Marina Vlady

Jitsuko Yoshimura

Valéry Inkijinoff

Frederick Stafford

US 24, an American Navy base in a small island in the Pacific, is annihilated. Hubert Bonisseur de la Bath, a French aristocrat that is also a secret agent, OSS 117, is sent to Tokyo to investigate who did it. Soon, he finds out that a cypher girl in the American embassy had passed vital information to a Japanese gang. Eva Davidson confesses to him that she did that under cohertion, and is now ready to cooperate. OSS 117 will pretend to be Eva's husband, to better cover the contacts between her and the gang that is pursuing more information about a second naval base. Each step is a battle for his life, and he suspects that Eva may have not tell the whole truth.—Artemis-9

Atout coeur à Tokyo pour OSS 117

Atout coeur à Tokyo pour OSS 117 (1966)

Sam Waterston

Gilbert Elmore

Jerry Serempa

Emma Cody

A girl's abilities as a clairvoyant are used as a roadside attraction. She quickly finds great success, but tragedy ensues.

The Plastic Dome of Norma Jean

The Plastic Dome of Norma Jean (1966)

Suzanne Lemeri

Philippe

Sophie

Raymond Lemeri

A Senegalese woman is eager to find a better life abroad. She takes a job as a governess for a French family, but finds her duties reduced to those of a maid after the family moves from Dakar to the south of France. In her new country, the woman is constantly made aware of her race and mistreated by her employers. Her hope for better times turns to disillusionment and she falls into isolation and despair. The harsh treatment leads her to consider suicide the only way out.—Fiona Kelleghan

Black Girl

Black Girl (1966)

Chuck Gardner

Steven R. Davis

Wayne Miyata

Phil Edwards

They call it The Endless Summer the ultimate surfing adventure, crossing the globe in search of the perfect wave. From the uncharted waters of West Africa, to the shark-filled seas of Australia, to the tropical paradise of Tahiti and beyond, these California surfers accomplish in a few months what most people never do in a lifetime...They live their dream. Director Bruce Brown creates a film so powerful it has become a timeless masterpiece that continues to capture the imagination of every new generation. When it first played in theaters, audiences lined up to see it again and again, spellbound by its thrilling excitement and awesome photography. But in fact, what's most compelling about the film is the sport of surfing itself, and once you've seen it, you'll never forget why.—Anonymous

The Endless Summer

The Endless Summer (1966)

James Coburn

Chuck Hicks

Lee J. Cobb

James Brolin

The world's weather seems to have changed dramatically with violent storms everywhere and long dormant volcanoes suddenly erupting. No one is sure what is happening or why but when American intelligence chief Cramden loses yet another team of agents, there appears to be only one man who can do the job: Derek Flint, former super spy, incredibly rich and the ultimate ladies man. Despite Cramden's concerns, Flint is on the job and soon discovers that the Earth's weather is under the control of a secret organization known as GALAXY whose scientists are looking to pacify the world and devote humankind to scientific pursuits.—garykmcd

Our Man Flint

Our Man Flint (1966)

Vanessa Redgrave

David Warner

Robert Stephens

Bernard Bresslaw

Morgan Delt is a failed, irresponsible left-wing artist whose Communist parents own a fish-and-chips shop in downmarket London. He is also an aggressive, self-admitted dreamer obsessed with Karl Marx, gorillas, and stopping his beautiful wife from marrying his former best friend. He uses his rich fantasy world as refuge from external reality, where his unconventional behavior lands him in a divorce from his wife, trouble with the police, and, ultimately, incarceration in a mental institution.—alfiehitchie

Morgan!

Morgan! (1966)

Ernest Maftei

Dan Nutu

Anna Széles

Mihai Paladescu

A genius architect is losing both professionally and when it comes to matters of the heart. A film about internal turmoils surfacing, about freedom of thought and action, originality, non-conformism and everything that opposes these things.—Julien M.

Meandre

Meandre (1966)

Nelson Spencer

Jeannie Miller

Pluto

Cathy Lacey

A mentally unbalanced man is obsessed with the idea that a black cat is possessed. He tortures and kills it. Later, he comes to believe that the cat has returned from the dead to kill him.

The Black Cat

The Black Cat (1966)

Sergey Nikonenko

Nikolay Grabbe

Rimma Markova

Mayya Bulgakova

A fascinating and human portrayal of a once-famous fighter pilot and loyal Stalinist named Nadezhda Petrovna. Now a 41-year-old provincial schoolmistress, she has so internalized the military ideas of service and obedience that she cannot adjust to life in peacetime.—International Film Circuit

Wings

Wings (1966)

Bing Crosby

Following an introduction by Bing Crosby, the Cinerama screen widens for scenes of landscapes, cities, peoples, and entertainments of the Soviet Union. Highlights include the historic buildings and churches of Moscow, as the Kremlin; its subway and streets, a spring carnival, the seaside resorts on the Black Sea, a trip down the Voga River, skiers, a troika racing along a snow-covered road, a helicopter view of the North Pole, an Antarctic whale hunt, the capture of a wild boar in the Moyun-Kum of Central Asia, a race by reindeer-drawn sleds, divers in the Sea of Okhotsk, battling an octopus, the capture of antelopes, rafting logs down the Tisza River, and the development of new towns in Siberia. Other scenes include a visit to the Moscow Circus, where the renowned clown Oleg Popov performs, the dancing of the Moiseyev and Piatnitsky companies, and excerpts from the repertoire of the Bolshoi Theater Ballet.—Anonymous

Cinerama's Russian Adventure

Cinerama's Russian Adventure (1966)

