Annabelle Dexter-Jones

Eva Mendes

Michel Piccoli

Kylie Minogue

From dawn to dusk, a few hours in the life of Monsieur Oscar, a shadowy character who journeys from one life to the next. He is, in turn, captain of industry, assassin, beggar, monster, family man. He seems to be playing roles, plunging headlong into each part - but there are no cameras present.

Holy Motors

Holy Motors (2012)

Luis Buñuel

Delphine Seyrig

Daniel Pilon

Two vagabonds Jean (Laurent Terzieff) and Pierre (Paul Frankeur) are hitching a ride from Paris to Spain as a pilgrimage to Santiago de Compostels to pray over the remains of Saint James. As the two travel by whatever methods they can get and depending on the locals for food, they seem to shift their existence in time, flashing back to biblical times, medieval times, and renaissance times to scenes confronting and examining theological texts and arguments surrounding heresy. Along the way Jean and Pierre meet up with Jesus (Bernard Verley) showing off his abilities, and the Marquis de Sade (Michel Piccoli) begins a new relationship with a young girl in chains, and also Satan (Pierre Clementi) who appears during a car crash to establish some interesting points about religion. In the end our two beggars realize some interesting new ideas about the world they inhabit.

The Milky Way

The Milky Way (1969)

Emmanuelle Béart

Jane Birkin

Susan Robertson

The former famous painter Frenhofer lives quietly with his wife in his countryside residence in the French Provence. When the young artist Nicolas visits him with his girlfriend Marianne, Frenhofer decides to start working again on a painting called 'La Belle Noiseuse', which he gave up a long time ago. And he wants Marianne as a model. The ensuing creative process will change the characters' lives. It will become a struggle for truth and meaning, and the question about the limits of art will arise.—Jens Bertheau

La belle noiseuse

La belle noiseuse (1991)

Carole Bouquet

Ángela Molina

Milena Vukotic

Just after boarding a train, much to the surprise of his fellow passengers, a man pours a bucket of water over a young girl on the platform. Over the next few hours he explains (and we see in flashback) how he became obsessed by her (so much so that he failed to notice that she was played by two different actresses, representing different sides of her personality), and how she tantalised him, but would never allow him to satisfy his desire for her...—Michael Brooke

That Obscure Object of Desire

That Obscure Object of Desire (1977)

Jean-Paul Belmondo

Monique Hennessy

Carl Studer

Fresh out of prison and hell-bent on revenge, the recently paroled burglar, Maurice Faugel, finds himself, once more, on the run from the police after what should have been a quick and simple robbery. Now, under shady circumstances, everything points to Maurice's former friend and partner-in-crime, Silien: a cold-blooded, stony-faced gangster who has a reputation for being an unscrupulous informer. However, did Silien truly rat on Faugel? After all, in the heart of the ruthless Parisian underworld where one must choose between lying or dying, Silien seems willing to redeem his already tattered reputation, of course, in his own twisted way. In the end, is the so-called honour among thieves nothing but a mere myth?—Nick Riganas

Le Doulos

Le Doulos (1962)

Catherine Deneuve

Françoise Dorléac

Jacques Perrin

Delphine and Solange are two sisters living in Rochefort. Delphine is a dancing teacher and Solange composes and teaches the piano. Maxence is a poet and a painter. He is doing his military service. Simon owns a music shop, he left Paris once month ago to come back where he fell in love 10 years ago. They are looking for love, looking for each other, without being aware that their ideal partner is very close... A film whose scenario is much less important than its feeling of euphory, according to the director Jacques Demy.—Yepok

The Young Girls of Rochefort

The Young Girls of Rochefort (1967)

Dominique Sanda

Marie-Pierre Feuillard

Patrick Joly

A film musical in which every line is sung. The frame is about workers during a strike. They also prepare and perform a demonstration. Two personal relations develop against this background. François abandons his pregnant girlfriend Violette. She feels treated even more unjust when he tries to defend and excuse his behaviour. He had met a very beautiful over-class girl, Edith, and both were immediately overwhelmed by genuine and reciprocal passion. Edith lived in a very unsatisfactory marriage. She was the daughter of the widow from which François rented his room. Nevertheless, he met her in the street, where she just opened her fur coat and was starch naked under it. They will be together in great passion for just one night and day. At the demonstration François is shot by the police and dies in Edith's arms. - The music is closer to opera than in any other film musical by Jacques Demy. But the greatest difference is that he has devoted much more effort to the task of instructing the singers to reveal the psychic emotions of the text and events.—Max Scharnberg, Stockholm, Sweden

A Room in Town

A Room in Town (1982)

Willem Dafoe

Joseph Stalin

Irène Jacob

A, an American film director of Greek ancestry, is making a film that tells his story and the story of his parents. It is a tale that unfolds in Italy, Germany, Russia, Kazakhstan, Canada and the USA. The main character is Eleni, who is claimed and claims the absoluteness of love. At the same time the film is a long journey into the vast history and the events of the last fifty years that left their mark on the 20th century. The characters in the film move as though in a dream. The dust of time confuses memories. A searches for them and experiences them in the present.—Theo Angelopoulos

Trilogia II: I skoni tou hronou

Trilogia II: I skoni tou hronou (2008)

