Anne Wiazemsky

Jean-Pierre Léaud

Eliane Giovagnoli

Michel Semeniako

A small group of French students are studying Mao, trying to find out their position in the world and how to change the world to a Maoistic community using terrorism.—Stephan Eichenberg

The Chinese

The Chinese (1967)

Darío Moreno

Pierre Gualdi

Henri Vilbert

Alain Morat

Mr. Pelletan's rascal son Bébert son got another F for playing in class. His punishment is an essay on the Merovingian king Dagobert. All they know is he had eight wives and reunited Francia. The ignorant knave's irreverent imagination turns that into a harem and a ludicrous war without armies, loaded with anachronisms, in a race against rival king Charibert for the crown of Reims. The king's right hand, archbishop Eloi, the later patrons saint of carpentry, is portrayed as an inventor.—KGF Vissers

Le bon roi Dagobert

Le bon roi Dagobert (1963)

Dominic Gould

Pierre Poirot

Aurélie Meriel

Philippe Le Dem

In this family-friendly movie, Julien (Michel Serrault), a collector of butterflies, seeks to find the rare Isabelle Butterfly at the request of his now deceased brother. Before he begins his journey to the Alps for this year's search, he meets 8 year old Elsa (Claire Bouanich), a girl with a very unattending mother. Julien agrees to bring Elsa along on his search, not knowing that Elsa's mother never approved or knew about this. As they hike through the mountains and hills of the Alps, we learn more about both characters, their personalities, and their lives. Meanwhile, Elsa's mother (Nade Dieu) notices that her daughter is missing, and calls the police to begin searching for her missing daughter. Julien and Elsa scale the mountains, avoiding the police without even knowing that they were being searched for. As the reach a suitable place to find the sought after butterfly, they set up camp and wait. We discover that the Isabella only lives for 3 days, and 3 nights, and only shows up during a very short period of time, if it appears at all. One fateful night, the rare insect appears. Julien instantly notices, and goes over to admire it. He calls Elsa over, but as she approaches, she stumbles and topples the set-up to attract butterflies. The Isabella is then lost. Julien, furious over his great loss, drives Elsa away, not caring where she goes. The girl then proceeds to leave, and fall in a deep hole in the ground. Julien eventually, overcome with guilt, searches for the girl and finds her in the hole. At that time, the police catch up withthe two in their search. The girl is removed from the hole she fell in, and reunited with her distraught mother. Julien is arrested, as it is assumed he kidnapped the girl. Later Julien is released, and he becomes good friends with both the girl and her mother. Near the end, Julien then shows the excited little girl the hatching of a Chrysalis. Finally, at the end of this great family film, we discover Elsa's mother, Isabelle, reveals that she had her daughter at 16, and that she's had trouble feeling close connection to the girl. The film then ends at this note. This movie is only available in French, but there are English subtitles.

The Butterfly

The Butterfly (2002)

Alain Delon

Robert Klein

Pierre Malet

Laurent Malet

Under the influence of drugs, a teenager, Eddy, kills a policeman. His father, Jacques, pleads extenuating circumstances and nearly succeeds in gaining the confidence of the policeman's widow. But the press reveals that Jacques is an ex-gangster who has spent time in prison.—Aline

Boomerang

Boomerang (1976)

Monica Bellucci

Gérard Depardieu

Jean-Pierre Darroussin

Jean Dell

In Paris, after winning the lottery, the clerk François goes to a bar in Pigalle and offers one hundred thousand Euros per month to the prostitute Daniela to live with him until the end of his money. François is a lonely man, with heart problems and Daniela stays with him for eight days. Then, she decides to come back to her man, the mobster Charly, but she misses François and returns to his place. But once a whore, always a whore.—Claudio Carvalho, Rio de Janeiro, Brazil

How Much Do You Love Me?

How Much Do You Love Me? (2005)

Horacio Marassi

Tito Haas

Noemí Frenkel

Jean Pierre Reguerraz

A new patient mysteriously appears in a psychiatric ward. He claims to come from another planet to study humans and their behavior. The alien is gentle but criticizes humans for their harsh treatment of each other. The assigned psychiatrist is himself unhappy, and affected by the patient's insight. But he is ordered to treat the patient according to institutional procedure.—Greg Pribyl

Man Facing Southeast

Man Facing Southeast (1986)

Pierre Niney

Jean Dujardin

Ibrahim Koma

Abdou Sagna

In 1981, OSS 117 (The Artist's Oscar-winner Jean Dujardin) is sent on a mission to Africa to help out a president under attack from rebels. Along the way, he has to contend with the rise of feminism, computer technology and the Cold War, as well as the arrival of a younger rival.

