Liv Ullmann

Ingmar Bergman

Erland Josephson

Josef Köstlinger

A production of Wolfgang Amadeus Mozart's opera "The Magic Flute" is presented, this film which blurs the lines of it as a stage production - not only with aspects of the theater stage shown, but also the occasional shot of the audience members watching it, and the performers going through their backstage routines during intermission - and a movie as the set moves out from the confines of the stage. The actual story concerns Tamino, a prince, falling in love with Pamina solely from seeing her photograph, Pamina's mother, the Queen of the Night, vowing that Pamina will be his if he rescues her from Sarastro, a demon who has captured her. On behalf of the Queen, three of her attendants, "ladies", who saved Tamino from a serpent, provide him with a magic flute to entice Pamina, and three child angels, who will act as his guides. The ladies also dispatch the pan-flute playing Papageno, a bird catcher who laments not being married himself, with Tamino, they providing him with magic bells as protection. Tamino will discover that not relayed to him by the Queen and her ladies is as it appears, he and Papageno who will have to go through a trial of enlightenment to reach their desired ends.—Huggo

The Magic Flute

The Magic Flute (1975)

Kenji Sahara

Akihiko Hirata

Michael A. Ross

Keiji Sakakida

A submarine expedition to salvage the remains of Mechagodzilla is thwarted by a massive dinosaur named Titanosaurus. Biologist Akira Ichinose is brought in by INTERPOL as an investigation is launched. Ichinose's inquiry leads to him to meet Katsura Mafune and uncover the work of her seemingly late father, Dr. Mafune, a brilliant scientist shunned by the scientific community. Dr. Mafune is revealed to be alive and aligned with the Black Hole Aliens, who seek to unleash a reconstructed Mechagodzilla 2 along with Titanosaurus on Tokyo and defeat Godzilla. Ichinose heads off to save Katsura before she loses her humanity to the monsters she controls against Godzilla.—Mekagojira

Terror of Mechagodzilla

Terror of Mechagodzilla (1975)

Kenji Ushio

Tomisaburô Wakayama

Renji Ishibashi

Isao Kimura

The final film, and the final confrontation between Ogami and Retsudo. With most of his family already dead at Ogami's hands, Retsudo launches one last plot to destroy him, and when that fails, unleashes the fury of every remaining member of the Yagyu Clan.—barabbas

Lone Wolf and Cub: White Heaven in Hell

Lone Wolf and Cub: White Heaven in Hell (1974)

Franco Citti

Luigi Antonio Guerra

Ninetto Davoli

Elisabetta Genovese

Rich with exotic tales of slaves and kings, potions, betrayals, demons and, most of all, love and lovemaking in all its myriad forms. Mysterious and liberating, this is an exquisitely dreamlike and adult interpretation of the original folk tales.—Ferry Silitonga

Arabian Nights

Arabian Nights (1974)

Colin Farrell

Susan Penhaligon

Doug McClure

Ron Pember

After a German U-Boat sinks their ship, several survivors manage to take control of the boat. Bowen Tyler is the son of an American shipbuilder and Captain Bradley an experienced seaman. After several tussles with the German crew, they find themselves on a strange island. There they find a place where several stages of Earth's evolution co-exist at the same time. As a result several types of humans are found as well as prehistoric dinosaurs. There are also active volcanoes which all add up to a challenge to survive.—garykmcd

The Land That Time Forgot

The Land That Time Forgot (1974)

Alida Valli

Valentina Cortese

Miou-Miou

Peter Cushing

The renowned horror actor MacGregor has announced that he is quitting horror films and will now appear only in romances. A producer sends two of his scriptwriters Alfred and Boris to persuade MacGregor to change his mind. The two, along with their girlfriends Marie and Madeleine, travel to MacGregor's castle where he lives with his love Heloise, the former wife of his servant Abelard. Many comic shenanigans ensue as they try to persuade MacGregor to reconsider.—Moria

The Big Scare

The Big Scare (1974)

