Post Malone

Austin Post

Liza Womack

Pouya

Creating a unique mix of punk, emo, and trap, Lil Peep was set to bring a new musical genre to the mainstream when he died of a drug overdose at just 21 years old. From the streets of Los Angeles to studios in London and sold out tours in Russia, the artist born Gustav Ahr touched countless lives through his words, his sound, and his very being. With Terrence Malick serving as executive producer, "Everybody's Everything" is an intimate, humanistic portrait that seeks to understand an artist who attempted to be all things to all people.

Everybody's Everything

Everybody's Everything (2019)

Hannibal Buress

Trevor Noah

Hannibal Buress performs at the Edinburgh Fringe Festival which consists of doing a show every day for 28 days. It shows the progression of Buress's sets from his first to last day.

Hannibal Buress: Hannibal Takes Edinburgh

Hannibal Buress: Hannibal Takes Edinburgh (2016)

Mahmoud Dowlatabadi

Ezzatollah Ramazanifar

Esmat Safavi

Khosrow Shojazadeh

Masht Hassan owns the only cow in a remote and desolate village. He treats the cow as his own child. When he is away, his cow dies. Knowing the relationship between Masht Hassan and his cow, the villagers hastily dispose the corpse, and when Masht Hassan comes back, they tell him that his cow ran away. Masht Hassan is devastated, he starts to spend all his time in the barn, eating hay, and slowly believes that he is the cow.—Sam Tabibnia

The Cow

The Cow (1969)

Jolanda Cappi

Mirella Falco

Osvaldo Salvi

Maurizio Micheli

In the live-action frame story, the Presenter speaks to an unseen audience about the innovative idea of animation set to classical music. He disregards a complain that an American filmmaker already created such a film years ago (a reference to "Fantasia""). A brutish Orchestra Master gathers an orchestra consisting of little old ladies, and releases the Animator (the film's sole artist) from a dungeon.Throughout the film, the Animator keeps creating new characters and stories, while the Orchestra Master harshly criticizes his efforts and bullies him. The Animator is increasingly charmed with a pretty and youthful cleaning woman. He eventually transforms the woman into an animated princes, and then transforms himself into an animated prince. They duo fly away together, leaving the Animator's work unfinished.The first animated sequence is set to the tune of ""Prelude to the Afternoon of a Faun" (1894) by Claude Debussy. In the story, an elderly satyr deals with old-age problems and loneliness. As he is past his prime, none of the beautiful nymphs around him considers him a suitable romantic partner. He tries to regain his youth through using make-up, wigs, and elaborate disguises. But the nymphs see through them. During a failed attempt to grasp a fleeing nymph, he shrinks to ever smaller sizes. After giving up on ever finding a lover, the elderly satyr wanders alone through an unfamiliar countryside. He is unaware that he is walking over the body of a gigantic nymph.The second animated sequence is set to the tune of "Slavonic Dance No. 7, Op. 46" (1878) by Antonin Dvorak. The story begins with a large community of cave-dwellers. One of the cavemen wishes to break away from the community, and builds a hut for himself. Impressed with his innovation, the cavemen imitate him and build an entire town consisting of huts. The innovative caveman responds by building an elaborate stone house for himself, but the others respond by copying his architectural designs. Whenever the caveman comes up with a new innovative idea , everyone else copies him. He eventually finds himself living in a modern metropolis, surrounded by skyscrapers and never alone. Wishing to take revenge on his imitators, the caveman develops a revenge scheme. The following day, the caveman performs an eccentric dance in the city's streets. A crowd starts copying his dance moves. They keep following him until he jumps off a cliff (having prepared a safe landing for himself). He expects the crowd to imitate him and jump off the cliff to their deaths. But they have figured out his plan, and respond by mooning him.The third animated sequence is set to the tune of "Bolero" (1928) by Maurice Ravel. The story is set in an unnamed planet. A spaceship departs the planet, leaving behind a half-finished Coca-Cola bottle. A simple life-form develops within the bottle, and escapes the bottle to explore the planet. The story proceeds in a fanciful representation of evolution. New types of animals keep emerging, while jointly wandering the planet and trying to adapt to ever-changing climatic conditions, A recurring character is a brutal ape, who keeps killing other animals for food or for developing fur clothing. The animals starts wandering in a landscape containing artifacts representing human history, including the Egyptian pyramids and a Christian cross. Their endless journey ends when skyscrapers emerge from the ground and eradicate the natural environment. A scary-looking giant human gazes down on them. The giant's face is revealed to be a mere mask. Behind it is the same brutal ape, with his eyes glowing in the dark.The fourth animated sequence is set to the tune of "Valse triste" (1903) by Jean Sibelius. The story is set in the ruins of a large house. A solitary cat wanders the ruins, while repeatedly having visions of the humans and pets which once lived there. To the cat's confusion and disappointment, its visions keep fading away. The cat itself eventually fades away, indicating that it was a ghost from the house's distant past. Immediately after it disappears, a demolition crew starts demolishing the ruins.The fifth animated sequence is set to the tune of "Concerto in C major, RV 559" (740) by Antonio Vivaldi. In the story, a female anthropomorphic bee is preparing an elaborate meal for herself. A duo of human lovers arrive and start undressing. Their movements keep interrupting the bee's meal, and force her to constantly relocate. She eventually loses her patience with, and she stings the human male.The sixth animated sequence is set to the tune of "The Firebird" (1910) by Igor Stravinsky. The story begins with a creator deity who keeps trying to design a human, but its designs have major flaws (such as missing a head). It eventually creates two human beings, Adam and Eve. The Serpent of Eden tries to tempt the couple with an apple, but they are not interested in his offer. The frustrated Serpent decides to eat the apple. He proceeds to have an elaborate nightmare. Demons seem to transport him to a modern city, where the Serpent experiences hellish visions of life in the 20th century. Once allowed to return to the Garden of Eden, the Serpent hastily narrates his experiences to Adam and Eve. They do not understand him. The Serpent spits out the apple, and departs.In an epilogue animated sequence, the humanoid monster Franceschini is tasked with finding a finale for the film. He searches through archive footage of nonsensical stories, and is increasingly frustrated. He eventually finds a more interesting story. It starts with a pedestrian who accidentally causes a trash collector to trip and fall. This minor accident starts an escalating series of disasters, involving traffic accidents, falling airplanes, burning ships, burning skyscrapers, and panicking crowds. One of the accidents causes an unplanned missile strike. This single strike causes a nuclear war which ends with the complete destruction of planet Earth. Franceschini seems amused, until the Garden of Eden appears and bites him. The story (and the film) ends.

