Kate O'Mara

Jon Finch

Veronica Carlson

David Prowse

The brilliant but misunderstood scientist Frankenstein builds a man made up of a collection of spare body parts. The monster becomes alive but he has mental capabilities much below par. The monster is aggressive and wreaks havoc outside the laboratory.—Mattias Thuresson

The Horror of Frankenstein

The Horror of Frankenstein (1970)

Ashley Williams

Marin Ireland

Jon Hamm

Zachary Quinto

Emily Milburton is a therapist who is struggling with personal problems. Things change when she meets her new patient, Josh Norman, who is mentally ill. Josh starts to develop feelings for Emily but things get interesting when Emily falls for Josh's brother, Craig.—ibrahim-81450

Aardvark

Aardvark (2017)

Jessie Buckley

Geraldine James

Chris Wilson

Trystan Gravelle

In her tiny island community, twenty-something Moll "Jessie Buckley" quickly falls for charming newcomer Pascal "Johnny Flynn". When he is named the top suspect in several murders around town, she defends him to her family but becomes doubtful as she sees his true colors. Geraldine James, Trystan Gravelle, and Shannon Tarbet also star. Written and directed by Michael Pearce.

Beast

Beast (2017)

Mariko Okada

Shima Iwashita

Setsuko Hara

Fumio Watanabe

Family and friends of the late Shuzo Miwa have gathered for his annual memorial service, this one marking the seventh anniversary of his passing. Three of his long time friends - married Shuzo Taguchi, married Soichi Mamiya, and widowed Seiichiro Hirayama - have long known and admitted to each other that they have always been attracted to his widow, Akiko Miwa, who they believe has gotten even more beautiful as she has matured. The three friends take it upon themselves to find a husband for the Miwa's now twenty-four year old daughter, Ayako Miwa, who they believe as beautiful as her mother, and who, as a pure innocent, deserves a good husband. Their self-appointed task is despite them knowing that Ayako does not want them to do so. She doesn't want to get married, at least not yet, as she struggles with her traditional sensibilities in post-war modern Japan. Her first priority as she sees it is to take care of her widowed mother, who would be alone if she were to get married. The differing wants between Akiko, Ayako and the three men are ultimately at odds with each other, and places their relationships on tenterhooks. Ayako's best friend and work colleague Yukiko Sasaki, seeing what is happening, takes it upon herself to ensure that her friend and her friend's mother get what they want from their life following Shuzo's death.—Huggo

Late Autumn

Late Autumn (1960)

Tom Fadden

John Wayne

Hank Worden

Jean Arthur

In 1938, an unmarried New York City bank clerk facing her 40th birthday ,Mollie Truesdale (Jean Arthur), with a trio of unsuitable suitors, finds that her cherished dream of making a 17-day all-expenses-paid bus trip to the Pacific Coast and back, isn't all she thought it would be...until she reaches Oregon and a bucking broncho tosses a rodeo performer on top of her and knocks her flat. Duke Hudkins (John Wayne), by way of apology, shows her the sights of Fairfield, Oregon, and she misses her bus, quarrels with the bewildered Duke, hitchhikes across a lot of desert...and a romance is born.—Les Adams

A Lady Takes a Chance

A Lady Takes a Chance (1943)

Kathleen Turner

Donald Pleasence

Rutger Hauer

Powers Boothe

Jim Malden (Rutger Hauer), a Vietnam veteran who has lost his wife and child, lives as a recluse on an island full of rare birds. His only contacts with humanity are with Stella Clayton (Kathleen Turner) and her young son Adam (Andy Fenwick), who have a small supply store on the mainland. One day, a mountain climber named Mike Walker (Powers Boothe) brings a visit to the island to observe two rare eagles. What he doesn't tell Jim is that he's hired by an egg collector to steal the eagles' eggs. In the end, after he's succeeded in bringing together Jim and Stella, Mike gets a chance to lay hands on the eggs. He then decides to leave the eggs in the nest, influenced as he is by Jim.—Homme A. Piest

A Breed Apart

A Breed Apart (1984)

Hyuk-kwon Park

Hae-yeon Kil

Rin-Ah Shin

Jung-ah Yum

The Jangsan Tiger, who mimics human voices to lure them close, encounters a family affected by the creature.

The Mimic

The Mimic (2017)

Eric Tsang

Chok Chow Cheung

Ching-Ying Lam

Chin-Lai Sung

A con artist uses Kung Fu to swindle villagers for money by pretending to be possessed by angry gods. However, when the villagers are later threatened by bandits he must use the same skills for good.