OSS 117: From Africa with Love

OSS 117: From Africa with Love (2021)

Thelonious Bernard

Michèle Gleizer

Jean-Pierre Aumont

Bernard Bloch

This is a coming of age drama adapted from the 1952 Yves Gibeau novel of the same title. A young anti-militarist is forcibly sent to military school by his father. He's a bookish pacifist who endures being bullied by his superiors all throughout school, not out of weakness rather out of strength to deny violence it's coveted reciprocity. On the eve of his much anticipated graduation day, Word War II ensues and swaps out the freedom he earned for the brutality of its first front lines. An original score by French composer Phillipe Sarde with photography directed by Yves Boisset sets the atmosphere of 1932 in France.—Jennifer Thornton

The Boy Soldier

The Boy Soldier (1981)

Steve Lund

Merritt Patterson

Taylor St. Pierre

Victor Zinck Jr.

Any couple who spends the night in the Christmas cottage shall have love everlasting - Lacey Quinn did not believe in happily ever after or the legend of the Christmas cottage. As maid of honor for her best friend Ava, her duties included decorating the cottage for the newlyweds. It was a simple enough task, but she hadn't counted on sexy Ean Callahan, the bride-to-be's brother, to be assisting her. Spending the evening ensconced in the overly romantic setting while a blizzard howls outside has Lacey wondering if fairy tales really do come true.

The Christmas Cottage

The Christmas Cottage (2017)

Nina Meurisse

Jean-Pierre Sanchez

Serge Larivière

Emmanuelle Devos

Both detectives on a sickening murder case struggle with being alone and childless in their 40s. As they investigate the young man found beaten and strangled to death, platonic friends Karine and Herve unravel a love story between Vincent, and Rebecca a high school girl. The teenage lovers quickly plunged into the kind of amour fou the flics fear to chance for themselves. Rebecca is missing, and unknown to her, the boy was a homosexual Internet hustler. The ordinarily blasé male investigator is appalled to find that on-line dating is a world the sexy Karine knows well. Is Rebecca the killer, another victim or ?—David Stevens

Accomplices

Accomplices (2009)

Patrick Auffay

Marie-France Pisier

Rosy Varte

This short film is the first segment of five in the multinational feature Love at Twenty (1962), all five segments on the theme of first adult love. After indulging in much delinquency in his youth, seventeen year old Antoine Doinel, having been provided opportunity to get out of that delinquent life, is now an upstanding member of society working for Philips Records, which allows him to indulge in his love of music. At the Youth Concerts, he has noticed the same young woman at several performances, she who he would like to get to know. She is Colette, the two who do begin to date. Colette treats Antoine like a buddy, while Antoine has fallen in love with her. His pursuit of getting Colette to be his exclusive girlfriend is helped on the surface in the fact that Colette's parents like him and encourage their dating. He uses grand romantic gestures to try and prove his love. Will Colette ultimately fall under Antoine's romanticism?—Huggo

Antoine and Colette

Antoine and Colette (1962)

Romy Schneider

Jean-Pierre Cassel

Jane Birkin

Jean-Louis Trintignant

Everything is about to change in the uneventful life of Nicolas Mallet--a discreet, introverted bank clerk who is as meek as a lamb--when he decides to follow the bold advice of his old school friend, Claude Fabre. From now on, Nicolas must throw off his shackling inhibitions and act out his most intimate desires. Now, there is no turning back, and unstoppable Nicolas is bent on seducing as many women as possible to grease his path to success. However, nothing lasts forever. Must all good things come to an end?—Nick Riganas

Love at the Top

Love at the Top (1974)

Claudine Auger

Pierre Étaix

Philippe Castelli

François Lalande

This story begins in 1925. A wealthy man can have anything he wants as witnessed by what he asks his mansion-full of servants to do for and with him. But he's not totally satisfied in his life as he longs for the only woman he's ever loved, a woman named Elle, her whereabouts of which he has no idea. One day, he notices a traveling circus passing by. As a man who loves to be entertained, he follows the circus and finds Elle among its troupe, and the son he never knew he had. After the 1929 stock market crash, the man loses his vast fortune, and thus is free to join the circus with Elle. He dotes upon his son, who they nickname Yo Yo, as the yo-yo is perhaps the man's favorite toy. Under his father's tutelage, Yo Yo grows up to be an accomplished circus clown and magician. As Yo Yo grows into adulthood, he longs to restore his father's mansion to its former glory. Through WWII and the advent of television which changes the entertainment landscape, can he accomplish such working as a circus clown?—Huggo

