Sidney D'Albrook

Samuel S. Hinds

Louis King

James Stewart

Stenographer Alice Sycamore is in love with her boss Tony Kirby, who is the vice-president of the powerful company owned by his greedy father Anthony P. Kirby. Kirby Sr. is dealing a monopoly in the trade of weapons, and needs to buy one last house in a 12-block area owned by Alice's grandfather, Martin Vanderhof. However, Martin is the patriarch of an anarchic and eccentric family where the members do not care for money but for having fun and making friends. When Tony proposes to Alice, she states that it would be mandatory to introduce her simple and lunatic family to the snobbish Kirbys, and Tony decides to visit Alice with his parents one day before the scheduled get-together. There is an inevitable clash of classes and lifestyles: the Kirbys spurn the Sycamores and Alice breaks with Tony, changing the lives of the Kirby family.—Claudio Carvalho, Rio de Janeiro, Brazil

You Can't Take It with You

You Can't Take It with You (1938)

Margaret Hamilton

Lon McCallister

Walter Brennan

Cora Sue Collins

Sentiment rules in this version of the Twain tale of boyhood in 1850 Missouri, reasonably faithful except for minor details and making the character Jim a boy instead of a man. Includes the whitewash episode, puppy love, the graveyard murder, the boys' running away to Jackson's Island, the salvation of Muff Potter, and the cave adventure.—Rod Crawford

The Adventures of Tom Sawyer

The Adventures of Tom Sawyer (1938)

Henry Brandon

George Chandler

Robert Taylor

William Haade

Three Comrades

Three Comrades (1938)

Annabella

Arletty

Marcel Pérès

Marcel Melrac

On the mournful bank of the meandering Canal St. Martin, at the cheap Parisian Hôtel du Nord, the dejected young lovers, Pierre and Renée, take a room, bent on fulfilling an unholy pact. Then, in the dead of night, a nearly fatal gunshot chills the bone to the marrow, splitting the couple, apparently, forever. However--amid a sad but beautiful panorama of streetwise prostitutes; hard-as-nails procurers in impeccable suits; forlorn survivors; murderous former companions, and the police--unfulfilled desires, secret passions, and a dangerous romantic triangle have the final say. Now, in love's name, high expectations for a fresh start and a deadly semi-automatic pistol separate hope from despair. Can life be as easy as a fairy tale?—Nick Riganas

Hotel du Nord

Hotel du Nord (1938)

Lenore Aubert

David Niven

Gary Cooper

Bess Flowers

US multi-millionaire Michael Barndon marries his eight wife, Nicole, the daughter of a broken French Marquis. But she doesn't want to be only a number in the row of his ex-wives and starts her own strategy to "tame" him.—Stephan Eichenberg

Bluebeard's Eighth Wife

Bluebeard's Eighth Wife (1938)

Henry Fonda

Bette Davis

Janet Shaw

Donald Crisp

In one of her most renowned roles, Bette Davis portrays Julie Marsden, a spoiled Southern belle who risks losing her suitor with her impetuous behavior. Engaged to successful banker Preston Dillard, Julie pushes him away with her arrogant and contrary ways, leading to a scandalous scene at a major social event and his subsequent departure. When Preston eventually returns and Julie attempts to win him back, she discovers that it may be too late.—Jwelch5742

Jezebel

Jezebel (1938)

Patsy Kelly

Sarah Edwards

Willie Best

Ann Dvorak

A cynical writer, unwittingly infiltrates a loony house of philanthropists. Mrs. Emily Kilbourne runs a household that, due to her charitable nature, is as much a loony-bin as happy home. When he joins the menage, Aherne falls head over heels in love with the eldest daughter, played by Constance Bennett.—colissimo

Merrily We Live

Merrily We Live (1938)

Katharine Hepburn

Ann Doran

Cary Grant

Free-thinking Johnny Case finds himself betrothed to a millionaire's daughter. When her family, with the exception of black-sheep Linda and drunken Ned, want Johnny to settle down to big business, he rebels, wishing instead to spend the early years of his life on "holiday." With the help of his friends Nick and Susan Potter, he makes up his mind as to which is the better course, and the better mate.—Terri A. Mabry

Holiday

Holiday (1938)

