Joanna Kerns

Choi Sung Kwan

Bob Kurcz

Charles Johnson

A newly discovered 36-foot gorilla escapes from a freighter off the coast of Korea. At the same time an American actress is filming a movie in the country. Chaos ensues as the ape kidnaps her and rampages through Seoul.

Ape (1976)

Mercedes Ruehl

Sonia Braga

Nelson Dantas

José Wilker

In a small city of Brazil, a woman named Flor marries a man named Vadinho, but once married she finds that he is a good-for-nothing. She works teaching cooking and he takes all of her money to gamble. After Vadinho dies, Flor marries Tedoror, the owner of a drugstore. Flor is happy with her new husband but misses the love life with her previous husband. When one day the ghost of Vadhino comes back to pursue her.—Michel Rudoy

Dona Flor and Her Two Husbands

Dona Flor and Her Two Husbands (1976)

Peter Cushing

Doug McClure

Caroline Munro

George Hilsdon

A Victorian scientist and his young American backer set off in their new earth-boring machine with a short test on a Welsh mountain. Unfortunately the thing is rather more powerful than expected and they end up in an enormous cavern at the centre of the earth. Here they find a race of humans enslaved to evil oversized prehistoric birds with extra-sensory abilities. The travellers decide they can be some help, the more so as at least one of the slaves is very eye-catching.—Jeremy Perkins {J-26}

At the Earth's Core

At the Earth's Core (1976)

Bente Børsum

Teddy Scott

Bjarne Andersen

Knut Walle

Journey to the Christmas Star

Journey to the Christmas Star (1976)

Greer Garson

Zero Mostel

Ray Owens

Bob McFadden

Aaron, after playing his song, helps Melchior to spread the word by ringing Simeon's silver bells. But when the Romans take the bells for taxes, it's up to Aaron and his animal companions to rescue them.—Kathy Li

The Little Drummer Boy Book II

The Little Drummer Boy Book II (1976)

