Gregory Peck

Arthur Space

Dawn Lyn

Paul Fix

Clay Lomax (Gregory Peck), a bank robber, gets out of jail after an eight-year sentence. He is looking after Sam Foley (James Gregory), the man who betrayed him. Knowing that, Foley hires three men to pay attention of Clay's steps. The things get complicated when Lomax, waiting to receive some money from his ex-lover, gets only the notice of her death and an six-year-old girl (Dawn Lyn), sometimes very annoying, presumed to be his daughter.—Michel Rudoy

Shoot Out

Shoot Out (1971)

Elizabeth Taylor

Edmund Gwenn

Nigel Bruce

Elsa Lanchester

Hard times came for Carraclough family and they are forced to sell their dog to the rich Duke of Rudling (Nigel Bruce). However, Lassie (Pal), the dog, is unwilling to leave the young Joe Carraclough (Roddy McDowall) and sets out on the long and dangerous journey in order to rejoin him.—Dragan Antulov

Lassie Come Home

Lassie Come Home (1943)

Fanny Clar

Genya Lozinska

Charles Dorat

Gen Paul

When Juliette marries Jean, she comes to live with him as he captains a river barge. Besides the two of them, are a cabin boy and the strange old second mate, Pere Jules. Soon bored by life on the river, she slips off to see the nightlife when they land at Paris. Angered by this, Jean sets off, leaving Juliette behind. Overcome by grief and longing for his wife, Jean falls into a depression and Pere Jules goes searching for Juliette.—dlevy1201

L'Atalante

L'Atalante (1934)

Glenda Jackson

Murray Melvin

Brian Murphy

Tommy Tune

The assistant stage manager of a small-time theatrical company (Polly Browne) is forced to understudy for the leading lady (Rita) at a matinée performance at which an illustrious Hollywood director (Cecil B. DeThrill) is in the audience scouting for actors to be in his latest "all-talking, all-dancing, all-singing" extravaganza. Polly also happens to fall in love with the leading man (Tony) and imagines several fabulous fantasy sequences in which the director is free to exercise his capacity for over-the-top visuals in this charming 1920's era flick.—Bliss Blood

The Boy Friend

The Boy Friend (1971)

Beth Ditto

John Waters

Rick Castro

Bruce La Bruce

A documentary on Queercore, the cultural and social movement that began as an offshoot of punk and was distinguished by its discontent with society's disapproval of the gay, bisexual, lesbian and transgender communities.

Queercore: How To Punk A Revolution

Queercore: How To Punk A Revolution (2017)

Alfredo Varela padre

Adolfo Ballano Bueno

José Arratia

Fernando Casanova

A artist model who leads the ever hapless Arturo de Córdova away from the arms of his innocent, blue-eyed wife and down, down, down into the ecstatic depths of degradation which include a stop at seedy Panamanian nightclub.

La diosa arrodillada

La diosa arrodillada (1947)

Bette Davis

Frieda Inescort

Gale Sondergaard

Victor Sen Yung

The wife of a rubber plantation administrator shoots a man to death and claims it was self-defense. Her poise, graciousness and stoicism impress nearly everyone who meets her. Her husband is certainly without doubt; so is the district officer; while her lawyer's doubts may be a natural skepticism. But this is Singapore and the resentful natives will have no compunction about undermining this accused murderess. A letter in her hand turns up and may prove her undoing.—J. Spurlin

The Letter

The Letter (1940)

Lilian Bond

Gloria Stuart

Ernest Thesiger

Elspeth Dudgeon

Seeking shelter from a pounding rainstorm in a remote region of Wales, several travellers are admitted to a gloomy, foreboding mansion belonging to the extremely strange Femm family. Trying to make the best of it, the guests must deal with their sepulchral host, Horace Femm and his obsessive, malevolent sister Rebecca. Things get worse as the brutish manservant Morgan gets drunk, runs amuck and releases the long pent-up brother Saul, a psychotic pyromaniac who gleefully tries to destroy the residence by setting it on fire.—Doug Sederberg

The Old Dark House

The Old Dark House (1932)

John Clive

James Bolam

Rita Tushingham

Mike Mungarvan

Shy Brenda Thompson writes naive children's stories to amuse herself. Stifled and desperate for a man of her own, she leaves Liverpool, telling her mom she's pregnant, and gets a job in a boutique in London. She moves in with the promiscuous but good-hearted Caroline but the mod set shuns her for her plain looks. Then she kidnaps a strange young man's dog, so as to perhaps get to know him while returning it. The young man turns out to be Peter, a psychopath with a predilection for killing beautiful things. He renames Brenda Wendy, and they start a hopeful, if strange, relationship. It might have a chance, if it weren't for Peter's murderous secrets.—Leo

Straight on Till Morning

Straight on Till Morning (1972)

Paul Mariskanish

Mona Arkin

Carly Alyssa Thorne

Aneela Qureshi

An Armenian-American journalist turns into an unwilling ghost hunter while researching the sudden deaths in her family and their connection to a paranormal mystery.

Armenian Haunting

Armenian Haunting (2018)

Larry Coven

Gregory Scott Cummins

Hy Pyke

Ramesh Pandey

A kindly old grandfather is actually the leader of a murderous satanic cult which sacrifices its victims on Halloween.

