains to "Timothy" what his family, his neighbors, and his fellow citizens are going through as the war nears its end, and what problems may remain for new Englishmen like Timothy to solve.—Jim Beaver

A Diary for Timothy

A Diary for Timothy (1945)

Robert Shaw

Laurence Naismith

Patrick McGoohan

The British are desperate to shorten the length of World War II and propose a daring raid to smash Germany's industrial heart. At first, the objective looks impossible until a British scientist invents an ingenious weapon capable of destroying the planned target.—Dave Jenkins

The Dam Busters

The Dam Busters (1955)

23 YIFY Movies Found

5.5 / 10

ActionCrime

7.4 / 10

ComedyDrama

7.4 / 10

DramaWar

6.6 / 10

ActionDrama

6.1 / 10

ActionDrama

7.7 / 10

ActionCrime

6.6 / 10

ActionDrama

7.5 / 10

ActionDrama

7.1 / 10

ActionCrime

7.3 / 10

ActionDrama

7.8 / 10

ActionDrama

7 / 10

ActionDrama

8 / 10

ActionDrama

6.4 / 10

ActionDrama

7.7 / 10

ActionDrama

6.8 / 10

CrimeDrama

6.1 / 10

ActionMusical

7.5 / 10

ActionDrama

7 / 10

ActionDocumentary

7.4 / 10

ActionDrama

Action
Crime

Comedy
Drama

Drama
War

Action
Drama

Action
Drama

Action
Crime

Action
Drama

Action
Drama

Action
Crime

Action
Drama

Action
Drama

Action
Drama

Action
Drama

Action
Drama

Action
Drama

Crime
Drama

Action
Musical

Action
Drama

Action
Documentary

Action
Drama