Eddie Hall

Ginger Rogers

Fred Astaire

Rolfe Sedan

Ballet star Pete "Petrov" Peters arranges to cross the Atlantic aboard the same ship as the dancer he's fallen for but barely knows, musical star Linda Keene. By the time the ocean liner reaches New York, a little white lie has churned through the rumor mill and turned into a hot gossip item: that the two celebrities are secretly married.—Diana Hamilton

Shall We Dance

Shall We Dance (1937)

Marlene Dietrich

Melvyn Douglas

Herbert Marshall

Edward Everett Horton

Lord Frederick Barker is the British representative to the League of Nations. Current geopolitical tensions, which could lead to war if not dealt with, have him preoccupied with work, he more often than not feeling the need to deal with issues rather than delegate them to subordinates. As such, his wife, Lady Maria Barker, is feeling neglected, Frederick, totally devoted to and in love with his wife, unaware of her feelings. While he is in Geneva for work, she secretly flies to Paris under an assumed name to deal with her emotions with her old friend, the Grand Duchess Anna Dmitrievna formerly of Russia, the only person in Paris who knows her true identity. The Grand Duchess' general role in her social circle is to facilitate good times for others, with unspoken discretion. It is at the Grand Duchess' salon that Maria meets playboy Anthony Halton. While spending the evening together, Maria and Tony fall in love with each other, with Maria, under the circumstances, refusing to divulge her name or her situation to him, and thus neither using any names for each other except what he ends up calling her: his Angel. Maria promises to make up her mind if there is a future for them if she shows up the following Wednesday at 5pm back at the Grand Duchess' salon, the intervening time which she will spend back in London with Frederick to evaluate the situation and her feelings. Complicating matters is that Tony and Frederick were casual acquaintances during the Great War, they who have just reconnected and become friends in their mutual admiration for each other. Thus, the question becomes who, if anyone, will show up at the Grand Duchess' salon at the appointed time.—Huggo

Angel

Angel (1937)

Colin Clive

Dennis O'Keefe

Jean Arthur

Charles Boyer

The obsessive and jealous shipowner Bruce Vail does not accept the divorce his wife Irene Vail is seeking to make final, so he hires his chauffeur Michael Browsky to forge adultery with Irene in Paris to make the provisional decree she has achieved there null. However, she is rescued by the headwaiter Paul Dumond, who punches Michael and locks Bruce and his private eyes in a closet. The pair then escapes and spends a wonderful night together in the restaurant Chateau Bleu, where Paul and his best friend Chef Cesare work, and fall in love with eachother. Meanwhile, Bruce murders Michael and blackmails Irene, blaming Paul and forcing her to travel with him to New York. But Paul does not give up on Irene, and follows her to New York with Cesare trying to become reunited with his love.—Claudio Carvalho, Rio de Janeiro, Brazil

History Is Made at Night

History Is Made at Night (1937)

Movita

Jon Hall

Mary Astor

Raymond Massey

On the Island of Manukura, a French colony in the South Seas, joyful Terangi is a leader among the natives and the first mate of the Katopua, the tall ship of Captain Nagle. Terangi marries Marama and soon sails to Tahiti. While in a bar playing with other natives, Terangi is offended by an alcoholic French racist and he hits him, breaking his jaw. Despite Captain Nagle's testimony, Terangi is sentenced to six months of forced labor since the victim had political connections with the Powers That Be. Captain Nagle asks the Governor Eugene DeLaage to uses his influence to help Terangi, but the governor refuses. Terangi unsuccessfully tries to escape from the prison, and each attempt increases his sentence. Eight years later, he finally escapes and his jailbreak is celebrated in Manukura. Father Paul finds his canoe and brings Terangi to the island. But a devastating hurricane also arrives in the island threatening the dwellers.—Claudio Carvalho, Rio de Janeiro, Brazil

The Hurricane

The Hurricane (1937)

June Foray

Marge Champion

Mae Questel

James MacDonald

The beautiful and kindhearted princess Snow White charms every creature in the kingdom except one - her jealous stepmother, the Queen. When the Magic Mirror proclaims Snow White the fairest one of all, she must flee into the forest, where she befriends the lovable seven dwarfs - Doc, Sneezy, Grumpy, Happy, Bashful, Sleepy, and Dopey. But when the Queen tricks Snow White with a poisoned apple and falling into a deep sleep, only the magic of true love's kiss can awaken her.—Lesley (from the back of the Snow White DVD)

Snow White and the Seven Dwarfs

Snow White and the Seven Dwarfs (1937)