Yoyo

Yoyo (1965)

Annie Fratellini

Alain Janey

Denise Péronne

Pierre married Florence, the only daughter of a small industrialist. 15 years later, he is the boss, but his middle-class life worries him a lot. When a new young and lovely secretary comes, he starts dreaming.—Yepok

Le Grand Amour

Le Grand Amour (1969)

Marie Guillard

Jacques Frantz

Richard is a typical cop who spends too much time on the job and isn't always there for his family. One day as he's preparing to spend some quality time with his young daughter he gets an urgent call and responds to it - when he returns home his daughter is missing, but her body is quickly discovered. Racked with guilt he is also filled with hatred for the man arrested for the crime, but after being sent to prison the convict eventually manages to lure Richard into a secret correspondence. Doubts begin to surface - was he really the guilty man, or could this have been work of another serial child abductor who may have been in the area? Richard launches his own investigation, and finally uncovers a new witness. Gritty detective thriller.—Graham Inglis

Counter Investigation

Counter Investigation (2007)

Raymond Aimos

Raymond Cordy

Christian-Jaque

Pierre Labry

The young and patriotic student Demachy joins the French army in 1914 to defend his country. But he and his comrades soon experience the terrifying, endless trench war in Champagne, where more and more wooden crosses have to be erected for this cannon fodder.—fa404748 (Gent, Belgium)

Wooden Crosses

Wooden Crosses (1932)

Agnès Jaoui

Jean-Pierre Bacri

Sam Karmann

Martine and Jacques knew their friend before he became an important television personality, but have not seen him for over ten years. They are hospitable people - witness the fact that they have been putting up with having writer Georges be their informal roommate, as he sleeps on their living-room sofa off and on over the years whenever he is between jobs. They have invited their friend and his wife Charlotte over for dinner, and are on pins and needles, as they want everything to go just right. Instead, George allows his bitterness that Charlotte, his ex-girlfriend, married a success to overwhelm him, and Martine and Jacques are apalled when their brother, who hasn't a penny and is deeply in debt, persuades their guest of honor to join him in a high-stakes poker game.—Jiilo_Kim

Kitchen with Apartment

Kitchen with Apartment (1993)

Cécile De France

Leïla Bekhti

Roschdy Zem

In Paris, Clara, psycho motor therapist, and Ismaël, music teacher, have been lovers for four years. Happy, the couple are expecting their first child and decide to move in together. But the news is not well received by their respective families because Clara is Jewish and Ishmael a Muslim. Although not practicing, this difference will gradually sow trouble in their love life.

Mauvaise foi

Mauvaise foi (2006)

Charlotte Gainsbourg

Serge Gainsbourg

"I'll look at you, but not at the camera. It could be a trap," whispers Jane Birkin shyly into Agnès Varda's ear at the start of JANE B. PAR AGNES V. The director of CLEO FROM 5 TO 7 and VAGABOND once again paints a portrait of a woman, this time in a marvelously Expressionistic way. "It's like an imaginary bio-pic," says Varda. Jane, of course, is the famed singer ("Je t'aime ... Moi non plus"), actress (BLOW UP), fashion icon (the Hermes Birkin bag) and longtime muse to Serge Gainsbourg. As Varda implies, JANE B. PAR AGNÈS V. abandons the traditional bio-pic format, favoring instead a freewheeling mix of gorgeous and unexpected fantasy sequences. In each, Jane inhabits a new character, playing a cat & mouse game with Varda as they explore the role of the Muse and the Artist, all the while showcasing the multifaceted nature of Birkin's talent. "I'd like to be filmed as if I were transparent, anonymous, like everyone else," says Birkin. But her wish to be a "famous nobody" is impossible to achieve; Birkin is simply too magnificent, too mesmerizing. Here, Varda's signature mix of aesthetic innovation and generosity of emotion results in a surreal and captivating essay on Art, Fame, Love, Children and Staircases. For its first-ever U.S. theatrical release the film has been newly-restored from the original 35mm camera negative, overseen by director Varda herself.

Jane B. for Agnes V.

Jane B. for Agnes V. (1988)

Valentina Cortese

Carla Marlier

Bernard Salvage

Trotz ihrer sozialen Differenzen sind der arme David und der reiche Olivier die besten Freunde. David hat in Oliviers Pariser Appartement die junge Eleanore untergebracht. Als Olivier sie dort trifft, nimmt er sie mit aufs Land, wo die drei ein Boot auf der Wiese bauen. Eleanore entzweit die Freunde.—Sol

The Boat on the Grass

The Boat on the Grass (1971)

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