Frances Gifford

Ward Bond

Asta

Mild mannered paleontology professor Dr. David Huxley is excited by the news that an intercostal clavicle bone has been found to complete his brontosaurus skeleton, a project four years in the construction. He is equally excited about his imminent marriage to his assistant, the officious Alice Swallow, who is interested in him more for his work than for him as a person. David needs the $1 million endowment of wealthy dowager Mrs. Carleton Random to complete the project. Her lawyer, Alexander Peabody, will make the decision on her behalf, so David needs to get in his favor. However, whenever David tries to make a good impression on Peabody, the same young woman always seems to do something to make him look bad. She is the flighty heiress Susan Vance. The more David wants Susan to go away, the more Susan seems not to want or be able to. But David eventually learns that Alexander Peabody is her good friend, who she calls Boopy, and Susan's Aunt Elizabeth, with whom David has also made a bad impression without her knowing who he is, is Mrs. Carleton Random. However getting in Aunt Elizabeth and Boopy's good graces is not as easy as Susan smoothing the waters with them. Throw into the mix a tame pet leopard named Baby that Susan's brother Mark inexplicably sends her from Brazil, Aunt Elizabeth's big game hunting friend Major Horace Applegate, Aunt Elizabeth's pet terrier George who has a penchant for burying bones and other things, and a traveling circus passing through town and David may never be able to finish his project or make it to his wedding. But David may come to the realization that there is something more important in his life.—Huggo

Bringing Up Baby

Bringing Up Baby (1938)

Alan Hale

Una O'Connor

Claude Rains

Sir Robin of Locksley, defender of downtrodden Saxons, runs afoul of Norman authority and is forced to turn outlaw. With his band of Merry Men, he robs from the rich, gives to the poor and still has time to woo the lovely Maid Marian, and foil the cruel Sir Guy of Gisbourne, and keep the nefarious Prince John off the throne.—Little Pine Weasel

The Adventures of Robin Hood

The Adventures of Robin Hood (1938)

Michèle Morgan

Jacques Soukoff

Claude Walter

Raymond Aimos

Life's a rotten business, says Jean, a deserter who arrives at night in Le Havre, looking to leave the country. He lucks into civilian clothes, a little bit of money, a passport, and a dog, and he also meets Nelly, a 17-year-old who's grown up too fast. She's the object of lust of men: including a boyfriend Maurice, her putative protector Zabel, and Lucien, a local hood. Jean falls for her, faces down Lucien, and gives her courage to stand on her own feet. A ship is leaving for Venezuela; can at least one of them be on it, or is that just a dream?—

Port of Shadows

Port of Shadows (1938)

Ruth Hussey

Howard Da Silva

Scotty Beckett

Trevor Bardette

The life of Marie Antoinette (1755-1793) from her betrothal and marriage in 1770 to her beheading. At first, she's a Hapsburg teenager isolated in France, living a virgin's life in the household of the Dauphin, a shy solitary man who would rather be a locksmith. Marie discovers high society with the help of Orleans and her brothers-in-law. Her foolishness is at its height when she meets a Swedish count, Axel de Fersen. He helps her see her fecklessness. In the second half of the film, she avoids an annulment, becomes queen, bears children, and is a responsible ruler. The affair of the necklace and the general poverty of France feed revolution. She faces death with dignity.—

Marie Antoinette

Marie Antoinette (1938)

Edward Arnold

Dennis O'Keefe

William Demarest

Ray Milland

J.B. Ball, a rich financier, gets fed up with his free-spending family. He takes his wife's just-bought (very expensive) sable coat and throws it off the roof, it lands on poor hard-working girl Mary Smith. But it isn't so easy to just give away something so valuable, as he soon learns.—Ken Yousten

Easy Living

Easy Living (1937)