Alan Hale

Lon McCallister

Barbara Stanwyck

John Boles

Working-class Stella Martin marries high-end Stephen Dallas and soon they have a daughter named Laurel. But Stephen's incessant demands of Stella to become what she isn't leads to their eventual separation. Stephen later marries Helen Morrison (his prior fiancée), and Laurel becomes the focus of Stella's life and love. Nothing is too good for Laurel as far as Stella is concerned. Determined to give her all the advantages, she takes Laurel on a trip to an expensive resort where Laurel makes friends with rich kids. After an embarrassing incident, Stella realizes that her daughter would go farther in life without Stella as her mother. Her subsequent sacrifice is shattering.—Anonymous

Stella Dallas

Stella Dallas (1937)

Guinn 'Big Boy' Williams

Harry C. Bradley

Peggy Wood

Andy Devine

A screenplay entitled "A Star Is Born" is stamped with the words, "Final Shooting Script," then opened to reveal the following story: Esther Blodgett returns one winter evening to her home, an isolated farmhouse in North Dakota, after seeing a movie with her little brother Aleck, which starred her screen idol, Norman Maine. Esther's Aunt Mattie disdains Esther's obsession with the movies, and her father and grandmother Lettie are surprised to hear that Esther wants to be a movie star. After Mattie berates her, Esther runs to her room in tears. Lettie then tells Esther of her own past dreams of coming across the country in a "prairie schooner," and although she cautions Esther about the heartbreak that always comes to those who pursue their dreams, Lettie encourages Esther and gives her money to take a train to Hollywood. In Hollywood, Esther goes to Grauman's Chinese Theatre, where she steps in the footprints of Norman Maine. Esther naively expects to begin immediately as an extra, but she learns the depressing news that no extra has been signed by Central Casting in the past two years. When she is told that she has only a one in one hundred thousand chance to succeed, she replies that maybe she is that "one." Esther makes friends with Danny McGuire, an out-of-work assistant director who lives in her rooming-house, and when he gets a job, they go to a performance at the Hollywood Bowl, where Norman arrives drunk with actress Anita Regis and then starts a fight with a persistent photographer. Danny gets Esther a job as a waitress at a party his director is giving. Norman arrives at the party following another drunken escapade, which his exasperated press agent, Matt Libby, has kept out of the newspapers. Anita catches Norman in the kitchen flirting with Esther, and after she breaks a plate over his head, Norman and Esther leave together. Although he invites her to his place to talk over her career plans, Esther refuses, and after he gives her a goodnight kiss, he asks her to wait a moment so that he can take one last look at her before she goes in. Norman then phones and awakens studio head Oliver Niles at nearly three in the morning to arrange for a screen test for Esther, whose sincerity and honesty he praises. After the test, Esther signs a contract, and she is soon transformed by posture and voice coaches, and makeup artists into "Vicki Lester." Unable to find a suitable female lead for his next picture, Norman talks Oliver into using Esther, and she is a smash hit with the preview audience, who disparage Norman's performance. Norman and Esther celebrate at the Cafe Trocadero overlooking the city, where Norman tells Esther that she now can have anything in the world, but reveals that stardom has not made him happy and that he feels he has thrown his life away. Esther comforts him and tries to convinces him that it is not too late, and they hug. At a boxing match, Norman proposes marriage, and the couple marry quietly at a small town courthouse, which spoils Libby's plans to cash in on the publicity. Soon after their honeymoon trip in a trailer, Norman's contract is canceled, and he is relegated to the role of house husband, while Esther becomes a top star. Norman starts drinking again, and during the Academy Awards ceremonies, he drunkenly interrupts Esther's acceptance speech for the award for finest performance by an actress and accidentally slaps her in the face. Sometime later, at Esther's instigation, Oliver visits Norman, now in a sanitarium, to offer him a role in a picture, but when Norman learns that it is not the lead, he good-naturedly declines. During Christmas week, Norman, out of the sanitarium and on the wagon, visits Santa Anita Racetrack, where he runs into Libby. Although Norman tries not to get riled as Libby brutally razzes him, when Libby crudely suggests that he is sponging off his wife, Norman hits Libby, who belts him. Norman then orders a bottle of scotch, and four days later, Esther learns that he has been arrested for crashing his car into a tree while intoxicated. Through Esther's pleading with the judge, Norman is released to her custody, but the newspapers make the incident into a front-page story. At their beach house in Malibu, Norman overhears Esther tell Oliver that she must now quit the movies so that she can go away with Norman. After Oliver leaves, Norman finds Esther crying. He tells her that he is going for a swim, and before he leaves her, he asks, as he did the night they met, for one last look at her. He then walks into the ocean and drowns. Outside the church where Norman's funeral is held, the uncaring comments and actions of Esther's fans cause her to scream hysterically. She is about to leave town, when Lettie arrives and convinces her that tragedy is a test and that she must not run away from herself. Later, as Esther is about to be interviewed on radio at a premiere in front of Grauman's Chinese Theatre, she sees Norman's footprints and starts to swoon, but she recovers and says with pride into the microphone, "Hello, everybody. This is Mrs. Norman Maine." The last page of the screenplay, which contains the above line, is shown, and the screenplay is closed.