Jolanda Cappi

Mirella Falco

Osvaldo Salvi

Maurizio Micheli

In the live-action frame story, the Presenter speaks to an unseen audience about the innovative idea of animation set to classical music. He disregards a complain that an American filmmaker already created such a film years ago (a reference to "Fantasia""). A brutish Orchestra Master gathers an orchestra consisting of little old ladies, and releases the Animator (the film's sole artist) from a dungeon.Throughout the film, the Animator keeps creating new characters and stories, while the Orchestra Master harshly criticizes his efforts and bullies him. The Animator is increasingly charmed with a pretty and youthful cleaning woman. He eventually transforms the woman into an animated princes, and then transforms himself into an animated prince. They duo fly away together, leaving the Animator's work unfinished.The first animated sequence is set to the tune of ""Prelude to the Afternoon of a Faun" (1894) by Claude Debussy. In the story, an elderly satyr deals with old-age problems and loneliness. As he is past his prime, none of the beautiful nymphs around him considers him a suitable romantic partner. He tries to regain his youth through using make-up, wigs, and elaborate disguises. But the nymphs see through them. During a failed attempt to grasp a fleeing nymph, he shrinks to ever smaller sizes. After giving up on ever finding a lover, the elderly satyr wanders alone through an unfamiliar countryside. He is unaware that he is walking over the body of a gigantic nymph.The second animated sequence is set to the tune of "Slavonic Dance No. 7, Op. 46" (1878) by Antonin Dvorak. The story begins with a large community of cave-dwellers. One of the cavemen wishes to break away from the community, and builds a hut for himself. Impressed with his innovation, the cavemen imitate him and build an entire town consisting of huts. The innovative caveman responds by building an elaborate stone house for himself, but the others respond by copying his architectural designs. Whenever the caveman comes up with a new innovative idea , everyone else copies him. He eventually finds himself living in a modern metropolis, surrounded by skyscrapers and never alone. Wishing to take revenge on his imitators, the caveman develops a revenge scheme. The following day, the caveman performs an eccentric dance in the city's streets. A crowd starts copying his dance moves. They keep following him until he jumps off a cliff (having prepared a safe landing for himself). He expects the crowd to imitate him and jump off the cliff to their deaths. But they have figured out his plan, and respond by mooning him.The third animated sequence is set to the tune of "Bolero" (1928) by Maurice Ravel. The story is set in an unnamed planet. A spaceship departs the planet, leaving behind a half-finished Coca-Cola bottle. A simple life-form develops within the bottle, and escapes the bottle to explore the planet. The story proceeds in a fanciful representation of evolution. New types of animals keep emerging, while jointly wandering the planet and trying to adapt to ever-changing climatic conditions, A recurring character is a brutal ape, who keeps killing other animals for food or for developing fur clothing. The animals starts wandering in a landscape containing artifacts representing human history, including the Egyptian pyramids and a Christian cross. Their endless journey ends when skyscrapers emerge from the ground and eradicate the natural environment. A scary-looking giant human gazes down on them. The giant's face is revealed to be a mere mask. Behind it is the same brutal ape, with his eyes glowing in the dark.The fourth animated sequence is set to the tune of "Valse triste" (1903) by Jean Sibelius. The story is set in the ruins of a large house. A solitary cat wanders the ruins, while repeatedly having visions of the humans and pets which once lived there. To the cat's confusion and disappointment, its visions keep fading away. The cat itself eventually fades away, indicating that it was a ghost from the house's distant past. Immediately after it disappears, a demolition crew starts demolishing the ruins.The fifth animated sequence is set to the tune of "Concerto in C major, RV 559" (740) by Antonio Vivaldi. In the story, a female anthropomorphic bee is preparing an elaborate meal for herself. A duo of human lovers arrive and start undressing. Their movements keep interrupting the bee's meal, and force her to constantly relocate. She eventually loses her patience with, and she stings the human male.The sixth animated sequence is set to the tune of "The Firebird" (1910) by Igor Stravinsky. The story begins with a creator deity who keeps trying to design a human, but its designs have major flaws (such as missing a head). It eventually creates two human beings, Adam and Eve. The Serpent of Eden tries to tempt the couple with an apple, but they are not interested in his offer. The frustrated Serpent decides to eat the apple. He proceeds to have an elaborate nightmare. Demons seem to transport him to a modern city, where the Serpent experiences hellish visions of life in the 20th century. Once allowed to return to the Garden of Eden, the Serpent hastily narrates his experiences to Adam and Eve. They do not understand him. The Serpent spits out the apple, and departs.In an epilogue animated sequence, the humanoid monster Franceschini is tasked with finding a finale for the film. He searches through archive footage of nonsensical stories, and is increasingly frustrated. He eventually finds a more interesting story. It starts with a pedestrian who accidentally causes a trash collector to trip and fall. This minor accident starts an escalating series of disasters, involving traffic accidents, falling airplanes, burning ships, burning skyscrapers, and panicking crowds. One of the accidents causes an unplanned missile strike. This single strike causes a nuclear war which ends with the complete destruction of planet Earth. Franceschini seems amused, until the Garden of Eden appears and bites him. The story (and the film) ends.

Allegro non troppo

Allegro non troppo (1976)

Frank Gorshin

Paul Frees

Billie Mae Richards

Red Skelton

Father Time sends Santa a message telling him that the baby new year, Happy, is missing. And without the baby new year, it'll remain the old year forever. But it's foggy and snowing, so Rudolph's the only reindeer for the job. Rudolph learns that Eon (ugly buzzard) is also searching for Happy, so that Eon's life will never end. With the help of 1 Million B.C. (Voice of Morey Amsterdam of The Dick Van Dyke Show) and Sir 1023, and 1776, Rudolph searches through the islands of the Archipelago of Last Year and races against Eon to ensure a Happy New Year.—Kathy Li

Rudolph's Shiny New Year

Rudolph's Shiny New Year (1976)

André Dauchy

Nicole Garcia

Jean Wiener

Claire Nadeau

The Queen of the Night battles the Queen of the Sun over a magical diamond that will allow the winner to remain on Earth, specifically in modern day Paris.

Duelle

Duelle (1976)

Geraldine Chaplin

Kika Markham

Élisabeth Lafont

Georges Gatecloud

After her brother was killed by a notorious all-female pirate gang, Morag dedicates her life to bringing the murderers to justice. Soon, she has become an important member of the pirate gang and has begun acquiring the loyalty of key members. Eventually, she makes her move and challenges the leader, a demi-god (literally), known as "The Daughter of the Sun." The story of Noroit is inspired by an early 17th-century tragedy by Cyril Tourneur, and, though it is only the third one filmed, the movie is the concluding episode in a four-part series by director Jacques Rivette.—Clarke Fountain

Noroît

Noroît (1976)