Jeanne Moreau

Marcel Le Floch

Michel Dacquin

Celestine, the chambermaid, has new job on the country. The Monteils, who she works for are a group of strange people. The wife is frigid, her husband is always hunting (both animals and women) and her father is a shoe-fetishist. Joseph, the farm-labourer is a fascist and sexually attracted to Celestine. Celestine settles herself and talks to the neighbour, an ex-officer, who likes damaging his neighbour's things. After the death of the old man, she quits her job, but because of the rape and murder of a child 'Little Claire' she decides to stay, believing that Joseph is the murderer. To get his confession she sleeps with him and promises to marry him. In spite of her engagement she fakes evidence to implicate him in the murder. He is arrested, but is released because the evidence is inconclusive. She marries the ex-officer and takes on a housewife role similar to that of Madame Monteil.—Stephan Eichenberg

Diary of a Chambermaid

Diary of a Chambermaid (1964)

Marcello Mastroianni

Philippe Noiret

James Campbell

Having organised a lavish gastronomic seminar right under everyone's noses, grizzled friends and members of the professional bourgeoisie--chef Ugo, a restaurant owner; international libertine Marcello, an Alitalia pilot; refined Michel, a successful television producer; and sheltered Philippe, a venerable magistrate--gather for a weekend of debaucherous fun at a Parisian villa. As truckloads of the finest meat and wine arrive, the four companions prepare for a Romanesque banquet; however, something is missing. And before long, three elegant prostitutes join the eclectic quartet of hungry epicures. Now the stage seems set for a magnificent, unrestrained, Bacchanalian feast. After all, the extravagant hedonists are bent on carrying out their morbid secret plan to the letter. But how do you eat an elephant? One bite at a time.—Nick Riganas

The Big Feast

The Big Feast (1973)

Terry-Thomas

Marisa Mell

John Phillip Law

In psychedelic swinging 60s style, the dreaded thief Diabolik wreaks havoc on a generic European country for his own financial gain and amusement. He shares an extravagant underground lair (and a giant bed of money) with his curvaceous, beautiful girlfriend...who uses her awesome powers to help Diabolik foil gangsters and steal billions from the government. As the anti-hero of the film, Diabolik must face off against bumbling cops and revenge-seeking mafiosi.—Michael "Rabbit" Hutchison

Danger: Diabolik

Danger: Diabolik (1968)

Yves Montand

Simone Signoret

Mylène Demongeot

Salem, 1692. Industrious farmer, John Proctor, has twice made love to 17-year-old Abigail, a youth he and his wife have taken in. (His wife Elisabeth has rebuffed him for seven months; she is puritanical and cold.) When she finds John and Abigail embracing, she sends the lass from her home and John, feeling damned, agrees. Abigail vows revenge. Her chance comes when she accuses Elisabeth of witchcraft and manipulates younger girls to support her claims of seeing spirits. The town's minister and politicians want a cause: ridding the town of witchcraft is the ideal repression. John too, is accused; Abigail offers him a way to avoid hanging. Elisabeth has her own confession.—

The Crucible

The Crucible (1957)

Monica Vitti

Michael Lonsdale

As unusual, eccentric, and bizarre vignettes of mundane and seemingly innocuous conventions of our social and private lives success one another, somehow, Napoléon Bonaparte's troops, earthly monks, dangerous snipers, and the peculiar disappearance of a beloved one metamorphose into banal instances of our daily existence. With this in mind, under those surreal circumstances, the abnormal becomes normal, the obvious transforms into something unclear or even invisible, and the extraordinary transfigures into ordinary. But, are things always black and white? How real is the haunting spectre of liberty?—Nick Riganas

The Phantom of Liberty

The Phantom of Liberty (1974)

Polly Walker

Doris Kunstmann

Laurent Hennequin

Marcel Spandice, a famous homosexual writer during the sixties in Paris, is trying to make a young Arab into the greatest tightrope walker in the world.

Les Équilibristes

Les Équilibristes (1991)

Stéphane Audran

Jean-Pierre Cassel

Several bourgeois friends planning to get together for dinner experience a succession of highly unusual occurrences that interfere with their expected dining enjoyment.—Ed Cannon

The Discreet Charm of the Bourgeoisie

The Discreet Charm of the Bourgeoisie (1972)

A recital becomes part of the French culture; 25 years later the performers return to the village where it was first launched.

The Young Girls Turn 25

The Young Girls Turn 25 (1993)

Françoise Fabian

Severine is a beautiful young woman married to a doctor. She loves her husband dearly, but cannot bring herself to be physically intimate with him. She indulges instead in vivid, kinky, erotic fantasies to entertain her sexual desires. Eventually she becomes a prostitute, working in a brothel in the afternoons while remaining chaste in her marriage.—James Meek

Belle de Jour

Belle de Jour (1967)

André Luguet

Pierre Richard

Joanna Shimkus

Stanislas Hassler blazes the development of modern art in his gallery, packed with works of surprising shapes, colours and textures, and where exhibitions turn into media events. Gilbert Moreau is one of the artists whose sculptures are on display in the gallery. His wife, Josée, is intrigued by the stern Stanislas, who devotes his free time to photography in an apartment that highlights his sophisticated artistic tastes. But besides enlarged pictures of calligraphic samples, Stanislas is amassing a collection of photographs that reveal a disturbed character. So why would Josée endanger her mature relationship with Gilbert for the morbid observation of Stanislas's hidden personality?—Eduardo Casais

Woman in Chains

Woman in Chains (1968)

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