Allegro non troppo

Allegro non troppo (1976)

Paul Kligerman

Michelle Murphy

Susan Sullivan

Douglas Keay

A group of seven-year-old British children from widely ranging backgrounds are interviewed about a range of subjects.The original intention was that they would be interviewed again in the year 2000 as adults, but researcher Michael Apted was curious (and so were the viewers) on how they were doing as teenagers and the seven yearly visit to determine how their lives and attitudes have changed was born.—Murray Chapman

World in Action Seven Up!

World in Action Seven Up! (1964)

Paul Escoffier

Georges Péclet

Robert Ozanne

Mireille Balin

Holed up in the labyrinthine trap of narrow cobblestoned streets and dark dead-end alleys in the bustling Casbah quarter of Algiers, the charismatic leader and elegant Parisian gangster, Pépé le Moko, is starting to reach the end of his tether. Under those pressing circumstances, and always homesick for his beloved Paris after two long years in the impenetrable district, Pépé and his loyal gang find themselves in a constant cat-and-mouse game with the local police and the sly, manipulative detective, Inspector Slimane, trying hard to be one step ahead of them. But, as if that weren't enough, a chance encounter with the dazzling coquette, Gaby, will expose the Achilles' heel of the love-smitten lord of the Casbah, who is now eager to dice with death only to be with her. Is she Pépé le Moko's last chance to leave his squalid criminal haven?—Nick Riganas

Pépé le Moko

Pépé le Moko (1937)

Curd Jürgens

Isabelle Corey

Roger Vadim

Brigitte Bardot

1950s Saint-Tropez, France. Knowing what she wants, foxy Juliette Hardy, an eighteen-year-old orphan taken in by a strict moralistic couple, is the talk of the town. Spending her days working in a small bookshop and her nights dancing the cha-cha at the local nightclub, Juliette dreams of leaving her fishing village with Antoine Tardieu, a handsome shipyard owner, instead of giving in to the romantic advances of would-be sugar daddy and millionaire shipping tycoon Eric Carradine. At the same time, Michel, Antoine's sweet and sensitive younger brother, endures insults, hoping to make statuesque Juliette love him. Now, three men vie for her affection. But the undecided heart searches for an escape. Can beautiful Juliette make up her mind?—Nick Riganas

...And God Created Woman

...And God Created Woman (1956)

Kô Nishimura

Toshio Takahara

Sanpei Mine

Kin Sugai

A rumbunctious and ribald tale of a troupe of travelling actors who alternate highlights of kabuki theatre with strip shows.

Stolen Desire

Stolen Desire (1958)

Beth Ditto

John Waters

Rick Castro

Bruce La Bruce

A documentary on Queercore, the cultural and social movement that began as an offshoot of punk and was distinguished by its discontent with society's disapproval of the gay, bisexual, lesbian and transgender communities.