Joel Grey

Tammy Grimes

John McGiver

George Gobel

One Christmas season, the human and mouse citizens of a small town get their letters to Santa unceremoniously returned, with a message that the town has been removed from Santa's delivery itinerary because of a letter from someone in that town that insulted him by dismissing his existence. While Father Mouse confronts his cynical son Albert, the letter's writer, their human companions, a clockmaker and his family, work to regain Mr. Claus' favor.—Kenneth Chisholm

'Twas the Night Before Christmas

'Twas the Night Before Christmas (1974)

Sean Connery

Charlotte Rampling

Bosco Hogan

John Boorman

In 2293, Zardoz--an unseen "God" who speaks through an idol, a large stone statue of a head--leads a barbaric race called the Brutals, who live a harsh existence in the Outlands. Zardoz tells the Brutals that once they die, they will be transported to the Vortex, where they will live happily as Immortals. He has armed a small group, the Exterminators, with guns, as Zardoz's philosophy is that killing is good, and procreation is the root of all that is bad. In reality, Zardoz is Arthur Frayn, from a competing, more advanced race called "the Eternals", who live in paradise in the Vortex. The Eternals truly are immortal as they do not age and their bodies undergo reconstruction if they "die". They truly do not believe in procreation as their society has reached perfect equilibrium. Past human acts such as sex and sleep are obsolete in their advanced state. All major decisions are achieved through pure democracy. The Eternals, however, are not immune to non-life-threatening disease or sin; the latter is punishable by aging, only making their life less pleasant, but not ever killing them. Arthur's mission as Zardoz is to control, monitor, and study the Brutals for the Eternals. Being in the Outlands, Arthur is isolated without communication back to the Vortex and the Eternals. In his work as an Exterminator, Zed is accidentally able to find his way to the Vortex as a still-alive being. The Eternals vote to keep Zed alive temporarily so that they can study him before they kill him. Among the Eternals who have direct interactions with Zed are: May, the lead scientist, who believes Zed is a blessing in that they have not had access to a Brutal in some time; Friend, a hedonist who wants to use Zed as the animal he considers him to be; and Consuela, the hard-lined one who believes in vigilante justice. In the Eternals' access to Zed, they might learn whether his making it to the Vortex was indeed an accident--and their so-called Utopian society might be exposed for what it truly is.—Huggo

Zardoz

Zardoz (1974)

Isabelle Huppert

Michael Lonsdale

Olga Georges-Picot

Jean-Louis Trintignant

A young woman is questioned by the police and the judges, suspected of being a modern witch. The girl who shared her apartment has been found dead, and a pair of scissors impaled through her heart, as she lay attached to the bedposts. Apparently, the girl does have powers, to make all people around her fall prey to her spell, sliding progressively into desire, lust, and the unknown.—Artemis-9

Successive Slidings of Pleasure

Successive Slidings of Pleasure (1974)

Nathalie Asnar

Philippe Clévenot

Marie-Thérèse Saussure

Adèle Taffetas

A mysteriously linked pair of young women find their daily lives preempted by a strange boudoir melodrama that plays itself out in a hallucinatory parallel reality.—David Watson

Celine and Julie Go Boating

Celine and Julie Go Boating (1974)

Gérard Depardieu

Philippe Noiret

Bernard Musson

Robert Rollis

The Down-in-the-Hole Gang

The Down-in-the-Hole Gang (1974)

Marcel Marceau

Cindy Eilbacher

William Castle

Mondo

Malcolm Shanks is a sad and lonely man, deaf, mute and living with his cruel sister and her husband, who delight in making him miserable. His only pleasure, it seems, is in making and controlling puppets. Thanks to his skill, he is offered a job as a lab assistant to Dr. Walker, who is working on ways to re-animate dead bodies by instering electrodes at key nerve points and manipulating the bodies as if they were on strings. When the professor suddenly dies one night, Shanks gets the idea to apply their experimental results to a human body, and then to start exacting some revenge.—Jean-Marc Rocher

Shanks

Shanks (1974)

Bessie Love

Michael Byrne

Brian Deacon

Douglas Jones

Fran and Miriam are a pair of beautiful vampires who get victims to pull over by hitchhiking. They proceed to bring them back to their house and drink their blood.—Josh Pasnak

Vampyres

Vampyres (1974)

Lynne Moody

Giovanni Cianfriglia

Magda Konopka

Carla Mancini

Three men with supernatural powers interfere in a tribal warfare to prevent evil Amazons destroying the inhabitants of a village.