A Star Is Born

A Star Is Born (1937)

Paul Escoffier

Georges Péclet

Robert Ozanne

Mireille Balin

Holed up in the labyrinthine trap of narrow cobblestoned streets and dark dead-end alleys in the bustling Casbah quarter of Algiers, the charismatic leader and elegant Parisian gangster, Pépé le Moko, is starting to reach the end of his tether. Under those pressing circumstances, and always homesick for his beloved Paris after two long years in the impenetrable district, Pépé and his loyal gang find themselves in a constant cat-and-mouse game with the local police and the sly, manipulative detective, Inspector Slimane, trying hard to be one step ahead of them. But, as if that weren't enough, a chance encounter with the dazzling coquette, Gaby, will expose the Achilles' heel of the love-smitten lord of the Casbah, who is now eager to dice with death only to be with her. Is she Pépé le Moko's last chance to leave his squalid criminal haven?—Nick Riganas

Pépé le Moko

Pépé le Moko (1937)

Sylvia Sidney

Humphrey Bogart

Joel McCrea

Huntz Hall

The Dead End Kids are introduced in their intricate East Side slum, overlooked by the apartments of the rich. Their antics, some funny, some vicious, alternate with subplots: unemployed architect Dave is torn between Drina, sweet but equally poor, and Kay, a rich man's mistress; gangster Baby Face Martin returns to his old neighborhood and finds that nobody is glad to see him. Then violent crime, both juvenile and adult, impacts the neighborhood and its people.—Rod Crawford

Dead End

Dead End (1937)

Sarah Edwards

Bess Flowers

Asta

Cary Grant

Before their divorce becomes final, Jerry and Lucy Warriner both do their best to ruin each other's plans for remarriage, Jerry to haughty socialite Barbara Vance, she to oil-rich bumpkin Daniel Leeson. Among their strategies: Jerry's court-decreed visitation rights with Mr. Smith, their pet fox terrier, and Lucy doing her most flamboyant Dixie Belle Lee impersonation as Jerry's brassy "sister" before his prospective bride's scandalized family.—Paul Penna

The Awful Truth

The Awful Truth (1937)

Ellen Drew

Beulah Bondi

Victor Moore

Louise Beavers

At a family reunion, the Cooper clan find that their parents' home is being foreclosed. "Temporarily," Ma moves in with son George's family, and Pa moves in with daughter Cora. But the parents are like sand in the gears of their middle-aged children's well regulated households. Can the old folks take matters into their own hands?—Rod Crawford

Make Way for Tomorrow

Make Way for Tomorrow (1937)

Elspeth Dudgeon

Hattie McDaniel

Marilyn Harris

Adaptation of the Broadway musical. Magnolia Hawks is the lovely but protected, and thus very naive, daughter of Cap'n Andy Hawks, the genial proprietor of a show boat that cruises the Missisippi, and his nagging wife, Parthy. She is best friends with the show boat's star, Julie LaVerne, but Julie and her husband Steve are forced to leave when it is revealed that Julie has "Negro" blood in her, thereby breaking the state law by being married to the white Steve. Magnolia replaces Julie as the show boat's female star, and the show's new male star is the suave gambler Gaylord Ravenal. "Nola" and Gaylord fall in love and marry against Parthy's wishes. They and their young daughter lead the high life when Gaylord is lucky in gambling, but live like dirt when he's unlucky. During one such unlucky streak, a broken Gaylord leaves Nola, and she is forced to start over by returning to the stage. Like Old Man River, as the famous song from this show goes, she just keeps rollin' along.—Tommy Peter

Show Boat

Show Boat (1936)