Queercore: How To Punk A Revolution

Queercore: How To Punk A Revolution (2017)

Audie Murphy

R.G. Armstrong

Karl Swenson

Marjorie Bennett

Cool, cultured John Gant rides into Lordsburg. Gant is a professional killer, and although no one knows who he is there to kill, they are all worried. Everyone has enemies, and maybe Gant is in town for them. While they wait for him to make his move, paranoia starts taking over...—Ken Yousten

No Name on the Bullet

No Name on the Bullet (1959)

Pedro Armendáriz

Juan García

José Torvay

Margarito Luna

Marcos is an arrogant jai-alai player who seduces and discards women until he himself becomes the object of a cunning revenge.

Night Falls

Night Falls (1952)

Michel Blanc

Claude Piéplu

Patrick Bouchitey

Michel Such

In a vacation camp somewhere in the French country, 1960. Marc et Philippe are two of the counsellors. Marc is very virile, while Philippe is more reserved. A night, Marc surprises Philippe dressed and made-up like a woman. From now on, he will keep on humiliating Philippe...—Yepok

La meilleure façon de marcher

La meilleure façon de marcher (1976)

Elle-Máijá Tailfeathers

Barbara Eve Harris

James Angus Cowan

Anthony Bolognese

When Áila encounters a young Indigenous woman, barefoot and crying in the rain on the side of a busy street, she soon discovers that this young woman, Rosie, has just escaped a violent assault at the hands of her boyfriend. Áila decides to bring Rosie home with her and over the course of the evening, the two navigate the aftermath of this traumatic event.

The Body Remembers When the World Broke Open

The Body Remembers When the World Broke Open (2019)

Barbara Stanwyck

Joan Tetzel

Kasey Rogers

Bess Flowers

Assistant District Attorney Cleve Marshall, depressed about marital troubles, is drowning his sorrows in a bottle of whiskey when the mysterious and alluring Thelma Jordon walks in to report an attempted burglary. The two become romantically involved, and not long afterwards there is a burglary and murder at Thelma's aunt's house. Cleve is drawn further and further into defending and covering up for Thelma. It soon becomes clear that this road will only lead to disaster.—B.A. Black

The File on Thelma Jordon

The File on Thelma Jordon (1949)

Keye Luke

Takashi Shimura

Paul Frees

George Takei

Koji Kobayashi, a spotter for a Japanese fishing fleet crash lands his plane on a barren island. His best friend, Shoichi Tsukioka, manages to find him and lands his plane next to his so he can be rescued. The two pilots are shocked when they encounter two giant monsters fighting each other and race back to Japan to inform the authorities. One of the monsters is identified as a second Godzilla, while the other one is identified as a prehistoric monster named Anguirus. Without the weapon that killed the first Godzilla, countermeasures are developed in an attempt to divert the monsters away as they make landfall in Osaka. Japan can only brace for tragedy as they have to suffer through the horror of Godzilla once more.—Brian Washington

Godzilla Raids Again

Godzilla Raids Again (1955)

Chris Sanders

Devanny Pinn

Brandon Slagle

Keith Kraft

An unflinching chronicle of Charles Manson, the ex-con who was able to amass a dedicated following of young people in the late 1960s. The era of peace and love was ultimately brought to its knees following his orchestration of the notorious Sharon Tate and LaBianca murders, which sent a shockwave throughout the U.S.A and the world. To this very day, Manson remains a fascinating figure in today's world and remains incarcerated... Prepare to enter the mental and depraved world of Charles Manson.—New Horizon Films

House of Manson

House of Manson (2014)

Ken Hudson Campbell

Rachel Melvin

Thomas Beaudoin

Jesse Lewis IV

When San Francisco pet shop owner Willa Davis encounters the man who stood her up in high school, she fights both her head and her heart when she starts falling for him all over again ten years later.

The Trouble with Mistletoe

The Trouble with Mistletoe (2017)

Michael Apted

Neil Hughes

Lynn Johnson

Nicholas Hitchon

Director Michael Apted revisits the same group of British-born children after a seven-year wait. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.

7 Plus Seven

7 Plus Seven (1970)

Charles Furneaux

Director Michael Apted revisits the same group of British-born adults after a seven-year wait. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.—Murray Chapman

21 Up

21 Up (1977)

Alexandra Breckenridge

Jane Alexander

Tara Spencer-Nairn

Trailer

Claire, a savvy venture capitalist from New York City, escapes to a quaint town in Vermont for the holidays and becomes a guest of the Fortenbury Bookstore. Upon arrival, Claire finds Christmas celebrations have been canceled by the town after a flood and the bookstore is in a dire state of disrepair. She immediately takes on the challenge to revitalize the store, but clashes with the owner, Andrew (Jamie Spilchuk), who initially rejects all her proposed improvements. Eventually, sparks fly as the two begin a budding romance, and Claire's infectious optimism inspires Andrew to join her in reviving the yuletide spirit. But everything comes to a screeching halt when Claire discovers that Andrew is planning to sell the bookstore in the New Year. Will the spirit of Christmas be enough to change Andrew's mind and encourage him to follow his heart?

Christmas Around the Corner

Christmas Around the Corner (2018)

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