Paul Newman

Angela Lansbury

Orson Welles

Lee Remick

Sixty-one year old widower Will Varner (Orson Welles), in ill health, owns many businesses and property in Frenchman's Bend, Mississippi, including a plantation. To him, his children are a disappointment, who he sees as not being able to carry on the Varner name in the style to which he has built around it. Son Jody (Anthony Francoisa) has no ambition and does not work, spending much of his time fooling around with his seductive wife, Eula (Lee Remick). He finds 23-year-old daughter Clara (Joanne Woodward) clever, but he feels she also wastes her time on more contemplative pursuits. While most of her contemporaries are married, Clara has been dating Alan Stewart (Richard Anderson), a genteel mama's boy, for six years. Will would not mind Alan so much if he too thought Alan had a bit of a forceful man in him, which he could demonstrate by actually asking Clara to marry him. Conversely, Jody laments that nothing he does is ever good enough for his father, while Clara plain does not like the way he treats them. Into their lives comes Ben Quick (Paul Newman), who Jody hired while Will was hospitalized, to do some sharecropping on currently vacant land. Despite Will believing the unsubstantiated stories that Ben burned down someone's barn as an act of vengeance, Will becomes to view Ben as the son he never had, as he is much the same mold. As such, Will does whatever he can to get Ben to be part of the family to carry on the Varner name the way Will wants it be, which means marrying Clara. Through the process, Clara may come to a realization about what she really wants in life, while Jody does whatever he can to retain his position in the family.—Huggo

The Long, Hot Summer

The Long, Hot Summer (1958)

Romy Schneider

Peter Sallis

Anthony Perkins

Josef K wakes up in the morning and finds the police in his room. They tell him that he is on trial but nobody tells him what he is accused of. In order to find out about the reason of this accusation and to protest his innocence, he tries to look behind the facade of the judicial system. But since this remains fruitless, there seems to be no chance for him to escape from this Kafkaesque nightmare.—Joern Richts

The Trial

The Trial (1962)

Michael Redgrave

Gert Fröbe

Patricia Medina

From the lips of a dying man at a dimly-lit Italian dock, Guy Van Stratten, the disreputable American fortune hunter, receives invaluable information about the powerful financial titan, Gregory Arkadin. In high hopes that something good might come out of it, Guy finally approaches the cryptic multi-million tycoon, intent on exploiting him; instead, the ambitious opportunist finds himself mysteriously hired by Mr Arkadin, to reconstruct the history of his murky past before 1927. However, as the methodical detective scours the globe to put together the dangerously knotty puzzle, people end up dead, gradually closing in on Van Stratten, who now begins to shed light on this murderously difficult assignment. Are those cases linked together? In the end, has the reclusive magnate something to hide?—Nick Riganas

Confidential Report

Confidential Report (1955)

Guy Rolfe

Carmen Sevilla

Harry Guardino

The story of the life of Jesus Christ from his birth in Bethlehem to his crucifixion and subsequent resurrection. Filmed on a relatively grand scale, the film includes all of the major events referred to in the New Testament; his baptism by John the Baptist; the miracles - cripples walking, blind men seeing; the fishes and the loaves; and so on. The film actually begins with the Roman invasion by Pompey in 65 B.C., the appointment of King Herod the Great by the Romans and finally the crowning of Herod Antipas after he murders his father. The revolt led by Barrabas is also included and John the Baptist's beheading as Salome's price for dancing for Herod.—garykmcd

King of Kings

King of Kings (1961)

William Schallert

Trevor Bardette

Barbara Lawrence

In effect, modern cow town Spurline is run by Virgil Renchler, owner of the Golden Empire Ranch. One night, two of Virgil's henchmen go a little too far and beat a "bracero" ranch hand to death. Faced with an obvious cover-up and opposition on every hand, sheriff Ben Sadler is goaded into investigating. His unlikely ally: Renchler's lovely, self-willed and overprotected daughter. Will Ben survive Renchler's wrath?—Rod Crawford

Man in the Shadow

Man in the Shadow (1957)

