Tusshar Kapoor

Mouni Roy

Swastika Mukherjee

Abhinav Singh

Focuses on the theme of "Love in the Times of the Internet," which explores the difficulties and complexities that define modern relationships in our highly technology society. The film follows the lives of individuals as they deal with the complexities of modern love, friendship, and self-discovery.—production house

LSD 2: Love, Sex Aur Dhokha 2

LSD 2: Love, Sex Aur Dhokha 2 (2024)

Ana Santos

Carmela Romero

Laura Montesinos

Cristian Cres

Young academic who leaves routines, obligations and her boyfriend back in Madrid for a carefree summer in her hometown on Gijón, in the Atlantic coast.

Notes on a Summer

Notes on a Summer (2023)

Susan Hampshire

Dick Gregory

Shelley Spurlock

Yayoi Kusama

Two documentary filmmakers go back in time to the pre-Civil War American South, to film the slave trade.

Goodbye Uncle Tom

Goodbye Uncle Tom (1971)

Sandu Mihai Gruia

Dan Badarau

Constantin Cojocaru

Silvia Nastase

The story of a family: Problems, marriage, taxes, revenge, friendship, army and much more.

The Moromete Family

The Moromete Family (1987)

Marian Rivera

Dingdong Dantes

Regie Omandam

Joross Gamboa

Mary loves John her entire life. After years of marriage, John's priorities change, straining their relationship and leading to a tragic accident that takes Mary's life. An extraordinary proposition allows John to rewind time.

Rewind

Rewind (2023)

Juan Ignacio Viñuales

Isaias Mojon

Miguel Olmeda

Osane Ulloa

Ismael Lopez, a petty criminal, shoots and kills a painting restorer during a bungled burglary, and shoots her daughter as well. Twenty years later, and the daughter Leire has been left mute and with a mental age of a child, spending most of her time in a mental home. A chance meeting between Leire and Ismael, who now works in a bar, leads Ismael to think that she still might be able to recognize him, and turn him in to the police. With the help of his girlfriend Maite, he kidnaps Leire and chains her to the bed in his house. He is unable to kill her, however, and instead asks the mental home for a ransom for her return. Whilst a prisoner, though, Leire and Ismael grow closer and closer through his attempts to make her laugh and their mutual love for chocolate.—Jonathan Broxton

The Dead Mother

The Dead Mother (1993)

Martin Balsam

Lee Philips

Rudy Bond

Lee Grant

Fifty-six-year-old Jerry Kingsley (Frederic March), the co-owner/co-operator of Lock Lee Fashions, a New York-based garment manufacturer and wholesaler, has been widowed for two years. His older spinster sister, Evelyn Kingsley (Edith Meiser), moved in with him in his apartment following Jerry's wife's passing to take care of him, she who has always assumed the role as family caregiver. One of Jerry's married daughters, 25-year-old Lillian Englander (Joan Copeland), believes Evelyn has a neurotic fixation on Jerry, Lillian unaware that her own fixation on her father is just as strong. Evelyn tries to arrange dates for Jerry, primarily with lonely widows, something he resists in wanting to find a woman on his own despite his own loneliness. Unlike his married business partner, 59-year-old Walter Lockman (Albert Dekker), who is always chasing after "tootsies" and "floozies," Jerry wants someone to love. After learning her story, Jerry thinks he's found the woman in Lock Lee's 24-year-old receptionist, Betty Preisser (Kim Novak). Betty, who never had much parental guidance, recently got divorced from her musician husband, George Preisser (Lee Philips). There had always been a strong physical attraction between Betty and George, but nothing that she would now consider love. Betty is an extremely sad and confused woman, admits that she misses George, but doesn't want to get back together with him, she needing the antithesis of George as the person in her life at this point in time. Jerry and Betty enter into what ends up being a turbulent May-September relationship, their issues based on their own insecurities: Jerry, who realizes that his love for Betty is illogical due to the differences in their ages, admits he will always have pangs of jealousy in believing that she will be more physically attracted to men her own age; and Betty doesn't know if what she feels for Jerry is love or just a sense of being protected, something she never felt with George. Regardless, they decide to get married. That announcement opens up their relationship to the scrutiny of his family and friends, her family and friends, and their co-workers. The situation gets even more complicated when George reenters Betty's life. The questions then become if Jerry and Betty's relationship can withstand all these pressures, or if there is a factor or factors that will show them that their relationship makes sense at this point in their respective lives.—Huggo

