William Powell

Bess Flowers

Gail Patrick

Mischa Auer

In the depths of the Depression, a party game brings dizzy socialite Irene Bullock to the city dump where she meets Godfrey, a derelict, and ends by hiring him as family butler. He finds the Bullocks to be the epitome of idle rich, and nutty as the proverbial fruitcake. Soon, the dramatizing Irene is in love with her 'protege'...who feels strongly that a romance between servant and employer is out of place, regardless of that servant's mysterious past...—Rod Crawford

My Man Godfrey

My Man Godfrey (1936)

Vladimir Sokoloff

Charles Boyer

Jean-Louis Barrault

Fernand Ledoux

Rudolf, Crown Prince of Austria, is fettered on all sides. He's bored; his father, the emperor, is domineering; his politics are more liberal than his father's, but he knows his views carry no weight. He agrees to marry a princess to sire an heir, then spends his nights as a playboy. In 1888, he meets Marie Vetsera, 17, a baroness's daughter. She is resolute, smitten, and wants nothing in return for her love. The Prime Minister is alarmed; he contrives to have her sent away. Rudolf sinks into dissipation. When she returns, how will the lovers handle the opposition of society and their families? Can Rudolf find a way for them to be together?—

Mayerling

Mayerling (1936)

David Niven

Mary Astor

William Wyler

John Payne

A bittersweet tale of the increasing estrangement of a retired automobile tycoon and his wife. Increasingly obsessed with maintaining an appearance of youth, she falls in with a crowd of frivolous socialites during their "second honeymoon" European vacation. He, in turn, meets a woman who is everything she is not: self-assured, self-confident, and able to take care of herself.—Sonya Roberts

Dodsworth

Dodsworth (1936)

Harry C. Bradley

Lionel Stander

Gary Cooper

Ann Doran

Longfellow Deeds lives in a small town and leads a small-town kind of life, including playing the tuba in the town band. When a relative dies and leaves Deeds a fortune, Longfellow picks up his tuba and moves to the big city, where he becomes an instant target for everyone from the greedy opera committee to the sensationalist daily newspaper. Deeds outwits them all until Babe Bennett comes along. Babe is a hot-shot reporter who figures that the best way to get close to Deeds is to pose as a damsel in distress. When small-town boy meets big-city girl, anything can, and does, happen.—A.L.Beneteau

Mr. Deeds Goes to Town

Mr. Deeds Goes to Town (1936)

Nigel Bruce

Scotty Beckett

Donald Crisp

Major Vickers is an officer at the 27th Lancers in India 1856. When the regiment is on maneuver, the barracks are attacked by Surat Khan and his soldiers who massacre British women and children. This leaves an inextinguishable memory and Vickers promises to revenge the dead.—Mattias Thuresson

The Charge of the Light Brigade

The Charge of the Light Brigade (1936)

James Stewart

Myrna Loy

Jean Harlow

Magazine publisher Van Stanhope is a hard-working, dynamic executive, very happily married to his beautiful wife Linda. Although their relationship is built on unconditional trust, friends caution her about the dangers of allowing Whitey, her husband's extremely sexy secretary, to continue to have access to him. Even Van's mother warns Linda that Van's father philandered during their marriage, and Van, like all men, will eventually succumb to opportunity and temptation. Although Whitey has a faithful boyfriend, she secretly harbors unrequited feelings for her boss. When they take a business trip to Havana, circumstantial evidence convinces Linda that the rumors she's heard might have a basis in fact.—Gabe Taverney (duke1029@aol.com)

Wife vs. Secretary

Wife vs. Secretary (1936)

Lionel Barrymore

Robert Taylor

Elizabeth Allan

Elspeth Dudgeon

An attractive woman going by the name Marguerite lives in Paris and is a courtesan, kept by the rich aristocrat Baron de Varville. When the handsome young Armand sees her for the first time, he immediately falls in love. Camille is not so easy as to fall for his charms immediately. She lives a comfortable life, after all. As she comes to have feelings for him, Armand's father intervenes asking her not to cast a shadow on his son's future prospects and she agrees. In her greatest time of need however, the loving Armand returns to her.—garykmcd

Camille

Camille (1936)

Maurice Baquet

Junie Astor

Jean Gabin

The winner of the Louis Delluc Prize as the most outstanding French photo-play of 1936, as selected by the Young Independent Critics of France (an organization and not a description.) The film treats the imprisoning hold of poverty; the disheartening odds of people rising from such social despair, and the ease in which those in the upper spheres of Society may descend.—Les Adams

The Lower Depths

The Lower Depths (1936)

Robert Seller

Arletty

Marcel Lévesque

Marguerite Moreno

A husband who has just cheated on his wife returns home in the early morning, in a daze. Another man is there, and the dazed man confesses his infidelity to this stranger--who turns out to be his wife's lover.

Let's Make a Dream

Let's Make a Dream (1936)

Ginger Rogers

Dennis O'Keefe

Fred Astaire

Lucille Ball

Showman Jerry Travers is working for producer Horace Hardwick in London. Jerry demonstrates his new dance steps late one night in Horace's hotel, much to the annoyance of sleeping Dale Tremont below. She goes upstairs to complain and the two are immediately attracted to each other. Complications arise when Dale mistakes Jerry for Horace.—Anonymous

Top Hat

Top Hat (1935)

Leila Hyams

Sarah Edwards

Zasu Pitts

Charles Laughton

While visiting Paris in 1908, upper class Lord Burnstead loses his butler playing poker. Egbert and Effie Floud bring Ruggles back to Red Gap, Washington. Effie wants to take advantage of Ruggles' upper class background to influence Egbert's hick lifestyle. However, Egbert is more interested in partying and he takes Ruggles to the local 'beer bust'. When word gets out that "Colonel Ruggles is staying with his close friends" in the local paper, the butler becomes a town celebrity. After befriending Mrs. Judson, a widow who he impresses with his culinary skills, Ruggles decides to strike out on his own and open a restaurant. His transition from servant to independent man will depend on its success.—Gary Jackson