Louis de Funès

France Rumilly

Olivier De Funès

Jean Ozenne

M. Septime rules the renowned Paris restaurant "Chez Septime" with an iron fist. Grovelling before his rich and powerful customers, M. Septime feels free to treat his employees like children at best or like slaves at worst. M. Septime would be very happy if things just continued the way they are. But Destiny will have it otherwise. Indeed one day, Novales, a South American president, disappears while dining in his restaurant and it looks as if Septime has something to do with it.—Guy Bellinger

What's Cooking in Paris

What's Cooking in Paris (1966)

Jean-Louis Trintignant

Anouk Aimée

Yane Barry

Pierre Barouh

A man and a woman meet by accident on a Sunday evening at their children's boarding school. Slowly the widower and widow reveal themselves to each other, with each revelation hidden by a misperception. They become closer and closer, until she reveals that she can't have a lover because her husband's memory is still far too strong. Much of the film is told wordlessly in actions or through hearing each person's thoughts.—John Vogel

A Man and a Woman

A Man and a Woman (1966)

Margaret Nolan

George Cole

Jeremy Clyde

Ingrid Boulting

The all-girl school foil an attempt by train robbers to recover two and a half million pounds hidden in their school.

The Great St. Trinian's Train Robbery

The Great St. Trinian's Train Robbery (1966)

Roland Malet

Germaine Delbat

Robert Hossein

Dominique Zardi

The struggle between a ruthless leader of a bank robbers - Raymond Pellegrin - and the cops who are determined to put him in jail for long.

Brigade antigangs

Brigade antigangs (1966)

Franco Nero

Luciano Foti

Erika Blanc

Gara Granda

A young bachelor Mino Alberti (Franco Nero), lives in an old manor with his overprotective mother and his faithful maid, is just a few days before getting marry, his fiancee dies in a mysterious car crash. Soon afterwards Mino begins to lose his sanity and lures young women into his house with nefarious intentions.—jairhcastillo

The Third Eye

The Third Eye (1966)

Peter Robbins

Jean Seberg

Sean Garrison

Arthur Hill

The French Riviera. With a lifeless body lying on her kitchen floor, Kay Stanton, the glamorous American wife of a renowned psychiatrist, is in shock. After all, the loaded pistol in the lady's hand doesn't lie--Kay has just shot a man. As Kay calls out her best friend Daphne Fields to help her, vivid flashbacks depict an ill-advised whirlwind romance filled with chance encounters, sinful desires, and remorse. Now, the French police are on the tangled case, and shrewd Inspector DeFargo already smells a rat. And the question remains. Can a moment of weakness destroy everything one holds dear?—Nick Riganas

Moment to Moment

Moment to Moment (1966)

André Luguet

Michèle Mercier

Malka Ribowska

Fernand Guiot

On the evening of brilliant success, Pierre Montand, a lawyer from Dijon with ascending fame - forty years old - falls passionately in love with a young medical student, Nathalie, met in a "boite" where she is a trainer, job she does every evening to support her studies. This brutal and reciprocal passion is not without raising practically insurmountable difficulties. Pierre Montand is married, and a prisoner of a very prominent social situation. The lovers can only see each other furtively. Nathalie, overwhelmed by these moments that are too rarely granted, decides to break up. One New Year's Eve, she emphatically signifies this to Pierre Montand. Mad with grief, anger and jealousy, the latter gets drunk, loses control of himself, threatens Nathalie with his revolver and, for several hours, loses his memory. It was during this night of rupture that the corpse of a former "fiancé" of Nathalie was discovered, Montand's revolver lying near him. The lawyer is suspected and arrested. After eighteen months of imprisonment and a difficult trial, he was acquitted, for lack of absolute proof. This acquittal leaves a deep unease and convinces no one. Montand himself wonders if he did not kill his rival during an insane fit of jealousy. Patiently, he takes up the elements of the case and discovers this "second truth" how atrocious. For fear that he would kill himself with his revolver, Nathalie seized her lover's gun. And, mad with grief, faced with the reproaches levelled at her by the young student with whom she would have liked to forget Pierre Montand, gun in hand, she fired and killed him. Understanding that Pierre Montand will finally discover the horror of this crime and her cowardice since she has not denounced herself, she flees at the wheel of her car, and suicide or accident dies crushed by a train, at a crossing.
Source : © Fiches du Cinéma

The Second Twin

The Second Twin (1966)

Eiji Gô

Chieko Matsubara

Akira Kobayashi

Bokuzen Hidari

A military photographer takes a cute stewardess out to dinner where she is promptly kidnapped. Deciding that he has fallen in love with the girl, our "hero" decides to investigate her kidnapping himself.

Black Tight Killers

Black Tight Killers (1966)

June Roberts

Joe Santos

Lisa Millot

George Winship

Mrs Joan Rand, a seductive but disgruntled homemaker, is fed up with her mundane existence. Craving what she can't afford in life, Mrs Rand has an epiphany: with the help of a close friend, she transforms her stenography service into a high-class call-girl ring right under her husband's nose. As money flows and business flourishes, shrewd Mrs Rand enlists the help of more suburban wives eager to make extra money by satisfying the town's increasing demand for guilty pleasures. But sultry Mrs Rand is playing with fire. What happens if her oblivious spouse and the police discover that adultery runs rampant in the quiet neighbourhood?—Nick Riganas

Moonlighting Wives

Moonlighting Wives (1966)

Leslie Nielsen

Hal Burton

Doug McClure

Michael Constantine

Michael "Beau" Geste leaves England in disgrace and joins the infamous French Foreign Legion. He is reunited with his two brothers in North Africa, where they face greater danger from their own sadistic commander than from the rebellious Arabs.—Marg Baskin

Beau Geste

Beau Geste (1966)

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