Paulette Goddard

Charles Chaplin

Richard Alexander

Chaplin's last 'silent' film, filled with sound effects, was made when everyone else was making talkies. Charlie turns against modern society, the machine age, (The use of sound in films ?) and progress. Firstly we see him frantically trying to keep up with a production line, tightening bolts. He is selected for an experiment with an automatic feeding machine, but various mishaps leads his boss to believe he has gone mad, and Charlie is sent to a mental hospital - When he gets out, he is mistaken for a communist while waving a red flag, sent to jail, foils a jailbreak, and is let out again. We follow Charlie through many more escapades before the film is out.—Colin Tinto

Modern Times

Modern Times (1936)

William Powell

Myrna Loy

Jean Harlow

Warren Haggerty is the chief editor of the New York Evening Star. He keeps on delaying his marriage with Gladys because of problems his newspapers must face. When a 5 million dollar lawsuit is filed by Connie Allenbury for falsely printing she is a marriage-breaker, he plans a marriage in words only between Gladys and the Don Juan Bill Chandler. The goal is to catch Connie alone with a married man.—Yepok

Libeled Lady

Libeled Lady (1936)

Margaret Hamilton

Walter Brennan

Miriam Hopkins

This first film version of "The Children's Hour" uses a heterosexual triangle rather than the play's lesbian theme. The plot concerns schoolteachers Karen Wright and Martha Dobie, who are both in love with Dr. Joe Cardin. The malicious lie of one of their students involves all three in a scandal that disrupts all their lives.—Daniel Bubbeo

These Three

These Three (1936)

Jason Robards Sr.

Robert J. Wilke

Mary Blake arrives at Blackie Norton's Paradise gambling hall and beer garden looking for work as a singer. He embarrasses her by asking to see her legs, but he hires her. She faints from hunger. Nob Hill Socialite Jack Burley and Maestro Baldini of the Tivoli Opera House see her singing and offer her a chance to do opera, but Blackie has her under a two-year contract and she ruefully stands by it. Later, when he makes up posters featuring her in tights, she does leave for the Tivoli. He gets an injunction against Burley but knocks out the process server when he hears Mary perform as Marguerite in "Faust". She proposes marriage to him, and she agrees to go back to the Paradise as his kind of singer, but his childhood chum, Father Tim Mullin, intervenes. After he slugs him, Mary leaves. She is soon the star of the Tivoli and the Paradise is closed down. She sings a rousing "San Francisco" on behalf of the Paradise at the annual "Chicken Ball" and wins the $10,000 prize which Blackie throws to the floor. As she storms out of the hall, a terrible rumble betokens the famous 1906 San Francisco earthquake. Buildings collapse, streets split wide open, the city burns, and the army dynamites whole sections of town. After staggering around in a stupor, Blackie finds Father Mullin and they find Mary at a Salvation Army camp. Backed by hundreds of others, they look out over the ruins which are gradually replaced by the shining new city with a reprise of the title song.—Ed Stephan

San Francisco

San Francisco (1936)

Randolph Scott

Tony Martin

When the fleet puts in at San Francisco, sailor Bake Baker tries to rekindle the flame with his old dancing partner, Sherry Martin, while Bake's buddy Bilge Smith romances Sherry's sister Connie. But it's not all smooth sailing: Bake has a habit of losing Sherry's jobs for her; and despite Connie's dreams, Bilge is not ready to settle down.—Diana Hamilton

Follow the Fleet

Follow the Fleet (1936)

Lucky is tricked into missing his wedding to Margaret by the other members of Pop's magic and dance act, and has to make $25000 to be allowed to marry her. He and Pop go to New York where they run into Penny, a dancing instructor. She and Lucky form a successful dance partnership, but romance is blighted (till the end of the film at least!) by his old attachment to Margaret and hers for Ricardo, the band leader who won't play for them to dance together.—Sebastian Gibbs

Swing Time

Swing Time (1936)

Bette Davis

Leslie Howard

Charley Grapewin

Gabby lives and works at her dads small diner out in the desert. She can't stand it and wants to go and live with her mother in France. Along comes Alan, a broke man with no will to live, who is traveling to see the pacific, and maybe to drown in it. Meanwhile Duke Mantee a notorious killer and his gang is heading towards the diner where Mantee plan on meeting up with his girl.—MarlicOne {imdb@motechnet.com}

The Petrified Forest

The Petrified Forest (1936)

Gary Cooper

William Frawley

Alfonso Pedroza

Madeleine steals a string of pearls in Paris and uses US engineer Tom, who is driving on his vacation to Spain, to get the pearls out of France, but getting the pearls, back from him proves to be difficult without falling in love.—Stephan Eichenberg

Desire

Desire (1936)

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