Sharon Tate

John Sturges

Steve McQueen

James Garner

STEVE MCQUEEN: THE MAN and LE MANS is the story of obsession, betrayal and ultimate vindication. It is the story of how one of the most volatile, charismatic stars of his generation, who seemingly lost so much he held dear in the pursuit of his dream, nevertheless followed it to the end.

Steve McQueen: The Man & Le Mans

Steve McQueen: The Man & Le Mans (2015)

Liam Neeson

Christina Ricci

Justin Long

Josh Charles

After a horrific car accident, Anna (Ricci) wakes up to find the local funeral director Eliot Deacon (Neeson) preparing her for her funeral. Confused, terrified and feeling still very much alive, Anna doesn't believe she's dead, despite the funeral director's reassurances she's merely in transition to the afterlife. Eliot convinces her he has the ability to communicate with the dead and is the only one who can help her. Trapped inside the funeral home, with nobody to turn to except Eliot, Anna's forced to accept her own death. But Anna's grief-stricken boyfriend Paul (Long) can't shake the suspicion that Eliot isn't what he appears to be.—Anchor Bay Films

After.Life

After.Life (2009)

Scarlett Johansson

Ian McShane

Hugh Jackman

Charles Dance

In the funeral of the famous British journalist Joe Strombel (Ian McShane), his colleagues and friends recall how obstinate he was while seeking a scoop. Meanwhile, the deceased Joe discloses the identity of the tarot card serial killer of London. He cheats Death (Pete Mastin) and appears to the American student of journalism Sondra Pransky (Scarlett Johansson), who is on the stage in the middle of a magic show of the magician Sidney Waterman (Woody Allen) in London, and tells her that the murderer is the aristocrat Peter Lyman (Hugh Jackman). Sondra drags Sid in her investigation, seeking for evidence that Peter is the killer. However, she falls in love with him and questions if Joe Strombel is right in his scoop.—Claudio Carvalho, Rio de Janeiro, Brazil

Scoop

Scoop (2006)

Dante Basco

Clancy Brown

Joseph Malone

Elizabeth Taylor

A movie that starts out with the "Man in the Mirror" music video, it then changes to a montage of video clips of Michael's career. Next comes a parody of his Bad video by children, and then Michael is chased by fans in a fantasy sequence. 2 more videos are shown, and then a movie in which Michael plays a hero with magical powers. In it he is chased by drug dealer Mr. Big and saves three children. Videos included in the movie are "Smooth Criminal" and "Come Together".—Tony Meier

Moonwalker

Moonwalker (1988)

Wallace Shawn

Andre Gregory

Jean Lenauer

Roy Butler

Wallace Shawn and Andre Gregory, apparently playing themselves, share their lives over the course of an evening meal at a restaurant. Gregory, a theater director from New York, is the more talkative of the pair. He relates to Shawn his tales of dropping out, traveling around the world, and experiencing the variety of ways people live, such as a monk who could balance his entire weight on his fingertips. Shawn listens avidly, but questions the value of Gregory's seeming abandonment of the pragmatic aspects of life.—Rick Gregory

My Dinner with Andre

My Dinner with Andre (1981)

Roy Dotrice

Rae Dawn Chong

Cheech Marin

Edie McClurg

Superfecund twins Louis and Lucien, who can feel pain from each other's injuries, revolt against a tyrannical regent who holds France under his iron fist.

Cheech & Chong's: The Corsican Brothers

Cheech & Chong's: The Corsican Brothers (1984)

Greta Thyssen

John Agar

Annie Birgit Garde

Mimi Heinrich

A U.N. space expedition to the planet Uranus discovers a bizarrely familiar world right out of their own heads, featuring places and people the crew members recall from their past. It's all part of a fantasy created by the planet's master, a giant, pulsating brain that can also turn their worst thoughts into reality.—Jeremy Lunt

Journey to the Seventh Planet

Journey to the Seventh Planet (1962)

Sigourney Weaver

Frank Langella

Arnold Vosloo

Mark Margolis

Big budget account of Christopher Columbus' discovery of the Americas. Released in 1992 to celebrate the 500th anniversary of the discovery. Shows the disastrous effects the Europeans had on the original inhabitants, and Columbus' struggle to civilize the New World.—Rob Hartill

1492: Conquest of Paradise

1492: Conquest of Paradise (1992)

Mark Ruffalo

Judy Greer

Brie Larson

Lynn Collins

After total humiliation at her thirteenth birthday party, Jenna Rink wants to just hide until she's thirty. Thanks to some magic wishing dust, Jenna's prayer has been answered. With a knockout body, a dream apartment, a fabulous wardrobe, an athlete boyfriend, a dream job, and superstar friends, this can't be a better life. Unfortunately, Jenna realizes that this is not what she wanted. The only one that she needs is her childhood best friend, Matt, a boy that she thought destroyed her party. But when she finds him, he's a grown up, and not the same person that she knew.—popdivaprincess3000