Middle of the Night

Middle of the Night (1959)

Naomi Watts

Jamie Renée Smith

William Windom

Brent Jennings

All the kids in a town over night become feverish and have convulsions. The next day they start to become evil, change their names for those of kids killed long ago, and then start killing any adult in their path, in vicious and mysterious forms. A young woman who has just returned to town tries to find out what is happening, while trying to protect her transformed young sister. However, the kids are starting to revive their leader...—Parca Mortem

Children of the Corn: The Gathering

Children of the Corn: The Gathering (1996)

Vidal Sancho

Manuel Tallafé

Natalia de Molina

Mariana Cordero

A single mother struggles to pay the rent and put food on the table for her 10 year old son.

Food and Shelter

Food and Shelter (2015)

Quim Gutiérrez

Rossy de Palma

Alexandra Jiménez

Daniel Arias

A down-on-his-luck man becomes the target of a group of vicious criminals. He learns that his estranged father is a secret agent, and the two reluctantly agree to work together in order so stop the bad guys. However, the two must put aside their differences and rocky history if they're going to survive.—monkeysgalore

Spy Time

Spy Time (2015)

Brett Cullen

Tania Gunadi

Leah Pipes

Chris Williams

Samantha's band, the Zettabytes, is meeting with little success, so her friend Roscoe uses his knowledge of technology designed by his father to create a holographic lead singer, Loretta Modern. The band instantly becomes successful, but Samantha begins to feel alienated, Roscoe discovers feelings for Samantha, and Loretta struggles with individuality.—Andronis

Pixel Perfect

Pixel Perfect (2004)

Kane Hodder

Amanda Hannah

Mark A. Richardson

Maeve Ybanez

Kane Hodder leads a team of paranormal investigators as they investigate The Grand Old Lady Hotel in Balsam, North Carolina. The Grand Old Lady Hotel is a 112-year-old, 40,000 square foot hotel with a disturbing past. Nestled in the Appalachian Mountains of North Carolina, the hotel is referred to by locals as the South's Stanley Hotel.—Tony H. Cadwell

Balsam: A Paranormal Investigation

Balsam: A Paranormal Investigation (2021)

Kurt Evans

Adrian Miller

Lashonda Green

Glenn Ellis

If you've ever eaten macaroni and cheese, French fries or ice cream, you've enjoyed the contributions of America's unknown culinary founding father, James Hemings. James Hemings was the first American trained as a master chef. He was also the brother-in-law and enslaved property of Thomas Jefferson. A modern culinary warrior is determined to tell the greatest American story that has not been told. Chef Ashbell McElveen has dedicated his life to creating fine food, and uncovering the amazing story of James Hemings. Chef Ashbell is a familiar culinary TV personality, having regularly appeared on shows like Weekend Today Show, BBC's Good Food Live and Beat Bobby Flay. In addition to opening restaurants in the UK and USA, he has founded the James Hemings Society, which strives to bring America's Founding Foodie into the light of history. The story of James Hemings, and Chef Ashbell's inspired quest to tell it, will captivate foodies, intrigue historians, and give every American a greater appreciation for the French fries on their plate.—Anthony Werhun

James Hemings: Ghost in America's Kitchen

James Hemings: Ghost in America's Kitchen (2022)

Tom Kenny

Richard Harris

Kirsten Dunst

Keith David

Axis, a gigantic coiling plant, stretches high above the clouds. At its center is a village whose people are in mortal danger, because Axis is withering and its sap is drying up. The people beg their gods for help, but to no avail. Compelled by a mysterious force, rebellious, high-spirited teenage girl Kaena defies the High Priest and her people's ancestral beliefs to take the perilous journey through the Axis and discover what dark secrets lie beyond the clouds. A dying world, an evil force, a terrible secret.—Aline