Maggie Wheeler

Stephen Bishop

Ronee Blakley

Filmmaker Danny Sapir and actress Helen Eugene are several months into their relationship. Helen's want for neither to "sleep over" following their sexual encounters - Helen says because she still feels more comfortable sleeping by herself - Danny sees as a deeper indication of the truly casual state of their relationship. Danny decides to send a blanket invitation to many of his friends inviting anyone who will be alone on Valentine's Day to a gathering at a grand old theater he and his financial manager brother Mickey own in Santa Monica but which Mickey had prearranged without Danny's knowledge prior to the purchase to be demolished to make way for a shopping center. Most of those friends that end up attending are expecting the gathering to be a traditional party. But Danny, who does provide a day long social of sorts with food and drink, wants to ask these friends the broad question, "why are you alone?", the question stemming in part from his and Helen's own relationship. He also has a film crew in place as he wants to film the experience to make into a movie. Beyond the surprise all his guests feel - those guests who do include Mickey and Helen - they each come into the process with a different perspective of the question itself and their answer to it. Some also provide their thoughts on the demolition of the theater, and use the gathering to address the question in a practical manner. One of Danny's friends, an older, more experienced filmmaker, watches the proceedings in the background unknown to Danny, the older man who ends up providing Danny with his own musings about the question and the cinematic aspect of such a movie.—Huggo

Someone to Love

Someone to Love (1987)

Christopher Plummer

Vasiliy Livanov

Jack Hawkins

After defeating France and imprisoning Napoleon on Elba, ending two decades of war, Europe is shocked to find Napoleon has escaped and has caused the French Army to defect from the King back to him. The best of the British generals, the Duke of Wellington, beat Napolean's best generals in Spain and Portugal, but has never faced Napoleon. Wellington stands between Napoleon with a makeshift Anglo-Allied army and the Prussians. A Napoleon victory will plunge Europe back into a long term war. An allied victory could bring long term peace to Europe. The two meet at Waterloo where the fate of Europe will be decided.—John Vogel

Waterloo

Waterloo (1970)

Hilton Edwards

Micheál MacLiammóir

Robert Coote

Filming Othello begins with Welles standing behind a moviola. He directly addresses the camera and announces: "This is to be a conversation, certainly not anything so formal as a lecture, and what we're going to talk about is Othello, Shakespeare's play and the film I made of it." Welles initially conducts a monologue where he recalls the events that lead up to the creation of Othello and some of the problems that plagued the production. As the film progresses, he switches to a conversation in a restaurant between himself and two of the film's co-stars, Micheal MacLiammoir (who played Iago) and Hilton Edwards (who played Brabantio). The three men talk at length about the making of Othello. Welles then resumes his monologue from his position behind the moviola. He then runs footage on the moviola of a question and answer session he conducted during a 1977 screening of Othello in Boston. Welles concludes the film in his position as a monologuist, proclaiming: "There are too many regrets, there are too many things I wish I could have done over again. If it wasn't a memory, if it was a project for the future, talking about Othello would have been nothing but delight. After all, promises are more fun than explanations. In all my heart, I wish that I wasn't looking back on Othello, but looking forward to it. That Othello would be one hell of a picture. Goodnight."—X

Filming 'Othello'

Filming 'Othello' (1978)

Lionel Stander

Walter Slezak

Robert Rietty

Young Jim Hawkins has an unforgettable encounter with pirate Captain Long John Silver and his murderous mates.

Treasure Island

Treasure Island (1972)

Edward G. Robinson

Ruth Lee

Richard Long

Wilson of the War Crimes Commission is seeking Franz Kindler, mastermind of the Holocaust, who has effectively erased his identity. Wilson releases Kindler's former comrade Meinike and follows him to Harper, Connecticut, where he is killed before he can identify Kindler. Now Wilson's only clue is Kindler's fascination with antique clocks; but, though Kindler seems secure in his new identity, he feels his past closing in.—Rod Crawford

The Stranger

The Stranger (1946)

Janet Leigh

Charlton Heston

Marlene Dietrich

Mexican Narcotics officer Ramon Miguel 'Mike' Vargas has to interrupt his honeymoon on the Mexican-US border when an American building contractor is killed after someone places a bomb in his car. He's killed on the US side of the border but it's clear that the bomb was planted on the Mexican side. As a result, Vargas delays his return to Mexico City where he has been mounting a case against the Grandi family crime and narcotics syndicate. Police Captain Hank Quinlan is in charge on the US side and he soon has a suspect, a Mexican named Manolo Sanchez. Vargas is soon onto Quinlan and his Sergeant, Pete Menzies, when he catches them planting evidence to convict Sanchez. With his new American wife, Susie, safely tucked away in a hotel on the US side of the border - or so he thinks - he starts to review Quinlan's earlier cases. While concentrating on the corrupt policeman however, the Grandis have their own plans for Vargas and they start with his wife Susie.—garykmcd