13 Going on 30

13 Going on 30 (2004)

Mekia Cox

Michael Jackson

Kenny Ortega

Rachael Markarian

In the weeks before his death, Michael Jackson (August 29, 1958 - June 25, 2009) was rehearsing a show, "This Is It," that was to open in July. This film begins with a few of the auditioning dancers speaking to the camera about why they're trying out and what Jackson means to them. Then we plunge into rehearsals at Staples Center in Los Angeles. The film is arranged by musical number with pre-recorded material and footage from Jackson's various rehearsals edited together to take us through what would have been the concert's set list.—

This Is It

This Is It (2009)

William Campbell

Sandra Knight

Jonathan Haze

Fred Thompson

Antonio "Tony" Sordi [William Campbell] lives in a studio under an old belltower where he spends his time painting, just as his ancestor Erno Sordi did five hundred years ago. The only difference is that Erno Sordi was convicted of conspiring with the devil and was burned at the stake, whereas Antonio Sordi sells his paintings at prices that the local beatniks can only dream about. What they would never dream is that the Erno Sordi of legend is the same Antonio Sordi of the 20th century [or maybe Antonio is possessed by his ancestor? The movie never explains this little detail.] and that Sordi is a vampire. After feeding on his victims, always young and beautiful women, Sordi takes them back to his studio, places them in various poses from which he paints his popular "dead red nudes," and then tosses their bodies into a bubbling bath of some sort (acid?).Tony's new girlfriend of two weeks, an aspiring dancer named Dorean [Linda Saunders], doesn't know the sordid side of his character, mostly because Tony refuses to let her visit him at his studio. Instead, they meet on the beach where no one knows them and where Dorean can dance in the sand while wearing tights or bikinis. Tony doesn't want Dorean to find out about his pursuits lest the same thing happen as it did in the 15th century. It was his lover Melissa who complained to the ecclesiatical council that he had cast a spell on her and captured her soul on his canvas. Melissa stood laughing at him as his body burned.Max [Karl Schanzer], one of the local beatniks, has been experimenting with new artforms. His latest invention, the quantum gun, has his friends excitedly discussing this "formal" method of painting. But when his model, Daisy Allen [Marissa Mathes], disappears and shows up in one of Sordi's newest paintings, Max asks Daisy's sister Donna [Sandra Knight] to pay Sordi a visit and see if she can find out where Daisy has gone. Sordi denies knowing Daisy, of course, and slams the door in Donna's face. As Donna leaves, an old-timer reminds her about the legend of the belltower. That night, concerned that Sordi might be an actual vampire, Donna follows him on his wanderings, but they are intercepted by a group of costumed party-goers. When Donna sees Sordi's face and gets a look at his fangs, she screams in horror and tries to run away. She comes upon a carousel and "escapes" by riding round and round on one of the horses. When the carousel stops, Donna is dead.Dorean is starting to feel inscure in her relationship with Tony. The fact that he won't invite her to his studio is a red flag, and she begins to question him about how many girls he's making love to and why he won't make a pass at her. Tony responds by running away while shouting, "You have to give me time!" With tears in her eyes, Dorean collapses on the beach until she notices someone watching her. When she gets up to leave, he follows her. She starts to run, but he stays on her tail. Fortunately, Dorean runs into Max and some of his friends. While they pursue her follower, Dorean goes over to Tony's studio where she thinks she will be safe. Max catches up with Tony, they struggle, and Tony falls off a roof. As Max is telling his buddies how the face looked like that of a vampire, they notice the body has disappeared.Somehow Tony has gotten back to his studio before Dorean, and he's really flipped out. He's talking to a painting of Melissa, telling her that he needs her and that she has to come back to work with him one more time. Unfortunately for Dorean, that's the moment she arrives. Dorean is horrified when she sees the dank, cobweb-ridden studio with rats and dead bodies in various states of decay, but it's too late. Tony has caught her in a net and is waving a straight-edged razor in front of her face, telling her how he's going to cut her so that he can paint Melissa as Enro Sordi one more time. As he places the razor against Dorean's neck, all the dead bodies begin to awaken [No reason given]. They crawl toward Sordi and push him into the vat of whatever. Dorean faints, and that's how Max and his buddies find her. [Original Synopsis by bj_kuehl.]

Blood Bath

Blood Bath (1966)

Brina

Tiffany Shepis

Stacey Poirier

Charles Everett Tacker

The eleven year-old boy Nathan Perry is beloved by his parents that are going to give a dog for him. However his family is destroyed in a car accident when his parents die and the boy is sent to the custody of Milwood, an orphanage managed by Mr. Clemens. The boy is treated with love by the social assistant Judy, but abused by Mr. Clemens. When Nathan is bullied by other boys, Mr. Clemens sends him to the feared Ward B and the mean Katherine Rizzo becomes his tutor and he has medical assistance from the weird Doctor Charles. While snooping around the Ward B, Nathan discloses a dreadful secret. What have him discovered?—Claudio Carvalho, Rio de Janeiro, Brazil

