Kiefer Sutherland

Rachel Ticotin

Beth Grant

Keith Diamond

Banks is a hit man, the best, usually working for Latin American drug cartels. He picks up solitary women, uses them briefly for a job, then kills them. He's in the Southwest, headed toward Mexico, when he picks up Bennie, a woman leaving an abusive marriage, going to Paradise, Arizona. The film follows three tracks: Banks's slow recruitment of Bennie, the set-up for the hit at a swank resort in Mexico, and the FBI's close pursuit of Banks, whom they want alive in hopes he'll rat out his bosses. Bennie may not be who she seems, and there may be a chink in Banks's tough-guy armor. Guns, money, and a chance at Paradise.—

Desert Saints

Desert Saints (2002)

Irène Jacob

François Berléand

Stanislas Carré de Malberg

Sergio Kato

In 1944, upper class boy Julien Quentin and his brother François travel to Catholic boarding school in the countryside after vacations. Julien is a leader and good student and when the new student Jean Bonnet arrives in the school, they have friction in their relationship. However, Julien learns to respect Jean and discovers that he is Jewish and the priests are hiding him from the Nazis. They become best friends and Julien keeps the secret. When the priest Jean discovers that the servant Joseph is stealing supplies from the school to sell in the black market, he fires the youth. Soon the Gestapo arrives at school to investigate the students and the priests that run and work in the boarding school.—Claudio Carvalho, Rio de Janeiro, Brazil

Au Revoir les Enfants

Au Revoir les Enfants (1987)

Ed Pilkington

Dan Gellert

Ma Crow

Asa Nelson

In the 1920s-1950s, millions of Appalachians left their homes in the mountains and migrated to urban Midwestern centers in Indiana, Illinois, Michigan and Ohio. The Mountain Minor is the story of a life-worn Charlie Abner, a generation later, as he struggles with leaving his present life and family in Ohio to return to the Kentucky mountain home and musical heritage that once defined him. The story is partially told in flashbacks to depression era Eastern Kentucky, when Charlie's parents, Oza and Vestal Abner, face the difficult decision to leave the way of life they know and move to Ohio for employment and better opportunities. The Mountain Minor is unique in that all of its principal actors are traditional musicians - such as Smithsonian Folkways artist Elizabeth LaPrelle and acclaimed banjoist and fiddler Dan Gellert - and they perform all of the music in the film. Deeply infused with the traditional Appalachian musical genres of Old Time and Bluegrass, The Mountain Minor tells an overlooked story about the people and culture behind the resurgence of American Roots Music today and highlights artful responses to the difficult circumstances of human migration.—Scott Young

The Mountain Minor

The Mountain Minor (2019)

Stephen Chow

Tian-Lin Wang

Wai Man Tam

Wai Cheung Mak

After police officer Paio is murdered, his soul cannot be at rest for his murder has been written off as a suicide. Therefore the heavens send him back to Earth as a spirit to find his 'savior' who will help him clear his name. Hsing, a rookie officer, is the savior and in return for finding Paio's killer, Piao must get him a girlfriend and a promotion.—

Look Out, Officer!

Look Out, Officer! (1990)

Claire Forlani

Jim Caviezel

Malcolm McDowell

Aidan Quinn

Robert Tyre Jones, Jr., aka "Bobby Jones" rises from complete obscurity to become a golfing legend. Jones overcomes his own fierce temper, intense passion, and perfectionist tendencies to master the game and win the Grand Slam, the U.S., British, and Amateur Opens in golf, a feat unequaled even today. But it is Jones's style, personality, and character that separate him from the other professionals in his field. When Jones realizes that his unparalleled success may be destroying those he loves he's presented with an astounding proposition, one that shocks the world.—IMDb Editors

Bobby Jones: Stroke of Genius

Bobby Jones: Stroke of Genius (2004)

Michelle Randolph

Coy Stewart

Emily Bader

Darren Mann

A group of high-school kids set out to play a Halloween prank at an abandoned house, but once they enter they become victims of a demonic witch who has set her wrath upon them.

House of the Witch

House of the Witch (2017)

Isao Natsuyagi

Meiko Kaji

Nenji Kobayashi

Yôichi Numata

After being cruelly set up and deceived by Sugimi (Natsuyagi Isao), a conniving and crooked detective she had whole-heartedly fallen in love with (and subsequently lost her virginity to...), Matsushima Nami's desire for revenge knows no bounds. Her failed attempt at stabbing Sugimi on the steps of the Tokyo Metropolitan Police Headquarters results in her doing hard time in a female prison run by sadistic and horny male guards. To Sugimi's surprise, Matsushima refuses to testify against him and his connections to the mob, and now the sheer fact that she knows such secrets makes her a liability. So Sugimi and the Japanese mafia orchestrate a plan whereby Matsushima will succumb to an "accidental" death in prison. They enlist the help of Kagiri, another female inmate with ties to both Sugimi and the mafia, thus their formidable plan is quickly set in motion. Little do they realize, however, how hotly Matsushima's desire for revenge burns within her.—inferno

Female Prisoner #701: Scorpion

Female Prisoner #701: Scorpion (1972)

Joseph D. Reitman

Jonathon Green

Ceara Lynch

Sarah Armanious

An ambitious documentary filmmaker discovers the darkest parts of himself when he turns his camera on a beautiful woman who humiliates men for money.