Mary Astor

Raymond Massey

Madeleine Carroll

It's the late nineteenth century. British Major Rudolf Rassendyll is in central Europe on a fishing vacation, he having no intention of attending what is the reason others are in the country, namely the coronation of Rudolf V to the throne the following day. In a chance encounter with Rudolf V and two of his longtime trusted advisers, Colonel Zapt and Fritz von Tarlenheim, in the countryside, Rassendyll discovers that he and the future King are not only distant cousins, hence both having the long held family male given name of Rudolf, but that they could be twins. Spending the evening with the three men, Rassendyll further discovers the future king is an irresponsible heavy drinker, something that his older half brother, Michael, wants to use to ascend to the throne himself. Michael, using his own operatives, has managed to drug Rudolf, heavily enough to miss the coronation ceremony, at which time Michael plans to address the people to name him king instead. With risk to all three of their lives if discovered, Zapt and von Tarlenheim are able to convince Rassendyll to masquerade as Rudolf at the coronation. Another risk is Michael using other means to dispose of who he believes is his brother. Michael, however, has other issues with which he has to address. Antoinette de Mauban, Michael's girlfriend, does not want him to be king as such would mean marriage to who has been the king's long ago named betrothed, namely Rudolf and Michael's cousin, Princess Flavia. In turn, another of Michael's operatives, Rupert of Hentzau, is in love with Antoinette himself, and thus has his own self-directed motivations different than Michael's. Conversely, other complications arise as Rassendyll, in posing as his cousin, falls in love with Princess Flavia himself. Flavia, who has had a long relationship of animosity with Rudolf who she does not love let alone really like, has fallen in love with this new version of Rudolf. She may be torn if she ever discovers the truth of the deception as she has long been bound a sense of duty, which means marrying the king, whoever he may be.—Huggo

The Prisoner of Zenda

The Prisoner of Zenda (1937)

Michael Powell

Finlay Currie

Niall MacGinnis

John Laurie

A trio wanders the cliffs of an Outer Hebridean island and encounters a gravestone at the edge of a precipice; it reads, "Peter Manson ... gone over." One man in the trio knows the story of the gravestone and tells it to the others... It is ten years earlier, and the way of life on the island is dying; steam trawlers from the mainland threaten its survival as a fishing port. Peter Manson, one of the community's leaders, resists evacuating to the mainland, though his son Robbie is about to leave the island himself. Meanwhile, Robbie's twin sister plans to marry his best friend, Andrew Gray. Andrew and Robbie argue over evacuation and decide to settle the matter by racing to the top of a cliff. Ruth is terrified: she may lose them both. The race ends in tragedy, which tears apart the families of Manson and Gray. Times passes and Ruth reveals she is pregnant with an illegitimate child. This promises to bring the two families back together, but not before desperation hits the islanders. Evacuation is inevitable. And so is one last tragedy.—sspurli

The Edge of the World

The Edge of the World (1937)

Bassac

Gabriel Gabrio

Olive Pierre

Fabre

The narrative revolves around a farming village where only three inhabitants remain, but they are told that if only one of them, Panturle, manages to find a wife, the village will be able to prosper again

Harvest

Harvest (1937)

Arthur Lake

Hoagy Carmichael

The funloving Kerbys, stockholders in the bank of which henpecked, stuffy Cosmo Topper is president, drive recklessly once too often and become ghosts. In limbo because they've never done either good or bad deeds, they decide to try a good one now: rehabilitating Topper. Lovely, flirtatious Marion takes a keen personal interest in the job. Will Topper survive the wrath of jealous ghost George? Will Mrs. Topper find that a scandalous husband isn't all bad?—Rod Crawford

Topper

Topper (1937)

Vittorio De Sica

Maria Tedeschi

Desiderio Nobile

Umberto Melnati

Vittorio De Sica, heir to a large sum of money and owner of a newspaper vending stall, makes enough money out of his business to take a vacation at a fashionable resort. He is given a cruise ticket by an aristocrat who is an old school friend, and is mistaken for the aristocrat when he uses a camera that has his friends name on it. Assia Noris plays a maid who falls in love with him because of who he is and not who others think he is. Happy ending comes when De Sica marries Noris, who is more real than the pampered society belles he has been partying with. Shown in the USA with Italian dialogue and no English titles.—Les Adams

Il signor Max

Il signor Max (1937)

Keye Luke

Luise Rainer

Charley Grapewin

Philip Ahn

The story of a farmer in China: a story of humility and bravery. His father gives Wang Lung a freed slave as wife. By diligence and frugality the two manage to enlarge their property. But then a famine forces them to leave their land and live in the town. However it turns out to be a blessing in disguise for them...—Tom Zoerner

The Good Earth

The Good Earth (1937)

Ginger Rogers

Terry Randall, rich society beauty, has decided to see if she can break into the Broadway theatre scene without her family connections. She goes to live in a theatrical boarding house and finds her life caught up with those of the other inmates and the ever-present disappointment that theatrical hopefuls must live with. Her smart-mouth roommate, Jean, is approached by a powerful producer for more than just a role. And Terry's father has decided to give her career the shove by backing a production for her to star in, in which she's sure to flop. But his machinations hurt more than just Terry.—Kathy Li

Stage Door

Stage Door (1937)

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