The Spiritual Boxer

The Spiritual Boxer (1975)

Lizabeth Scott

Kirk Douglas

Burt Lancaster

Bess Flowers

Frankie Madison returns to New York after 14 years in prison. Noll Turner, Frankie's former partner in bootlegging, is now a wealthy nightclub manager, and Frankie is expecting him to honor a verbal '50:50' agreement they made when he was caught and Noll got away. Fat chance! Can Frankie, who knows only the strong-arm methods of Prohibition, win out against Big Business? It'll be tough...even with the unlikely alliance of torch singer Kay (Noll's ex-girlfriend).—Rod Crawford

I Walk Alone

I Walk Alone (1947)

Maggie Cheung

Jean-Pierre Léaud

Nathalie Richard

Alex Descas

French filmmaker René Vidal was once a renowned director, but most see his career on a quick downward slide based on his last several films. In Paris, he is just starting to film his latest movie, a remake of Les vampires (1915), and has hired Hong Kong based Chinese actress Maggie Cheung as the title lead, "Irma Vep" (an anagram for "vampire"), despite she knowing no French and she not being an obvious choice to most. Maggie has never worked with Vidal before and knows little about his movies, but many of his primarily French crew are part of his regular stable. As such, Maggie may become isolated among the cast and crew, unless there are those who bring her into their English conversations, they who may have somewhat ulterior motives in doing so. There are also factions within the cast and crew, who, based on their history, have a poisoned sense of what is going on. With Vidal, he is dealing with some personal issues while he tries to regain his film making form. He may transfer his thoughts of Irma Vep to Maggie, who he hired because he too sees her as strong and sexy like the skin-tight latex clad Irma. And Maggie may take her research for the comic bookish character to an extreme.—Huggo

Irma Vep

Irma Vep (1996)

John Lennon

Alexander Knox

Roy Kinnear

Robert Hardy

This movie features Beatle John Lennon and Roy Kinnear as ill-fated enlisted men under the inept command of Lieutenant Ernest Goodbody (Michael Crawford). The story unwinds mostly in flashbacks of Lieutenant Goodbody who has lower-class beginnings and education which make him a poor officer who commands one of the worst units of the Army.—Jenny Evans

How I Won the War

How I Won the War (1967)

