Ed Fury

Richard Widmark

Ben Wright

Cameron Mitchell

A privately-financed scientist and his colleagues hire an ex-Navy officer to conduct an Alaskan submarine expedition in order to prevent a Red Chinese anti-American plot that may lead to World War III. Mixes deviously plotted schoolboy fiction with submarine spectacle and cold war heroics.—Lew Amack (LAlawMedMBA@aol.com)

Hell and High Water

Hell and High Water (1954)

Martin Balsam

Donald Sutherland

Phil Brown

Richard Widmark plays a hardened cold-warrior and captain of the American destroyer USS Bedford. Sidney Poitier is a reporter given permission to interview the captain during a routine patrol. Poitier gets more than he bargained for when the Bedford discovers a Soviet sub in the depths and the captain begins a relentless pursuit, pushing his crew to the breaking point. This one's grim tension to the end.—KC Hunt

The Bedford Incident

The Bedford Incident (1965)

Sam Elliott

Sally Field

Kirk Douglas

In the mid nineteenth century, Senator William J. Tadlock leads a group of settlers overland in a quest to start a new settlement in the Western U.S. Tadlock is a highly principled and demanding taskmaster who is as hard on himself as he is on those who have joined his wagon train. He clashes with one of the new settlers, Lije Evans, who doesn't quite appreciate Tadlock's ways. Along the way, the families must face death and heartbreak and a sampling of frontier justice when one of them accidentally kills a young Indian boy.—garykmcd

The Way West

The Way West (1967)

Susan Cabot

John Marley

Karl Malden

Small-time crook Nick Bianco gets caught in a jewel heist and despite urgings from well-meaning district attorney D'Angelo, refuses to rat on his partners and goes to jail, assured that his wife and children will be taken care of. Learning that his depressed wife has killed herself, Nick informs on his ex-pals and is paroled. Nick remarries, gets a job and begins leading a happy life when he learns one of the men he informed on, psychopathic killer Tommy Udo, has been released from custody and is out for revenge against Nick and his family.—Doug Sederberg

Kiss of Death

Kiss of Death (1947)

Stephen McNally

Betsy Blair

Eleanor Audley

The Biddle brothers, shot while robbing a gas station, are taken to the prison ward of the County Hospital; Ray Biddle, a rabid racist, wants no treatment from black resident Dr. Luther Brooks. When brother John dies while Luther tries to save him, Ray is certain it's murder and becomes obsessed with vengeance and the situation slides rapidly toward violence.—Rod Crawford

No Way Out

No Way Out (1950)

Jeanne Cagney

Anne Bancroft

Donna Corcoran

Airline pilot Jed stays at the New York hotel where girlfriend Lyn is a singer. He sees Nell in a window opposite his and they get chummy. When the girl she's baby-sitting, Bunny, enters Nell goes crazy and sends her to her room. She fantasizes that Jed is her long lost fiance. Jed comes to realize that Nell is more than a little whacko.—Ed Stephan

Don't Bother to Knock

Don't Bother to Knock (1952)

Barry Atwater

Indus Arthur

Victoria Shaw

Suave former Texan cattleman Alvarez Kelly now living in Mexico has little interest in the Civil War except to make some money. But after a long drive to deliver cattle to the Union he finds himself kidnapped by Confederate Colonel Tom Rossiter. With the hungry troops and civilians surrounded in Richmond by the Union army the Colonel intends, one way or the other, to persuade Kelly to help steal the herd and move it into town. Confederate money has no appeal so the Colonel resorts to other means with unexpected results.—Jeremy Perkins {J-26}

Alvarez Kelly

Alvarez Kelly (1966)

Gary Cooper

Susan Hayward

Three Americans are headed by ship around the cape to the California gold fields when they are put ashore for several weeks in a sleepy little Mexican village. While there, they are offered the job of following a lady deep into the Indian-infested mountains of Mexico to rescue the lady's husband trapped by a cave-in at their gold mine. For the job they are promised $2000 each. While each contemplates their own chances for getting the lady and/or the gold mine, if they can survive to enjoy it.—Ronnie L. Hyde

Garden of Evil

Garden of Evil (1954)

Susan Kohner

Douglas Kennedy

Felicia Farr

Accused of murdering three of Sheriff Bull Harper's brothers, the Comanche-reared white man, "Comanche" Todd, is captured and dragged to trial. Cautiously, as the two men ride across hostile Apache territory, they will join Colonel Normand's wagon train of women and children, only to be ambushed and massacred by the Indians whose families were slaughtered by the whites. Now, the few survivors have no other choice but to trust their dubious protector, Todd, as hundreds of vengeful Apaches track them down, thirsting for blood. Can they make it out alive?—Nick Riganas

The Last Wagon

The Last Wagon (1956)

E.G. Marshall

King Donovan

Robert Wagner

Cattle baron Matt Devereaux raids a copper smelter that is polluting his water, then divides his property among his sons. Son Joe takes responsibility for the raid and gets three years in prison. Matt dies from a stroke partly caused by his rebellious sons and when Joe gets out he plans revenge.—Ed Stephan

Broken Lance

Broken Lance (1954)

Edward Binns

William Shatner

Montgomery Clift

It has been three years since the most important Nazi leaders had already been tried. This trial is about four judges who used their offices to conduct Nazi sterilization and cleansing policies. Retired American judge, Dan Haywood has a daunting task ahead of him. The Cold War is heating up and no one wants any more trials as Germany, and Allied governments, want to forget the past. But is that the right thing to do is the question that the tribunal must decide.—Tony Fontana

Judgment at Nuremberg

Judgment at Nuremberg (1961)

Milburn Stone

Thelma Ritter

Richard Kiley

On a crowded subway, Skip McCoy picks the purse of Candy. Among his take, although he does not know it at the time, is a piece of top-secret microfilm that was being passed by Candy's consort, a Communist agent. Candy discovers the whereabouts of the film through Moe Williams, a police informer. She attempts to seduce McCoy to recover the film. She fails to get back the film and falls in love with him. The desperate agent exterminates Moe and savagely beats Candy. McCoy, now goaded into action, confronts the agent in a particularly brutal fight in a subway.—alfiehitchie

Pickup on South Street

Pickup on South Street (1953)

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