Super Stooges vs the Wonder Women

Super Stooges vs the Wonder Women (1974)

Gene Wilder

Bob Fosse

Richard Kiley

Joss Ackland

Based on the story by Antoine de Saint-Exupery, this magical musical fable begins as a pilot makes a forced landing on the barren Sahara Desert. He is befriended by a "little" prince from the planet Asteroid B-612. In the days that follow, the pilot learns of the small boy's history and planet-hopping journeys in which he met a King, a businessman, an historian, and a general. It isn't until he comes to Earth that the Little Prince learns the secrets of the importance of life from a Fox, a Snake, and the pilot.—Rone Barton Lokarr

The Little Prince

The Little Prince (1974)

Dorothy Konrad

John Zaremba

Arthur Space

Hal Williams

Alonzo Hawk is a mean-spirited property developer who has bought several blocks of land in the downtown district in order to build a gigantic shopping mall. There is one problem however; an elderly widow named Steinmetz won't sell the one remaining lot that Hawk needs to proceed with his scheme. So he resorts to all manner of chicanery, legal or otherwise, to get it. Fortunately, the widow Steinmetz has an ace up her sleeve in the form of Herbie, the miraculous Volkswagen.—Alfred Jingle

Herbie Rides Again

Herbie Rides Again (1974)

Kaoru Yachigusa

Yoshio Harada

Chigusa Takayama

A young boys' coming of age tale set in a strange, carnivalesque village becomes the recreation of a memory that the director has twenty years later.

Pastoral: To Die in the Country

Pastoral: To Die in the Country (1974)

Marie-Louise Buffet

Marie-Gabrielle Cartron

Antoine Rabaud

Jean-Paul Leperlier

A million miles away from 'Camelot' or 'Excalibur', this film ruthlessly strips the Arthurian legend down to its barest essentials. Arthur's knights, far from being heroic, are conniving and greedy men who, just before the film starts, have failed miserably to find the Holy Grail. Aimlessly resentful at first, the developing relationship between Lancelot and Queen Guinevere focuses their rage, leading to inevitable tragedy...—Michael Brooke

Lancelot of the Lake

Lancelot of the Lake (1974)

Pär Kjellin

Janne Carlsson

Gösta Wälivaara

Maria Selander

Karlsson is a very short, very portly and overconfident man who lives in a small house hidden behind a chimney on the roof of a very ordinary apartment building, on a very ordinary street in Stockholm. When Karlsson pushes a button on his stomach, it starts a clever little motor with a propeller on his back allowing him to fly. Karlsson is the best at everything, at least according to himself. But there is, in fact, one thing at which he excels: being a playmate to a young boy named Svante, but nicknamed Lillebror (little brother), who lives in the apartment building with his family. Karlsson is quite mischievous, often getting Lillebror in trouble, but everyone in the end - even Lillebror's family, his cranky uncle, and their dour housekeeper - grow to like Karlsson and appreciate his sense of humour, energy, and good nature.

Karlsson on the Roof

Karlsson on the Roof (1974)

Adam Wade

Paul Williams

Gerrit Graham

Cheryl Smith

Evil record tycoon Swan has sold his soul to the devil for eternal youth and success - 20 years ago. Swan's current scheme is to steal the music from composer Winslow Leach to celebrate the opening of his rock palace, The Paradise. While trying to stop Swan, Leach was framed and convicted for drug dealing, and becomes the victim of a freak accident that leaves him horribly disfigured. He takes refuge in the cavernous Paradise, hiding his mangled face beneath an eerie mask and planning gruesome vengeance upon Swan - and everyone else who has hurt him. However, Leach signs a contract with Swan to complete his rock opera based on the legend of Faust for an aspiring singer - Phoenix.—Max Davison

Phantom of the Paradise

Phantom of the Paradise (1974)

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