Use Me

Use Me (2019)

Danica McKellar

Alvina August

Erik Athavale

Andrew W. Walker

Hannah McElroy is the host of Los Angeles based Love in Design, a nationally broadcast home renovation show, where she completes one home renovation per episode. Hannah's design style is modern, she seeing it as not having any design boundaries to whatever the possibilities for a space. Despite strong albeit slightly declining ratings after four years, Wally, the head of the network, wants to try a different format, where Hannah will do a more extensive renovation over several episodes, the first taking Hannah back to her small New England home town of Lewisburg to renovate the historic Lewisburg Manor, the owner, Margot, wanting to convert it into a bed and breakfast. Hannah would have five weeks to complete the renovation, Margot wanting a specific completion date to reopen for the manor's sesquicentennial. Despite this renovation not being up Hannah's alley being a historic building, she has no other option but to agree to appease Wally and the network. Also hired for this renovation by the town's historic preservation society is architect Jeff Winslow, a native Lewisburghian recently returned to town, to oversee that no contraventions to the building code occur, Jeff who will adhere strictly to code in not liking change. Neither Hannah or Jeff know about the other working on the project which may be a problem as they used to be romantically involved, they breaking up primarily on Hannah spreading her wings in moving to Los Angeles. What makes the situation worse for them is that Wally can see the potentially explosive fireworks between the two of them to make Jeff an on screen personality to exploit their chemistry. Regardless of the difference in their design styles, those differences which led to problems in their relationship, they both realize that they have unresolved feelings for each other. They have to figure out if there is a future for them a second time around, which would mean one and/or the other bending on their strictly held perceptions of life.—Huggo

Love in Design

Love in Design (2018)

Aki Aleong

Moe Howard

Walter Burke

Larry Fine

Phileas Fogg III, great grandson of the original Phileas Fogg, accepts a bet to duplicate his great grandfather's famous trip around the world in response to a challenge made by Randolph Stuart III, the descendant of the original Fogg's nemesis. Unbeknownst to anyone, However, "Stuart" is the infamous con man Vicker Cavendish who made the bet in order to cover up his robbing the bank of England by framing Fogg for the crime. This makes for a dangerous journey for Fogg and his servants (the stooges) and Amelia Carter, whom they rescue from thugs during a train ride. Can they make it back to England in time ?—A.Stooge

The Three Stooges Go Around the World in a Daze

The Three Stooges Go Around the World in a Daze (1963)

Anne Libert

Jesús Franco

Jacqueline Laurent

Francisco Acosta

Linda Vargas picks up Ortiz in a bar where she works in a lesbian show with Maria Toledano. She seduces him, phones the police and kills herself. Ortiz is held on suspicion of her murder. Ortiz's wife, Rosa, visits a friend of Linda's, the Countess Anna de Monterey who tells her how Linda went into a spiral of sex and drugs after being assaulted by Ortiz as a young girl at a fair-ground. Linda became the Countess's lover, then had a disastrous love affair with Alberto, the Countess' boyfriend. Rosa also meets Maria, who holds Linda's diary, where she relates how a fake Doctor turned her away from drugs and into a nymphomaniac.—Artemis-9

Sinner: The Secret Diary of a Nymphomaniac

Sinner: The Secret Diary of a Nymphomaniac (1973)

Matthew Goode

Diane Kruger

Ed Harris

Ralph Riach

Vienna, 1824. In the days before the first performance of the Ninth Symphony, Beethoven needs help with copying out the charts, so a promising student of composition, Anna Holtz, 23, is sent to assist him. She not only aids the transcription of the notes, she provides guidance from the orchestra pit as Beethoven conducts the work's debut. During the next two years, the final ones of Beethoven's life, Anna provides assistance to the deaf, temperamental, ailing man. In return, he tutors her in composition and explains to her the ideas and principles of Romanticism. He tries to speak for God.—

Copying Beethoven

Copying Beethoven (2006)

Gary England

Scott McCabe

Curt Martin

Micah Brown

May 20, 2013--an EF5 tornado ripped through Moore, OK. The magnitude of devastation measured over eight times greater than the atomic bomb that leveled Hiroshima. As the world watched, one question continued to surface-Where Was God?