Phil Fondacaro

Joe Smith

Bill Moynihan

J.W. Perra

Anna Quarrels (Rhonda Griffin), the new librarian in the Rare Books Room, was doing her job when the edgy Mr Jamison from the University of Chicago came in wanting to see Mary Shelley's original manuscript for "Frankenstein, or The Modern Prometheus". Anna did everything right (signed him in, checked his ID, attached the authorization from the University, and made him don gloves and a mask) before she laid the precious manuscript in his hands. When he had finished, she prepared to tuck it back into the stacks. Imagine her surprise when she discovered that he had switched blank paper for the manuscript and walked out of the library with it. Checking his ID, she learns that it was false, so she hires a quirky Private Detective, David Raleigh (Justin Lauer), who works out of his video store, to track him down. By dusting the sign-in sheet, David is able to lift a set of the man's fingerprints and, after running them through the National Fingerprint Clearinghouse, he finds out that the man's name is really Dr Winston Berber. Now it is only a matter of finding Winston Berber and getting back Shelley's manuscript.Meanwhile, Berber (Bill Moynihan) is gloating over his collection of rare manuscripts. Along with Shelley's manuscript, he's now obtained the originals of Guy Endore's "The Werewolf of Paris" (1933) and James Putnam's "Mummy" (1993). He needs only to get the first edition of Bram Stoker's "Dracula" (1897), and his collection will be complete. Berber needs the manuscripts because, even with four doctorate degrees in Physics, Mathematics, Folklore, and Philosophy, he is a nebbish. Consequently, he has created an "Archetype Inducer" and plans to bring to life the four greatest monsters from horror history -- the Mummy, the Wolfman, Dracula, and Frankenstein's monster -- in order to do his bidding.Two weeks have passed, and David has been so busy at the video store that he hasn't yet located Berber. Not to worry. Berber shows up at the library looking for the first edition of "Dracula" and Anna recognizes him. Holding Berber at bay with a pair of scissors, she phones David and tells him to hurry over to the library. Before David can get there, however, Berber zaps Anna with a taser, steals "Dracula", and takes both the book and Anna to his laboratory. When Anna comes to, she finds herself cuffed to a table. Berber informs her that she is just what he needs -- a virgin between the ages of 20 and 35 -- to sacrifice naked in order to make the Archetype Inducer work. Suddenly, David breaks into the lab, having gotten Berber's address off his computer at the video store. He knocks Berber out and releases Anna. Anna grabs all the manuscripts, and they hightail it out of the lab. Unfortunately, they weren't quick enough. Berber had already turned on the Archetype Inducer. While David and Anna are making their getaway, four figures step out of the machine -- the Mummy (Joe Smith), the Frankenstein monster (Thomas Wellington), the Wolfman (Jon Simanton), and Dracula (Phil Fondacaro) -- only they are midgets.Dracula isn't happy that he has been brought to life as a three foot midget, but Berber assures him that he can change that if he can get his hands on Anna, who is now part of the equation. So the monsters offer to get her for him. Meanwhile, Anna isn't too happy either about the bill that David sent her for his services...$6,200. Anna's supervisor, Miss Christina (Kristin Norton), isn't happy either because Anna keeps dodging her advances. When Anna once again dodges her advances, Christina stays late at the library in order to make love to the first edition of "Jane Eyre" in the Rare Book Reading Room. When she hears noise out on the floor, she goes to investigate and falls prey to Dracula's net. Now it's Berber who isn't happy, because Christina is not Anna, and he must have Anna for the procedure to work. However, Dracula forces him to try it anyway. Berber switches on the machine, Christina disappears then reappears as a Viking then disappears again. True to Berber's word, the procedure didn't work, so the monsters set out again to find Anna.First stop is David's house, where Dracula attempts to wrest Anna's address out of him, but David refuses to comply. When Dracula tries to bite his neck, David flashes the crucifix on his necklace, says, "Thank God I'm a Catholic," and races out the door. The monsters and Berber follow him, assuming that he will lead them to Anna. David leads them to the library. The monsters attempt to capture Anna, but David grabs Berber and threatens to break his neck if they don't leave Anna alone. David pulls out Berber's taser and threatens Dracula, who simply zaps it, causing it to explode.Anna and david are taken back to the lab where Berber again prepares for the procedure. When Dracula asks for assurance that it will work this time, Berber won't guarantee it because Anna is not a virgin. Dracula suggests that they find another woman, a virgin this time, to go through the procedure along with Anna, but Berber says that will unbalance things. The only way to keep everything balanced is to find an opposite to Anna -- a male virgin. After asking David about his virginity, Dracula is assured that he is indeed a virgin, and the preparations continue while David tries to come up with a catch. At the last minute, Anna has an idea. She points out to the monsters that, if they stay in the real world, they will eventually die like all humans do. However, if they return to the pages of the novels from whence they came, they will live on forever as the legends they are.Just as Berber pushes the red button to start the machine working, David and Anna escape from their cuffs. Instead of them being sucked into the machine, Christina the Viking reappears, grabs Berber, and they both disappear again. Anna and David conclude that the machine turned them into archetypes of a Viking and a mad scientist. Having had a little time to ponder, Dracula tells David to press the red button again. They have chosen to return to their own lands as the legends they are rather than to die in the real world, he explains. Before the monsters are sucked back into the pages of their respective novels, Dracula tells Anna that she is wise "for someone who has not yet lived a single lifetime.But do not fear," he adds, "we will always be with you...in your nightmares."Epilogue: Anna shows up at David's video store, gives him a check for his services, and informs him that Berber's lab has been torn down. She also gives him a book, the first English language edition of Venus in Furs. David thanks her and admits that he saw the movie. "1970, directed by Jess Franco (Jesús Franco), starring Klaus Kinski. Actually, there was an earlier version directed by Larry Buchanan, the guy who did Zontar: The Thing from Venus (1967) (1966). Actually, I think there's a '94 version but it's all in Dutch...," he drones on. Anna interrupts him with a kiss.

The Creeps

The Creeps (1997)

Noah Centineo

Madeleine Arthur

John Corbett

Lana Condor

Lara Jean Covey writes letters to all of her past loves, the letters are meant for her eyes only. Until one day when all the love letters are sent out to her previous loves. Her life is soon thrown into chaos when her foregoing loves confront her one by one.