Ruggles of Red Gap

Ruggles of Red Gap (1935)

Vincent Florio

Celia Montalván

Paul Bozzi

Max Dalban

In the 1920s, the Provence is a magnet for immigrants seeking work in the quarries or in agriculture. Many mingle with locals and settle down permanently - like Toni, an Italian who has moved in with Marie, a Frenchwoman. Even a well-ordered existence is not immune from boredom, friendship, love, or enmity, and Toni gets entangled in a web of increasingly passionate relationships. For there is his best pal Fernand, but also Albert, his overbearing foreman; there is Sebastian, a steady Spanish peasant, but also Gabi, his young rogue relative; there is Marie, but there is also Josefa.—Eduardo Casais

Toni

Toni (1935)

Reginald Owen

This version of the Tolstoy classic lingers longer in Moscow during the weeks that follow the initial meeting of the starstruck lovers-to-be Vronsky and Anna Karenina. The story -- as it unfolds -- also focuses on Kitty, a young woman who is related to Anna's sister-in-law whose marital rift has brought Anna to Moscow. Until Anna shows up, Kitty had hopes of getting Vronsky, who is single and well connected, to propose to her. Ignored by Vronsky, Kitty turns her attention to another suitor, a man who seems to have a lot in common with Tolstoy.—Dale O'Connor

Anna Karenina

Anna Karenina (1935)

Matthew 'Stymie' Beard

Errol Flynn

Olivia de Havilland

Basil Rathbone

Arrested during the Monmouth Rebellion and falsely convicted of treason, Dr. Peter Blood is banished to the West Indies and sold into slavery. In Port Royal, Jamaica the Governor's daughter Arabella Bishop buys him for £10 to spite her uncle, Col. Bishop who owns a major plantation. Life is hard for the men--and for Blood. By chance he treats the Governor's gout and is soon part of the medical service. He dreams of freedom, and when the opportunity strikes, he and his friends rebel taking over a Spanish ship that has attacked the city. Soon they are the most feared pirates on the seas, men without a country attacking all ships. When Arabella is prisoner, Blood decides to return her to Port Royal, but they discover that it is under the control of England's new enemy: France. All of them must decide if they will fight for their new King.—garykmcd

Captain Blood

Captain Blood (1935)

Tully Marshall

Isabel Jewell

Alas, an aristocrat and a barrister on the same plateau. This is the story of a revolution, a revolution that occurred in France known as the Reign of Terror. The barrister, the town alcoholic and man of disrepute, is in love with a beautiful woman, who marries the aristocrat and bears a beautiful baby girl. The baby girl is infatuated with the barrister, and he with her because of her mother. The ultimate sacrifice occurs and a man's soul goes forward.

A Tale of Two Cities

A Tale of Two Cities (1935)

Elsa Lanchester

Una O'Connor

When David's father dies, his mother remarries. His new stepfather Murdstone has a mean and cruel view on how to raise a child. When David's mother dies from grief, Murdstone sends David to London to work for a living. When David escapes to his aunt Betsey his life starts to get better.—Mattias Thuresson

David Copperfield

David Copperfield (1935)

Evelyn Venable

Hattie McDaniel

Shirley Temple

After Southern belle Elizabeth Lloyd runs off to marry Yankee Jack Sherman, her father, a former Confederate colonel during the Civil War, vows to never speak to her again. Several years pass and Elizabeth returns to her home town with her young daughter. The little girl charms her crusty grandfather and tries to patch things up between him and her mother.—Daniel Bubbeo

The Little Colonel

The Little Colonel (1935)

Alan Hale

Beulah Bondi

Jane Withers

Young, naive, fairy-tale-loving Luisa Ginglebusher leaves the Budapest orphanage to become a movie usherette. Soon she befriends paternal waiter Detlaff and not-so-paternal Konrad, a meat-packing millionaire. Uninterested in Konrad's rich gifts, Luisa schemes to be a "good fairy" and divert some of this wealth to poor stranger Dr. Sporum. But it's not that simple.—Rod Crawford

The Good Fairy

The Good Fairy (1935)

Keye Luke

Edward Norris

Colin Clive

In Paris, great surgeon Dr. Gogol falls madly in love with stage actress Yvonne Orlac, and his ardor disturbs her quite a bit when he discovers to his horror that she is married to concert pianist Stephen Orlac. Shortly thereafter, Stephen's hands are badly crushed in a train accident--beyond the power of standard medicine. Knowing that his hands are his life, Yvonne overcomes her fear and goes to Dr. Gogol to beg him to help. Gogol decides to surgically graft the hands of executed murderer Rollo onto Stephen Orlac, the surgery is successful but has terrible side effects.—Ken Yousten

Mad Love

Mad Love (1935)

Walter Brennan

W.C. Fields

Ambrose Wolfinger wants the afternoon off (his first in twenty-five years) to go to a wrestling match. He tells his boss that he must attend his mother-in-law's funeral. The afternoon is no joy. He tries to please a policeman, assist a chauffeur, chase a tire, and ends up getting hit by the body of a wrestler thrown from the ring. A series of mishaps leads his boss to send floral tributes to the house and notify the papers of the death (due to poisoned liquor). His shrewish wife, judgmental mother-in-law, and good-for-nothing brother-in-law add to his burdens. In the end he enjoys their fawning loyalty, a raise in pay, and his first vacation.—Ed Stephan

Man on the Flying Trapeze

Man on the Flying Trapeze (1935)

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