Where Was God?

Where Was God? (2014)

Barack Obama

Suryono

Haji Marzuki

Soaduon Siregar

Anwar Congo and his friends have been dancing their way through musical numbers, twisting arms in film noir gangster scenes, and galloping across prairies as yodelling cowboys. Their foray into filmmaking is being celebrated in the media and debated on television, because Anwar Congo and his friends are mass murderers.MEDAN, INDONESIA When the government of Indonesia was overthrown by the military in 1965, Anwar and his friends were promoted from small-time gangsters who sold movie theatre tickets on the black market to death squad leaders. They helped the army kill more than one million alleged communists, ethnic Chinese, and intellectuals in less than a year. As the executioner for the most notorious death squad in his city, Anwar himself killed hundreds of people with his own hands. Today, Anwar is revered as a founding father of a right-wing paramilitary organization that grew out of the death squads. The organization is so powerful that its leaders include government ministers, and they are happy to boast about everything from corruption and election rigging to acts of genocide.THE ACT OF KILLING is about killers who have won, and the sort of society they have built. Unlike ageing Nazis or Rwandan genocidaires, Anwar and his friends have not been forced by history to admit they participated in crimes against humanity. Instead, they have written their own triumphant history, becoming role models for millions of young paramilitaries. THE ACT OF KILLING is a journey into the memories and imaginations of the perpetrators, offering insight into the minds of mass killers. And THE ACT OF KILLING is a nightmarish vision of a frighteningly banal culture of impunity in which killers can joke about crimes against humanity on television chat shows, and celebrate moral disaster with the ease and grace of a soft shoe dance number.A LOVE OF CINEMA In their youth, Anwar and his friends spent their lives at the movies, for they were "movie theatre gangsters": they controlled a black market in tickets, while using the cinema as a base of operations for more serious crimes. In 1965, the army recruited them to form death squads because they had a proven capacity for violence, and they hated the communists for boycotting American films - the most popular (and profitable) in the cinemas. Anwar and his friends were devoted fans of James Dean, John Wayne, and Victor Mature. They explicitly fashioned themselves and their methods of murder after their Hollywood idols. And coming out of the midnight show, they felt "just like gangsters who stepped off the screen". In this heady mood, they strolled across the boulevard to their office and killed their nightly quota of prisoners. Borrowing his technique from a mafia movie, Anwar preferred to strangle his victims with wire.In THE ACT OF KILLING, Anwar and his friends agree to tell the filmmakers the story of the killings. But their idea of being in a movie is not to provide testimony for a documentary: they want to star in the kind of films they most love from their days scalping tickets at the cinemas. The filmmakers seize this opportunity to expose how a regime that was founded on crimes against humanity, yet has never been held accountable, would project itself into history.And so the filmmakers challenge Anwar and his friends to develop fiction scenes about their experience of the killings, adapted to their favorite film genres - gangster, western, musical. They write the scripts. They play themselves. And they play their victims. Their fiction filmmaking process provides the film's dramatic arc, and their film sets become safe spaces to challenge them about what they did. Some of Anwar's friends realize that the killings were wrong. Others worry about the consequence of the story on their public image. Younger members of the paramilitary movement argue that they should boast about the horror of the massacres, because its terrifying and threatening force is the basis of their power today. As opinions diverge, the atmosphere on set grows tense. The edifice of genocide as a "patriotic struggle", with Anwar and his friends as its heroes, begins to sway and crack.Most dramatically, the filmmaking process catalyzes an unexpected emotional journey for Anwar, from arrogance to regret as he confronts, for the first time in his life, the full terror of what he's done. As Anwar's fragile conscience is threatened by the pressure to remain a hero, THE ACT OF KILLING presents a gripping conflict between moral imagination and moral catastrophe.
NOTE OF INTENTIONBy director Joshua Oppenheimer The Act of Killing reveals why violence we hope would be unimaginable is not only imagined, but also routinely performed. It is an effort to understand the moral vacuum that makes it possible for perpetrators of genocide to be celebrated on public television with cheers and smiles. It is a call to reexamine easy reassurances that we are the good guys fighting the bad guys, just because we say so.Some viewers may desire resolution by the end of the film, a successful struggle for justice that results in changes in the balance of power, human rights tribunals, reparations, and official apologies. The film alone cannot create these changes, but this desire has been our inspiration as well, as we seek to shed light on the darkest chapters of both the local and global human story, and to express the real costs of blindness, expedience, and an inability to control greed and the hunger for power in an increasingly unified world society. This is not a story about Indonesia. This is a story about us all.

