Maidie Norman

William Phipps

June Allyson

Paul Douglas

Executive Suite

Executive Suite (1954)

Peter Brocco

Pamela Britton

Raymond Burr

Key to the City

Key to the City (1950)

Anthony Caruso

Leif Erickson

Fort Algiers

Fort Algiers (1953)

Phyllis Coates

Todd Karns

William Schallert

Flat Top

Flat Top (1952)

Mimi Gibson

Mary Treen

Arthur Space

The Eternal Sea

The Eternal Sea (1955)

Joe Flynn

John Payne

Herb Vigran

Political corruption is vividly depicted as a ruthless WWI veteran takes almost complete control of a state with the help of a crooked lawyer. The film is enhanced by John Payne's persuasive performance as "The Boss."

The Boss

The Boss (1956)

Lee J. Cobb

Joseph Sweeney

Gene Lockhart

Tom Rath lives in Connecticut and commutes to work every day in Manhattan. He's happily married and has a loving wife and three children. Money is a bit tight and when the opportunity arises, he applies for a public relations job with a major television network. During his long commute to work everyday, Tom reminisces about the war. Although 10 years have gone by, he is still haunted by the violence and the men he killed. He also thinks of Maria, an Italian girl with whom he had an affair while stationed in Rome. At his new job, the head of the network Ralph Hopkins takes an immediate liking to him. Tom soon realizes that he will have to choose between becoming a wholly dedicated company man or maintaining a healthy work-life balance. When he learns that Maria gave birth to his son after he left Italy, he decides to let his wife know and ensure that the boy is cared for.—garykmcd

The Man in the Gray Flannel Suit

The Man in the Gray Flannel Suit (1956)

Milburn Stone

Jimmy Hunt

One night, young David McLean sees a spaceship crash into a nearby sandpit. His father goes to investigate, but comes back changed. Where once he was cheerful and affectionate, he's now sullen and snarlingly rude. Others fall into the sandpit and begin acting like him: cold, ill-tempered and conspiratorial. David knows that aliens are taking over the bodies of humans, but he'll soon discover there have been far more of these terrible thefts than he could have imagined. The young doom-monger finds some serious help in a lady doctor and a brilliant astronomer. Soon they meet the aliens: green creatures with insect-like eyes. These beings prove to be slaves to their leader: a large, silent head with ceaselessly shifting eyes and two tentacles on either side, each of which branches off into three smaller tentacles. It's up to the redoubtable earth trio to stop its evil plans.—J. Spurlin

Invaders from Mars

Invaders from Mars (1953)

Tracy Stratford

Peter Cushing

Maria Palmer

Penniless, Baron Frankenstein, accompanied by his eager assistant Hans, arrives at his family castle near the town of Karlstaad, vowing to continue his experiments in the creation of life. Fortuitously finding the creature he was previously working on, he brings it back to a semblance of life but requires the services of a mesmerist, Zoltan, to successfully animate it. The greedy and vengeful Zoltan secretly sends the monster into town to steal gold and 'punish' the burgomaster and the chief of police, which acts lead to a violent confrontation between the baron and the townspeople.—Doug Sederberg

The Evil of Frankenstein

The Evil of Frankenstein (1964)

John Crawford

Barbara Lawrence

Victor Adamson

Joe Branch (Brett King), reputed to be the son of Jesse James, comes riding into Coffeyville Kansas in 3-D, looking for proof one way or the other regarding the question of who is father was. He rescues Kate Manning (Barbara Lawrence) from being lynched by a mob because she had killed the son of the towns's leading citizen while defending her honor, or what was left of it. Rescuing Kate is an important plot hinge, in a movie that makes little or no sense historically or plot-wise, as her father had ridden with Jesse James. Joe also has an idea that he can learn something by making contact with the Daltons, and his method of doing that is by holding up the train to steal an Army payroll, as he knows the Daltons had intended to steal it themselves and knows they will come looking for him. Being smart enough to beat them to the payroll evidently doesn't equate to being smart enough to know the Daltons are going to be more than a little miffed when they find him. The title is a misnomer since the long-dead Jesse James does not appear, and Joe also turns out to not be his son.—Les Adams

Jesse James vs. the Daltons

Jesse James vs. the Daltons (1954)

Chill Wills

Mamie Van Doren

Allison Hayes

On arrival at Fort Chase, ex-soldier Peter Stirling, recalled to active duty, is re-united with his old pal Francis the Talking Mule. Gradually, it dawns on Peter that a clerical error has assigned him to an all-female WAC base, where broad slapstick is the order of the day and Francis has more horse sense than any of the human officers. Too innocent to appreciate the pleasant aspects of his predicament, Peter ends by helping the "enemy" in a war-game battle of the sexes.—Rod Crawford