To All the Boys I've Loved Before

To All the Boys I've Loved Before (2018)

I. Van Charles

Byron Quisenberry

Dave Ford

Roy Demny

People are disappearing in the outskirts of a Texan town, which leads to loss of business from a lodge. The sheriff dismisses the incident as mere accidents, only worrying about his re-election campaign, but an occult researcher investigates and alleges that a devil worshiping cult might be responsible.—Anonymous

Enter the Devil

Enter the Devil (1972)

John Fiedler

Angela Lansbury

Merrie Spaeth

Tippy Walker

Henry Orient (Peter Sellers) is a madly egocentric and overly amorous avant-garde concert pianist who is hilariously pursued all around New York City by two fourteen-year-old fans. The girls, Valarie "Val" Campbell Boyd (Tippy Walker) and Marian "Gil" Gilbert (Merrie Spaeth) chase a harassed Henry all over the city, thwarting his afternoon liaisons with a married woman and leaving utter chaos behind them - until Val's sexually promiscuous mother, Isabel (Dame Angela Lansbury), appears on the scene to put a stop to the girls' shenanigans.—alfiehitchie

The World of Henry Orient

The World of Henry Orient (1964)

Josette Day

Hallie Neill

Gregory Purnhagen

John Kuether

Adélaïde, Belle, Félicie and Ludovic are young adult siblings who once lived in grandeur until their father's merchant ships were lost at sea. The family is now near ruin, but Adélaïde and Félicie nonetheless still squander away the family money on themselves and keeping beautiful, whereas Belle slaves around the house, doting on her father. Ludovic detests his two spoiled sisters, but is protective of Belle, especially with his friend Avenant, a handsome scoundrel who wants to marry Belle. Crossing the forest one dark and stormy evening, the father gets lost and takes refuge in a fantastical castle. Upon leaving, he steals a blossom off a rose bush, which Belle requested. The castle's resident, an angry beast, sentences him to one of two options for the theft of the rose: his own death, or that of one of his daughters. As she feels she is the cause of her father's predicament (despite her sisters asking for far more lavish gifts), Belle sacrifices herself to the beast. Upon arriving at the castle, Belle finds that the beast, whose grotesqueness she cannot deny, does not want to kill her, but wants to marry her and lavish her with riches. He does not force her, but he will ask her every night to marry him, these times the only ones when he will appear to her. She vows never to say yes. As Belle resigns herself to her mortal fate and looks deeper into the beast - whose grotesque exterior masks a kind but tortured soul - will her thoughts change? Meanwhile, Belle's family, who learn of her situation, have their own thoughts of what to do, some working toward what they believe is Belle's best welfare, and others working toward their own benefit.—Huggo

Beauty and the Beast

Beauty and the Beast (1946)

Lance Henriksen

Dedee Pfeiffer

Thom Bray

Lawrence Tierney

Detective Lucas McCarthy finally apprehends "Meat Cleaver Max" and watches the electric chair execution from the audience. But killing Max Jenke only elevated him to another level of reality. Now Lucas' family is under attack, his sanity in question, and his house haunted. Aided by a disreputable college professor, can Lucas reclaim his mind, house, and family? Features Lance Henriksen as Lucas McCarthy and Brion James as Max Jenke. One of the few movies featuring these actors as main characters, if not the only one.—Matrix

House III: The Horror Show

House III: The Horror Show (1989)

Sara Soulié

Pilou Asbæk

Josh Lucas

Rade Serbedzija

Criminal investigator Anders Olsen begins to solve a case in which a bank robber shoots two bank clerks and runs into the streets of Copenhagen with the money. When arrested, he claims to have committed the crime alone. Some eyewitnesses say the robber seemed to have been in a trance, which makes the case even more complicated and peculiar. Olsen finds out that the accused has been in prison with the charismatic Björn Schow Nielsen and begins to suspect that Nielsen had hypnotized his fellow inmate to commit the crime for him. But could it be possible - and if so, how can the true perpetrator be caught? Olsen seeks help from a well-known psychiatrist specialized in hypnosis, with whom Olsen delves deeper into the world of mental manipulation. Absorbed in the criminal investigation, Olsen does not realize that the mysterious Nielsen has secretly befriended his young wife. Soon the mysterious case touches him closer than he could have imagined.—AnonymousB

Murderous Trance

Murderous Trance (2018)

Charles Dance

Stephen Dorff

Eugenie Bondurant

Debi Mazar

John Canyon is one of the last independent space transport entrepreneurs. Rough times force him to carry suspicious cargo to Earth without questions being asked. During the flight the cargo turns out to be multitude of unstoppable and deadly killer robots.—Dragan Antulov

Space Truckers

Space Truckers (1996)

Jim Caviezel

Matt Dillon

Juliet Mills

Ryan Potter

A timeless tale that takes place against the backdrop of the segregated coffee fields in 1920s Hawaii - a coming-of-age journey about a young man who transcends the boundaries of race and class in pursuit of a forbidden love.

Running for Grace

Running for Grace (2018)

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