The Act of Killing

The Act of Killing (2012)

James Hong

Kevin Sateri

Tracy Morgan

Tyler Johnston

A spoof of typical 1980's teen movies. The idea is that VH1 found a "long-lost", never-released teen film made in the 1980's and decided to air it now in 2006; thus it is loaded with the typical formula, clichés, bad fashions, and stereotypical characters found in those movies and makes fun of them.—Anonymous

Totally Awesome

Totally Awesome (2006)

Addison Timlin

Zane Holtz

Zelda Williams

Brittany Allen

May 1977. 20-year-old Colleen Stan is hitching from Oregon to California to visit friends. With a little over 40 miles of her journey left, she accepts a lift from a young couple, Cameron and Janice Hooker. It's a fateful decision. Kidnapped at knifepoint, Colleen spends the next seven years imprisoned for up to 23 hours a day in a coffin-sized box hidden beneath her captors' bed. When not incarcerated, she is employed as the Hookers' slave and child-minder, and is gradually drawn into a bizarre and complex world of extreme obsession and fantasy... Based on a true story, "Girl in the Box" is a dark psychological drama told through the eyes of one of the crime's perpetrators, Janice Hooker. Janice came under the spell of the likeable and charismatic Cameron at just 16, but Cameron harbors a dark secret: an insatiable addiction to extreme bondage and S&M. Unable to cope with Cameron's ever-more-extreme demands, Janice strikes a deal: if Cameron will stop using her for his S&M practices and let her have a child, she will allow him to keep a slave. It's a deal with the devil.

Girl in the Box

Girl in the Box (2016)

Donnie Yen

Cynthia Khan

John Salvitti

Michael Woods

Two detectives who are up to their necks in trouble and in each other's face, as they try to shut down a drug-trafficking scheme that could be connected with international ties to organized crime. But in the mist of their investigation, innocent immigrant dock worker Luk Wan-Ting gets caught up in the mix when he witnesses the murder of an intelligence operative and is framed for the crime. After escaping police custody and after his friend is brutally killed by hired assassins in search of a film negative that Luk lost, he has no choice but to return to Hong Kong until the heat cools off. Donny and Penny Yeung are called in to extradite him with the aid of Captain Michael. Penny believes that Luk is innocent and tries to do everything in her power to help him, while Donny who is skeptical about Luk's innocence, thinks he's guilty and does his best to snap the cuffs on him. As the two do more investigating, they learn that the drug cartel could have connections with rogue C.I.A. operatives, who could also have someone on the police force keeping tabs on them about their investigation. At this point, Penny and Donny don't know if they can trust their own co-workers or even each other for that matter and Luk's testimony to what he saw poses a threat to the criminals involved in the conspiracy. Now for the next 72 hours, Penny and Donny will have to learn to tolerate each other while trying to protect Luk from the assassins who want him silenced. If they can do that, the bad guys don't stand a chance and they just might all survive this case...if they don't end up killing each other first!—Keno Reeves (spywatcher459)

In the Line of Duty IV

In the Line of Duty IV (1989)

Isabelle Huppert

Jean-Louis Trintignant

Suzanne Schmidt

Damien Jouillerot

Georges and Anne are a couple of retired music teachers enjoying life in their eighties. However, Anne suddenly has a stroke at breakfast and their lives are never the same. That incident begins Anne's harrowingly steep physical and mental decline as Georges attempts to care for her at home as she wishes. Even as the fruits of their lives and career remain bright, the couple's hopes for some dignity prove a dispiriting struggle even as their daughter enters the conflict. In the end, George, with his love fighting against his own weariness and diminished future on top of Anne's, is driven to make some critical decisions for them both.—Kenneth Chisholm (kchishol@rogers.com)

Amour

Amour (2012)

Joe DeSoto

Kate Johnson

Justin J. Johnson

Ben Kientz

John Dunning, a disgraced psychic who sees the dead, is thrust in the midst of the embattled Bellvue family empire, and must investigate the suspicious death of the last heir, while cynical journalist Valerie Kreuger documents his every move; but when the death is ruled a murder and John the sole suspect, he must venture into the depths of madness to uncover the truth about the family and their power, before he loses his mind - or worse.—anonymous

Revelator

Revelator (2017)

Takeshi Kaneshiro

Jimmy Wang Yu

Wei Tang

A quiet villager survives an attack by thugs miraculously -- or is there more to this humble villager than meets the eye? The miraculous feat draws the attention of a detective with a keen eye. The villager is a hero in the eyes of his family and the townsfolk, but the detective won't let the matter rest. Further investigation reveals a startling past that the villager wants to leave behind. So too does the investigator have a past he wishes he could forget. Soon the lives and the roles of the villager and the detective blur as each man does what he feels he must. Dragon is a film of great insight and great power. Filmed in China and set in the 1900's, it's a period piece as well.

Dragon

Dragon (2011)

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