Grayson Hall

Elizabeth Sinn

John R. Winter

Don Penny

Chuck pauses to relieve himself during his job of delivering a mobile home, and encounters two hippie girls. Carol, the more free-spirited girl (she often plays with her plush cat toy), wants to get a ride with him. The more contemplative Maureen identifies him as an Aries, and that means trouble. Despite Maureen's prediction of a "bad trip", Carol finally gets her to come on the mobile home. On the way, Maureen does a tarot reading and learns that she will soon meet someone who will guide her to greater things, and that she should avoid "lower animal passions". As Chuck drives through Florida, Carol performs a sexy dance next to him, entertaining some good 'ol boys in a passing pickup truck.There's a storm, and Chuck manages to drive the mobile home into a swamp. He and Carol go for a walk, enjoying the beauties of nature, playing with a baby raccoon, and frolicking in the nude. Maureen, alone, encounters the priestess of Apollo, who tells her she will be the new priestess and gives her a staff. This will help her defend Apollo against his enemy Pazuzu (presumably meaning the king of demons from Mesopotamian mythology). Maureen finds an altar in the swamp, where she lies down naked and begins to writhe, apparently undergoing some sort of ritual.Back in the mobile home, hearing Bach's organ chorale Wachet auf, ruft uns die Stimme on the radio triggers a flashback for Maureen. As a young girl, she was a church organist who became the victim of statutory rape by a priest. Later, Carol has sex with Chuck and then flashes back to her own youth, when she seduced a rather naive young man. This segues into the present, where Carol and Chuck are having sex in a tree, then frolic in a pond and have sex while swinging from a vine.Back in the mobile home, local senator Max shows up and tries to get Maureen's vote. He first assumes she'll be pro-abortion, but she says she's against all killing. However, Max is prepared to do a quick flip-flop, with signs proclaiming him "1000%" on either side of any current issue. When Maureen points out she's from California, he makes a comment about that state's "large avocados" and leaves. Outside, she sees a clown carrying balloons, she seems unsure until he offers her one. Then she acts delighted until the clown removes his mask, revealing a threatening face. She screams and runs back to the mobile home.The trio are low on food, so Chuck gets a bow and arrow from the mobile home and goes boar hunting. He manages to down his prey with one shot. The girls are disturbed, but later it's clear that all three shared the meal. Chuck mentions his oppressive upbringing, leading to a flashback in which his mother berates him while he tries to use his ham radio. He tells the girls that he has left home with no intention of returning any time soon, and that he finally feels free and unafraid, not even worrying about their current predicament. Maureen goes into a trance, takes a stick from the fire on which they cooked to boar, and plunges it into her palm. Chuck bandages her hand.That night, Chuck checks on Maureen, and they go into the swamp as Carol sleeps. They find Maureen's altar and begin to kiss. The clown, the priest, Max, and finally the priestess show up to observe. Once they leave, Maureen and Chuck have sex on the altar. Meanwhile, Carol awakes and goes outside to dance. She encounters a group of good ol' boys (with flashbacks to the ones from early in the movie, although it is too dark to tell whether these are the same ones). At first, they just appreciate her dancing, but they turn more aggressive, tearing at her clothes. Carol runs away with the boys in hot pursuit.The next morning, Maureen and Chuck awake, naked, in the swamp, but with no altar around. They get dressed and spot a plane, so start running. As the plane flies off, they stop, and sticking out of the water Maureen sees a hand holding Carol's stuffed toy. She screams, and suddenly we are back at the initial meeting of Chuck and the two girls. This time, instead of being reluctant, Maureen smiles and says "A beautiful Aries!" Both girls enthusiastically board the motor home. As they drive off, we see the clown's balloons floating into the sky. Then we see Carol's toy cat lying by itself in the swamp, with "The End" superimposed.

Pick-up

Pick-up (1975)

John Cleese

Terry Gilliam

Michael Palin

Eric Idle

History is turned on its comic head when, in tenth-century England, King Arthur travels the countryside to find knights who will join him at the Round Table in Camelot. Gathering up the men is a tale in itself but after a bit of a party at Camelot, many decide to leave only to be stopped by God, who sends them on a quest: to find the Holy Grail. After a series of individual adventures, the knights are reunited but must face a wizard named Tim the Enchanter, killer rabbits and lessons in the use of holy hand grenades. Their quest comes to an end however when the Police intervene - just what you would expect in a Monty Python movie.—garykmcd

Monty Python and the Holy Grail

Monty Python and the Holy Grail (1975)

Michael Berryman

Paul Gleason

William Katt

In the Fabulous Thirties, Doc Savage and his five Amazing Adventurers are sucked into the mystery of Doc's father disappearing in the wilds of South America. The maniacal Captain Seas tries to thwart them at every turn as they travel to the country of Hidalgo to investigate Doc's father's death and uncover a vast horde of Incan gold.—

Doc Savage: The Man of Bronze

Doc Savage: The Man of Bronze (1975)