Milwood

Milwood (2013)

Malcolm McDowell

Robert Shaw

Roger Lloyd Pack

Robert East

Two escapees (Robert Shaw and Malcolm McDowell) are on the run in an unspecified but seemingly Latin-American country. Everywhere they go they are observed and hounded by a menacing black helicopter.—Jonathon Dabell

Figures in a Landscape

Figures in a Landscape (1970)

James Cosmo

Judy Geeson

Ian Bannen

Rita Davies

A scientist from the Doomwatch environmental group, Dr. Del Shaw, is sent to the island of Balfe to check on the aftereffects of an oil tanker that went down a year earlier. What he finds is that many residents are suffering from a disfiguring disease that also makes them violent. The residents are quite hostel as Del looks for answers. Someone carrying a rifle is constantly monitoring his activities from afar. Eventually, Del checks out the oceanic Naval dumping ground at Castle Rock. It is on the opposite side of the island from the tanker mishap. A diver takes pictures of the submerged waste. There are the expected naval containers of low-level radioactive waste, but there is a host of other containers bearing a number code. These are traced to the Doran Chemical Company. The containers were illegally dumped by a contracted disposal company and filled with pituitary growth hormone that did not work as designed. Beached containers of this are releasing the contents where fish ingest it. When the fish are consumed by the islanders, the excess amounts of growth hormone cause acromegaly, a disease characterized by growth of bones in the hands and brow area. The islanders have to be convinced of this explanation. They were blaming it on too much inbreeding given the small gene pool among island folk.—Garon Smith

Doomwatch

Doomwatch (1972)

Robert Downey Jr.

Gina Gershon

Sarah Jessica Parker

Helen Hunt

Janey is new in town and soon meets Lynne, who shares her passion for dancing in general and "Dance TV" in particular. When a competition is announced to find a new Dance TV regular couple, Janey and Lynne are determined to audition. The only problem is that Janey's father doesn't approve of that kind of thing.—Murray Chapman

Girls Just Want to Have Fun

Girls Just Want to Have Fun (1985)

Robert Oates

Peter Watkins

Tony Cosgrove

Olivier Espitalier-Noel

The 1746 Battle of Culloden, the battle that ensured that Scotland was controlled by England. Not only do we see the battle unfold but also the lead-up, the key people involved and the aftermath.—grantss

Culloden

Culloden (1964)

Ann Turkel

Denise Galik

Rob Bottin

Doug McClure

Scientific experiments backfire and produce horrific mutations: half man, half fish, which terrorize a small fishing village by killing the men and raping the women.—Concorde - New Horizons (with permission).

Humanoids from the Deep

Humanoids from the Deep (1980)

George Segal

Sandy Dennis

Richard Burton

George (Richard Burton) and Martha (Dame Elizabeth Taylor) are a middle-aged married couple, whose charged relationship is defined by vitriolic verbal battles, which underlies what seems like an emotional dependence upon each other. This verbal abuse is fueled by an excessive consumption of alcohol. George being an associate history professor in a New Carthage university where Martha's father is the President adds an extra dimension to their relationship. Late one Saturday evening after a faculty mixer, Martha invites Nick (George Segal) and Honey (Sandy Dennis), an ambitious young biology professor new to the university and his mousy wife, over for a nightcap. As the evening progresses, Nick and Honey, plied with more alcohol, get caught up in George and Martha's games of needing to hurt each other and everyone around them. The ultimate abuse comes in the form of talk of George and Martha's unseen sixteen-year-old son, whose birthday is the following day.—Huggo

Who's Afraid of Virginia Woolf?

Who's Afraid of Virginia Woolf? (1966)

Julie Bowen

Hayden Panettiere

Patrick Warburton

Tim Allen

Humiliated before the eyes of his young daughter at the company's parking lot, timid single father Joe painfully realises that he is no match for his co-worker and office bully Mark. However, as bruised Joe rapidly sinks into depression, much to everyone's surprise, he decides to get even. Now, it's up to former B-movie star and martial arts instructor Chuck to help Joe get in shape and, perhaps, save what's left of his crushed male ego. Before long, the rumours of a rematch start spreading like wildfire, and suddenly, a new Mr Popularity emerges. But is Joe up to the task? Above all, will his colleagues root for the underdog?—Nick Riganas

Joe Somebody

Joe Somebody (2001)

Thomas Brodie-Sangster

Emma Thompson

Colin Firth

Kelly Macdonald

1860s Victorian England. Sadly, the widowed undertaker, Cedric Brown, has a lot on his plate. As the desperate father works his fingers to the bone to provide for his seven unruly children, in the meantime, they have managed to drive out not one but seventeen nannies with their elaborate practical jokes and bad behaviour. Then, on a stormy night, the hideous government nanny extraordinaire, Nanny McPhee, sets foot in Cedric's household, bent on transforming the children's manners and the house. Will a dash of magic do the trick?—Nick Riganas

Nanny McPhee

Nanny McPhee (2005)

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