Kaena: The Prophecy

Kaena: The Prophecy (2003)

William Fichtner

Judy Greer

Jeff Bridges

Brad Garrett

Andy Sargentee is a decent guy and the town's favorite failure: an unemployable dreamer whose ex's husband's wealth intimidates Andy to such an extent he does little with his teen son. Andy's new idea is for Butterface Fields to be the first town to band together to make the first full-length feature amateur adult film. He recruits five regulars at Floyd's Bar to contribute $2000 each. They get the kid at the video store, whose camcorder is constantly on, to be the cinematographer. The pal they all call "Some Idiot" volunteers to be writer-director. Otis becomes producer. Now, can they find actors, and especially, women? Can a pornography project give Andy self-respect?—

The Amateurs

The Amateurs (2005)

Raúl Méndez

Enrique Mendoza

Héctor Mendoza

Adrián Ladrón de Guevara

Small-time criminal Carlos comes home to find his younger brother, Oliver, agitated. Before Oliver can explain his behavior, rogue cop Marcos emerges from hiding and places both brothers under arrest. Oliver explains that he has confessed under duress and begs forgiveness. Carlos demands to see a warrant. Marco admits he does not have one and attempts to take them to the police station at gunpoint. They overpower him and flee down their apartment complex's stairs. While chasing them, Marco shoots Carlos in the leg. Marco seems surprised by his action and is further worried when he hears a loud noise in the distance. Carlos and Oliver surrender to Marcos, who refuses to take them to a hospital.Marco is horrified when the stairs turn out to be endless, looping in on themselves. Oliver applies first aid to his brother but can only watch as Carlos bleeds to death the next day. Before he dies, Carlos urges Oliver to appreciate the present, something he could never do. As Oliver mourns Carlos' death, Marco becomes shaken when he sees that a vending machine on the stairwell has become restocked, exactly as it was 24 hours ago. Enraged by Marco's callousness, Oliver disarms him and threatens to kill him with his pistol. Marco insists that he did not consciously choose to shoot Carlos, and the two argue over the metaphysics of their situation.Elsewhere, Sandra and her two children, Daniel and Camila, prepare to visit her ex-husband. Although her new husband, Roberto, is anxious about the trip, Sandra reassures him the long drive will give him a chance to bond with her children. On the way, they stop at a gas station, where Roberto carelessly offers fruit juice to Camila. Camila has an allergic reaction to it, which brings on an asthma attack. After Roberto accidentally destroys her inhaler, an accident he insists was fated to happen, a loud explosion sounds in the distance. Sandra asks Daniel to retrieve the backup inhaler, but he reveals that he forgot to pack it. Panicking, Sandra insists that Roberto turn around and return home. After passing the same gas station repeatedly, they realize the road endlessly repeats the same stretch.Roberto exits the car and walks off through the brush to seek help. Without access to her inhaler, Camila dies. Believing herself to be stuck in a nightmare, Sandra abandons her children and drives off, vainly attempting to wake herself. Daniel picks up his sister's body and begins walking down the road in the opposite direction. All converge to the same spot and give up hope of escape. Thirty-five years later, both groups are still stuck in their respective locations. Each day, everyone finds a fresh copy of all their possessions. Over the decades, these items gather into towering piles as the two groups attempt to live their lives.Sandra and Roberto, now elderly, have animalistic sex, Daniel lives on his own without much interaction with them, and Oliver leads the elderly Marco in rituals worshiping Carlos' skeleton. After Sandra dies, Roberto and Daniel hold a funeral, where Roberto is struck by a moment of lucidity as he, too, nears death. He says he now understands why they are stuck. Marco and Roberto jointly reveal that none of this is real, but an alternate dimension to their real lives. An elderly Roberto explains that when he was a 10 year-old boy, he was in another incident stuck on a raft. At the same time, an elderly Marco explains that he is really Daniel, the 10 year-old boy from the incident of the infinite road, thus explaining the cycle of incidents/new dimensions. These dimensions split off from reality and are stuck in a time loop. They are brought on by tragedy, and the emotions that the inhabitants feel are fed back to people in the real world. The younger person stuck in an incident fares better than the older person. Therefore, younger people in the real life have more happiness and fortune than older people, who experience more sadness and misfortune.As he dies, Roberto urges Daniel to break the cycle of creating new dimensions by refusing to follow his fate. Marco/Daniel urges Oliver to break the cycle as well by refusing to follow his fate. Daniel and Oliver find they are now free to leave their dimension. Each initially hesitates but follows his fate. Daniel enters a police car and becomes Marco, off to arrest Oliver and Carlos. Oliver leaves his apartment complex, becoming a Russian bellhop who operates an elevator for a bride and groom. He sets in motion an accidental death for the groom, trapping himself and the bride in a new dimension for thirty-five years.