Francis Joins the WACS

Francis Joins the WACS (1954)

James Waters

Rudy Bond

Eddie Rico, the erstwhile bookkeeper for a big Mafia boss, is now making a living as an honest merchant in Florida with his family. Things go sour when the police start a search for his syndicate-linked brothers who are on the lam after a big hit, forcing Eddie to get involved with the Mafia again.—Volker Boehm / Hans Delbruck

The Brothers Rico

The Brothers Rico (1957)

Charlton Heston

Larry Pennell

Barbara Hale

United States has just acquired Louisiana from France. An expedition led by Lewis and Clark is sent to survey the territory and go where no white man has gone before. Are they able to overcome the dangers with the help of Sacajawea?—Timo Lamminjoki

The Far Horizons

The Far Horizons (1955)

Robert J. Wilke

Capt. Harper's cavalry patrol returns to the fort to find it besieged by Ute Indians. The apparent cause is the recapture of Army traitor Brett Halliday, who deserted to the Utes in a previous war; but Brett has a different story. With capture imminent, the only chance for the surviving men (and one woman) is to boat down a wild, uncharted river, where Harper and Halliday must pull together, like it or not.—Rod Crawford

Smoke Signal

Smoke Signal (1955)

Benny Baker

Helen Westcott

Margia Dean

A vicious loan shark ring has been preying on factory workers. When several workers at a tire factory suffer violence at the hands of the loan sharkers, a union leader and the factory owner try to recruit ex-con Joe Gargan to infiltrate to the gang. At first Joe does not want to get involved, but changes his mind when his brother-in-law dies at the hands of a savage loan shark hood. Joe works his way into the mob, but in order to keep his cover, Joe can't tell anyone what he is up to. This results in him being disowned by his sister and girl friend.—Jim Riecken

Loan Shark

Loan Shark (1952)

James Anderson

Charles Lampkin

Susan Douglas Rubes

Five people are miraculously spared when the fall-out from a super-atomic bomb eventually kills all of the rest of humanity on earth. They are Roseanne Rogers, a pregnant woman who was in an X-ray room; Michael, a sensitive young poet and philosopher; Charles, a black man; Mr. Barnstaple, a banker; and Eric, a cosmopolitan Alpinist who was saved from the radio-active dust because he was climbing Mt. Everest at the time of the explosion and fall-out. Eventually, they all wind up in a Frank Lloyd Wright-designed house on a California mountaintop. There is a lot of symbolism, especially with the mountain climber, who represents decadent and alien fascism and the banker who brings greed and arrogance to this new Eden on Earth. Soon, only two are left.—Les Adams

Five

Five (1951)

Gloria Grahame

Steve Brodie

Robert Mitchum

Homicide Capt. Finlay finds evidence that one or more of a group of demobilized soldiers is involved in the death of Joseph Samuels. In flashbacks, we see the night's events from different viewpoints as army Sgt. Keeley investigates on his own, trying to clear Mitchell, to whom circumstantial evidence points. Then the real, ugly motive for the killing begins to dawn on both Finlay and Keeley.—Rod Crawford

Crossfire

Crossfire (1947)

Guinn 'Big Boy' Williams

Dick Powell stars as Haven, an undercover Army investigator assigned to investigate the murders of two cavalrymen. Traveling incognito, Haven arrives in a small frontier outpost, where saloon singer Charlie controls all illegal activities. After making short work of Charlie's burly henchman, Haven gets a job in her organization biding his time and gathering evidence against the gorgeous crime boss. Cast as a philosophical hotel keeper, Burl Ives is afforded the opportunity to sing a ballad.—R. Alberts

Station West

Station West (1948)

Irene Tedrow

Edmond O'Brien

Marlon Brando

Brutus, Cassius, and other high-ranking Romans murder Caesar, because they believe his ambition will lead to tyranny. The people of Rome are on their side until Antony, Caesar's right-hand man, makes a moving speech. The conspirators are driven from Rome, and two armies are formed: one side following the conspirators; the other, Antony. Antony has the superior force, and surrounds Brutus and Cassius, but they kill themselves to avoid capture.—John Oswalt

Julius Caesar

Julius Caesar (1953)

Carolyn Jones

Ralph Dumke

Henry Brandon

H.G. Wells' classic novel is brought to life in this tale of alien invasion. The residents of a small town in California are excited when a flaming meteor lands in the hills. Their joy is tempered somewhat when they discover that it has passengers who are not very friendly.—KC Hunt

The War of the Worlds

The War of the Worlds (1953)

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