Hack-O-Lantern

Hack-O-Lantern (1988)

Dawn Jeffory

Martin Kove

R.G. Armstrong

Ann Dusenberry

Returning from a stint in the Air Force, Carrol Jo Hummer borrows money to buy a truck, hoping to make enough money hauling produce to marry Jerri Kane and set up housekeeping. He discovers that the long-haul business is run by racketeers and decides to fight the corrupt forces that control the trucking business.—Anonymous

White Line Fever

White Line Fever (1975)

Phoebe Cates

Kiefer Sutherland

Dianne Wiest

Michael J. Fox

Jamie Conway (Michael J. Fox) is an aspiring writer and yuppie living in New York City who seeks oblivion in cocaine and the glittery nightclub scene as his life falls apart (his wife leaves him, his mother dies, etc.). With his hard-partying friend Tad Allagash (Kiefer Sutherland) tagging along with him during their nights out, Jamie finds it increasingly difficult to show up every day at his unfulfilling job as a fact checker for a literary Manhattan magazine.—Larry B.

Bright Lights, Big City

Bright Lights, Big City (1988)

David Carradine

Liv Ullmann

James Whitmore

Glynn Turman

It's early November 1923. Jewish-American brothers Abel and Max Rosenberg and Max's ex-wife Manuela Rosenberg had a trapeze act in a circus touring through Europe until a month ago when a wrist injury to Max sidelined the act. The three remained in Berlin, Germany generally depressed with rampant inflation leading to Abel taking up the bottle to cope. Jewish people are also being blamed for many of society's problems, but Abel fears no reprisal against himself if he does nothing wrong. Abel and Manuela, the latter who ended up living in a rooming house on her own while working in a cabaret, are reunited when Abel must inform her that Max committed suicide by a self-inflicted gunshot wound to the head. Feeling at a loss both professionally and emotionally, Abel and Manuela turn to each other for comfort and support, feeling they only truly have each other. Abel's life becomes even more complicated when Police Inspector Bauer, who handled Max's suicide case, questions Abel about a series of other mysterious deaths in the last month in the vicinity of where he lived, some of the people he admits to knowing if only by face. In the process, Abel begins to believe that he's being set up to take the fall solely for being Jewish. But as Manuela tries to set up some sort of life so the two of them can be together, Abel gets caught up in unwitting circumstances that might lead to the same fate as Max and the others Abel was shown in the morgue.—Huggo

The Serpent's Egg

The Serpent's Egg (1977)

Savanah Lee

José Antonio Rivera

Leeann Aubuchon

Martin DuPlessis

Satan demands worship but now he demands a meat cleaver massacre. A town under the control of the devil and a mystery killer on the loose leads to shock after shock.

Satanic Meat Cleaver Massacre

Satanic Meat Cleaver Massacre (2017)

Margaret Hoover

David Kennedy

George H. Nash

Herbert Hoover

An illuminating account of Herbert Hoover's personal life and governmental career, this historical documentary profiles the former head of state's political philosophy, memorable election campaigns, Great Depression policies and more. Through interviews with scholars such as David Kennedy, Robert Reich and Tim Egan, this biography sheds new light on the underappreciated president's difficult tenure and enduring legacy.

Landslide: A Portrait of President Herbert Hoover

Landslide: A Portrait of President Herbert Hoover (2009)

Dawn Addams

Mary Peach

Piers Bishop

Joe Adams

Ray Charles attempts to help a down-on-their-luck boozing family whose son is blind. He wants to finance the recovery of his eyesight, but the family is afraid of what might happen if something goes wrong.

Ballad in Blue

Ballad in Blue (1965)

Tôru Abe

Tanie Kitabayashi

Yûzô Hayakawa

Manabu Morita

An evil warlord invades a peaceful lakeside village during one of their annual festivals. In the course of burning down buildings, executing helpless civilians and generally looting and pillaging, the warlord's men blow up the statue of the village god and sink the pieces deep in the lake. Everything looks hopeless for the people of the village until a strange force from beneath the water's surface begins pulling enemy soldiers to their deaths. Has the local come back for its revenge?—Jean-Marc Rocher

Wrath of Daimajin

Wrath of Daimajin (1966)

Gloria Swanson

H.B. Warner

Florence Fair

L. Rogers Lytton

Zaza is the favorite actress at an open-air theater in a small French town. When diplomat Bernard Dufresne comes to the village, he stays away for fear he will fall for her. But when Zaza is badly injured, he has no choice.

Zaza

Zaza (1923)

Tony Curtis

Susan Strasberg

Jeanette Nolan

Michael Ansara

Karen Tandy enters a San Franisco hospital suffering from a tumor growing in her neck. Her surprised doctors think it's a living creature, a fetus being born inside the tumor. Fortune-teller Harry Erskine dismisses it -- until one of his customers begins speaking in tongues and fatally throws herself down a flight of stairs, and Karen's surgeon attempts to cut off his own hand rather than excise her tumor. Erskine finally seeks help from another fortune teller, Amelia Crusoe, and her husband, to try to learn the cause of these supernatural events. When Karen's tumor gets larger, Dr. Snow speculates that within her tumor lives vengeful 400-year-old Indian spirit. Erskine travels to South Dakota to enlist the aid of Indian medicine man John Singing Rock to force the evil spirit out of Karen and back where it came. The Indian spirit is driven from Karen's tumor, but will it take over others before Singing Rock can send him back?—

The Manitou

The Manitou (1978)

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