Michael Lonsdale

Delphine Seyrig

Vernon Dobtcheff

Monique Simonet

Poetical tale of Anne-Marie Stretter, the wife of a French diplomat in India in the 1930s. At 18 she had married a French colonial administrator and went with him on posting to Savannakhet, Laos. There she met her second husband who took her away and for 17 years they lived in various locations in Asia. Now in Calcutta, she takes lovers to relieve the boredom in her life. Told in a highly visual style with little dialogue but a constant voice-over narrative by the different characters.—garykmcd

India Song

India Song (1975)

Angela Lansbury

The Wee Winter Singers

David Kelley

Greg Thomas

A young shepherd, Lucas (David Kelley), is blinded by lightning, and some kindly nuns at a nearby abbey take him in. Sister Catherine (Iris Rainer) describes snow to Lucas, who has never seen it. Lucas gets chosen to play an angel in the abbey's Christmas pageant, and the Christmas snow that falls during the pageant works a small miracle.—Kathy Li

The First Christmas: The Story of the First Christmas Snow

The First Christmas: The Story of the First Christmas Snow (1975)

Joe Dallesandro

Alexandra Stewart

Cathryn Harrison

Therese Giehse

There is a war in the world between the men and the women. A young girl tries to escape this reality and comes to a hidden place where a strange unicorn lives with a family: Sister, Brother, many children and an old woman that never leaves her bed but stays in contact with the world through her radio. Since the content of this picture is not as important as the pictures and allegories, the simple plot can not be described further.—Benjamin Stello

Black Moon

Black Moon (1975)

Lily Li

Wei Tu Lin

Ging Man Fung

Lung Ti

An evil magician makes a living by casting deadly spells on people's objects of desire. He gets overly ambitious, and start to go out of control.

Black Magic

Black Magic (1975)

Sirpa Lane

Anna Baldaccini

Pierre Benedetti

Thierry Bourdon

Lucy, the beautiful young heir to wealthy entrepreneur Philip Broadhurst's immense fortune, agrees to marry Mathurin, the son of Marquis Pierre de l'Esperance, within six months of her father's death. As a result, innocent Lucy travels with her aunt to the crumbling estate of her soon-to-be husband with her aunt to fulfil her promise. However, the once noble estate lies deep in the dense woods, where centuries ago, a wild and ravenous beast roamed the same forests fuelled by a thirst for unprotected virgins. And unaware of the menacing legend and the strange rumours that shroud her family's name, Lucy starts having vivid gruesome visions--intense hallucinations she had never experienced before. But is there a grain of truth behind the shocking legend of the Beast of Gévaudan?—Nick Riganas

The Beast

The Beast (1975)

David Dreyer

Mirta Miller

Raul Castro

Diana Lorys

When an American cowboy stumbles upon a gypsy family in a wind-swept ghost town, they offer him a fortune to escort a princess back to her home in Spain. But this silent Stranger finds himself in over his head (and strung up by his feet) when he gets caught in the middle of an epic battle involving Vikings, the Moors, brutal barbarians, evil spirits, a raging bull, and a diabolical Shakespeare-quoting hunchback. Tired of their never-ending attempts to kill him, the cowboy arms himself to the teeth with guns, dynamite and a special surprise. Now it's the Stranger's turn to GET MEAN!

Get Mean

Get Mean (1975)

Denver Pyle

Donald Pleasence

Ike Eisenmann

Richard Hale

Tia and Tony are two orphaned youngsters with extraordinary powers. Lucas Deranian poses as their uncle in order to get the kids into the clutches of Deranian's megalomanical boss, evil millionaire Aristotle Bolt, who wants to exploit them. Jason, a cynical widower, helps Tia and Tony "escape to witch mountain," while at the same time Tia and Tony help Jason escape the pain of the loss of his wife.—Adam Chotiner

Escape to Witch Mountain

Escape to Witch Mountain (1975)

Lynne Frederick

Tomas Milian

Michael J. Pollard

Fabio Testi

Follows the adventures and travels of four petty criminals in 1873 Utah whom include gambler and swindler Stubby Preston, pregnant prostitute Bunny O'Neal, drunkard Clem, and a mental disturbed man, named Bud, who's obsessed with the dead. The quartet travel aimlessly through the Utah Badlands looking for food, water and people to swindle, while they are harassed by a villanous Mexican bandit, named Chaco, whom Stubby vows revenge after the bandito sexually assaults Bunny.—Anonymous

The Four of the Apocalypse...

The Four of the Apocalypse... (1975)

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