The Incident

The Incident (2014)

Cyrus King

Alim Kouliev

Joshua Feinman

Shaun Russell

Is it possible for a photograph to change the world? Photographs taken by soldiers in Abu Ghraib prison changed the war in Iraq and changed Americas image of itself. Yet, a central mystery remains. Did the notorious Abu Ghraib photographs constitute evidence of systematic abuse by the American military, or were they documenting the aberrant behavior of a few bad apples?
We set out to examine the context of these photographs. Why were they taken? What was happening outside the frame? We talked directly to the soldiers who took the photographs and who were in the photographs. Who are these people? What were they thinking? Over two years of investigation, we amassed a million and a half words of interview transcript, thousands of pages of unredacted reports, and hundreds of photographs. The story of Abu Ghraib is still shrouded in moral ambiguity, but it is clear what happened there.
The Abu Ghraib photographs serve as both an expose and a coverup. An expose, because the photographs offer us a glimpse of the horror of Abu Ghraib; and a coverup because they convinced journalists and readers they had seen everything, that there was no need to look further. In recent news reports, we have learned about the destruction of the Abu Zubaydah interrogation tapes. A coverup. It has been front page news. But the coverup at Abu Ghraib involved thousands of prisoners and hundreds of soldiers. We are still learning about the extent of it.
Many journalists have asked about the smoking gun of Abu Ghraib. It is the wrong question. As Philip Gourevitch has commented, Abu Ghraib is the smoking gun. The underlying question that we still have not resolved, four years after the scandal: how could American values become so compromised that Abu Ghraiband the subsequent coverupcould happen?

Standard Operating Procedure

Standard Operating Procedure (2008)

Hairi Katagiri

Satomi Kobayashi

Jarkko Niemi

Masako Motai

Where are we welcome? On a quiet street in Helsinki, Sachie has opened a diner featuring rice balls. For a month she has no customers. Then, in short order, she has her first customer, meets Midori, a gangly Japanese tourist, and invites her to stay with her, and meets Masako, a formal and ethereal middle-aged woman whose luggage has gone missing. The three women work in the diner, interact, and serve customers. A somewhat brusque man teaches Sachie to make delicious coffee, then he returns under other circumstances. Three neighborhood women inspect the empty diner every day; will anything bring them inside? We learn why Sachie serves rice balls; but why Finland?—

Kamome Diner

Kamome Diner (2006)

Pierre Coffin

Dave Rosenbaum

Eric E. Osmond

Jody Gelb

The Minions need to raise $20 to purchase an as seen on TV banana blender, so they take up lawn mowing at an old folks home, with hilarious antics.

Mower Minions

Mower Minions (2016)

Mickey Rooney

Eric Hempsall

Taylor Handley

Caitlin Wachs

17-year-old Pete Riley works at the local 26-screen megaplex. He, the senior manager of the theater, and all the other employees are working to keep the theater neat for the giant premiere gala that night where they will premiere "Midnight Mayhem." He must also keep his younger siblings out of the way for the premiere. He also has his girlfriend and her friend going to an early movie heading into the premiere. The movies are having major screw-ups, like real tornadoes or title problems.—Corey Semple Superman2002

Phantom of the Megaplex

Phantom of the Megaplex (2000)

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