Touch of Evil

Touch of Evil (1958)

Natalie Wood

Claudette Colbert

Elizabeth and John say goodbye as John leaves to go to war. When World War I ends, Elizabeth receives a telegram that John has been killed in action. She finds comfort in Larry and they marry. John returns 20 years later, disfigured, with a new identity--Erik--and an adopted daughter, Margaret. John/Erik and Elizabeth accidentally meet and he learns that he has a son, Drew. John must then decide whether or not to reveal his true identity.—Kelly

Tomorrow Is Forever

Tomorrow Is Forever (1946)

Dolores Costello

Agnes Moorehead

Nancy Gates

The young, handsome, but somewhat wild Eugene Morgan wants to marry Isabel Amberson, daughter of a rich upper-class family, but she instead marries dull and steady Wilbur Minafer. Their only child, George, grows up a spoiled brat. Years later, Eugene comes back, now a mature widower and a successful automobile maker. After Wilbur dies, Eugene again asks Isabel to marry him, and she is receptive. But George resents the attentions paid to his mother, and he and his whacko aunt Fanny manage to sabotage the romance. A series of disasters befall the Ambersons and George, and he gets his come-uppance in the end.—John Oswalt

The Magnificent Ambersons

The Magnificent Ambersons (1942)

Charles Bickford

Lionel Barrymore

Gregory Peck

When her father is hanged for shooting his wife and her lover, biracial Pearl Chavez goes to live with distant relatives in Texas. Welcomed by Laura Belle and her elder lawyer son Jesse, she meets with hostility from the ranch-owner himself, wheelchair-bound Senator Jackson McCanles, and with lustful interest from demonizing, unruly younger son Lewt. Almost at once, already existing family tensions are exacerbated by her presence and the way she is physically drawn to Lewt.—Jeremy Perkins {J-26}

Duel in the Sun

Duel in the Sun (1946)

Wanda Hendrix

Tyrone Power

Marina Berti

In 1500, Duke Cesare Borgia hopes to marry his sister (widowed by poison) to the heir apparent of Ferrara, which impedes his conquest of central Italy. On this delicate mission he sends Andrea Orsini, his cousin Angela's lover and nearly as unscrupulous as himself. En route, Orsini meets Camilla Verano, wife of the count of Citta' del Monte (Borgia's next intended conquest); and sentiment threatens to turn him against his deadly master, whom no one betrays twice...—Rod Crawford

Prince of Foxes

Prince of Foxes (1949)

Lee Purcell

Pamela Franklin

Teddy Quinn

Mr. Cato is the head of a witches' coven in the town of Lilith, where he needs the powers of Lori Brandon to raise his son from the dead.

Necromancy

Necromancy (1972)

Frank Welker

Peter Cullen

The Decepticons have invaded and taken over the Autobots' home planet, Cybertron. The Autobots are determined to fight back and go to Autobot City on Earth for supplies. Decepticons hijack and take over the ship, resulting in a fierce battle between the Autobots and Decepticons, the result of which is devastating. A new threat to the Autobots appears in the form of Unicron, a massive planet-devouring transformer.—grantss

The Transformers: The Movie

The Transformers: The Movie (1986)

Kelly Curtis

Ernest Borgnine

Einar and Eric are two Viking half-brothers. The former is a great warrior whilst the other is an ex-slave, but neither knows the true identity of the other. When the throne of Northumbria in Britain becomes free for the taking, the two brothers compete against one another for the prize, but they have very different motives - both involving the princess Morgana, however.—Graeme Roy

The Vikings

The Vikings (1958)

Brother Theodore

Trevor Howard

Alida Valli

An out-of-work pulp fiction novelist, Holly Martins, arrives in a post-war Vienna divided into sectors by the victorious allies, where a shortage of supplies has led to a flourishing black market. He arrives at the invitation of an ex-school friend, Harry Lime, who has offered him a job, only to discover that Lime has recently died in a peculiar traffic accident. From talking to Lime's friends and associates, Martins soon notices that some of the stories are inconsistent and determines to discover what really happened to Harry Lime.—Mark Thompson

The Third Man

The Third Man (1949)

Doris Dowling

Joan Fontaine

Joseph Cotten

Desdemona, daughter of a Venetian aristocrat, elopes with Moorish military hero Othello, to the great resentment of Othello's envious underling Iago. Alas, Iago knows Othello's weakness, and with chilling malice works on him with but too good effect.—Rod Crawford

Othello

Othello (1951)

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