Marion Clayton Anderson

Movita

Jon Hall

David Niven

Midshipman Roger Byam joins Captain Bligh and Fletcher Christian aboard HMS Bounty for a voyage to Tahiti. Bligh proves to be a brutal tyrant and, after six pleasant months on Tahiti, Christian leads the crew to mutiny on the homeward voyage. Even though Byam takes no part in the mutiny, he must defend himself against charges that he supported Christian.—Eric Sorensen

Mutiny on the Bounty

Mutiny on the Bounty (1935)

José Cortés

Alberto Miquel

Manuel Bernaldez

Emma Roldán

In a Gothic-styled monastery, a monk named Javier sees the face of another monk, Juan, and suddenly attempts to bludgeon him to death with a heavy crucifix. Both men then relate their own versions of a story of romantic rivalry between them. Javier, a consumptive musician, fell in love with and was betrothed to Anita. When his old friend Juan appeared, he was ecstatic. But soon, it seemed that Juan was making a play for Anita. When Javier found them in an apparently compromising position, a tussle ensued, and Anita was accidentally shot and killed. The two versions of the story differ significantly in Juan's motivations and in the details of Anita's death. Both men later became monks, leading to their latest encounter. As Juan begins to recover from the blow, Javier is subjected to horrific hallucinations.—goblinhairedguy

Two Monks

Two Monks (1934)

Alan Hale

Frank Capra

Harry C. Bradley

Ward Bond

Ellie Andrews has just tied the knot with society aviator King Westley when she is whisked away to her father's yacht and out of King's clutches. Ellie jumps ship and eventually winds up on a bus headed back to her husband. Reluctantly she must accept the help of out-of- work reporter Peter Warne. Actually, Warne doesn't give her any choice: either she sticks with him until he gets her back to her husband, or he'll blow the whistle on Ellie to her father. Either way, Peter gets what (he thinks!) he wants .... a really juicy newspaper story.—A.L.Beneteau

It Happened One Night

It Happened One Night (1934)

Kathleen Burke

Bess Flowers

Jason Robards Sr.

Rolfe Sedan

The small kingdom of Marshovia has a little problem. The main taxpayer, the wealthy widow Sonia (who pays 52% of the taxes) has left for Paris. So Count Danilo is sent to Paris, to stop her from getting married to a stranger, so that the danger of removing the money is averted. But this is not as easy as the ambassador in Paris has planned.—Stephan Eichenberg

The Merry Widow

The Merry Widow (1934)

Fredi Washington

Rochelle Hudson

Jane Withers

Bea Pullman and her daughter Jessie have had a hard time making ends meet since Bea's husband died. Help comes in the form of Delilah Johnson, who agrees to work as Bea's housekeeper in exchange for a room for herself and her daughter Peola. Bea comes up with a plan to market Delilah's pancake recipe. The two soon become wealthy, and their friendship deepens through the years, but their relationships with their daughters become strained. Ashamed of her mother, Peola seeks a new life by passing for white. Bea's love for her daughter is tested when she and Jessie fall for the same man.—

Imitation of Life

Imitation of Life (1934)

Ginger Rogers

Fred Astaire

Betty Grable

Frank Mills

Mimi Glossop wants a divorce, so her Aunt Hortense hires a professional to play the co-respondent in apparent infidelity. American dancer Guy Holden meets Mimi while visiting Brightbourne (Brighton) and she thinks he is the co-respondent. The plot is really an excuse for song and dance. The movie won five Academy nominations and the first Oscar for Best Song: "The Continental", a 17 1/2-minute production number.—Ed Stephan

The Gay Divorcee

The Gay Divorcee (1934)

Charles Lane

John Barrymore

Carole Lombard

Broadway director Oscar Jaffe (John Barrymore) is a bigger ham than most actors, but through sheer drive and talent he is able to build a successful career. When one of his discoveries, Lily Garland (Carole Lombard), rises to stardom and heeds the call of Hollywood, Oscar begins a career slide. He hits the skids and seems on his way out, until he chances to meet Lily again, on a train ride aboard the Twentieth Century Limited. Oscar pulls out all the stops to re-sign his former star, but it's a battle - because Lily, who is as temperamental as Oscar is, wants nothing to do with her former mentor.—Dan Navarro

Twentieth Century

Twentieth Century (1934)

Reginald Owen

Bette Davis

Kay Johnson

Abandoning artistic ambitions, sensitive, club-footed Philip Carey enrolls in medical school and falls in love with waitress Mildred Rogers. She rejects him, runs off with a salesman, and returns unmarried and pregnant. Philip gets her an apartment and they become engaged. Mildred runs off with another medical student, and Philip takes her back when she returns with her baby. She wrecks his apartment and burns the securities he needs to pay tuition. He gets a job as a salesman, has surgery on his foot, receives an inheritance, and returns to school, where he learns that Mildred is dying.—Ed Stephan

Of Human Bondage

Of Human Bondage (1934)

William Powell

Myrna Loy

After a four-year absence, one-time detective Nick Charles returns to New York with his new wife Nora and their dog Asta. Nick re-connects with many of his old cronies, several of whom are eccentric characters, to say the least. He's also approached by Dorothy Wynant whose inventor father Clyde Wynant is suspected of murdering her father's mistress (his former secretary). Her father had left on a planned trip some months before and she has had no contact with him. Nick isn't all that keen on resuming his former profession, but egged-on by wife Nora, who thinks this all very exciting, he agrees to help. He solves the case, announcing the identity of the killer at a dinner party for all of the suspects.—garykmcd

The Thin Man

The Thin Man (1934)

Fanny Clar

Genya Lozinska

Charles Dorat

Gen Paul

When Juliette marries Jean, she comes to live with him as he captains a river barge. Besides the two of them, are a cabin boy and the strange old second mate, Pere Jules. Soon bored by life on the river, she slips off to see the nightlife when they land at Paris. Angered by this, Jean sets off, leaving Juliette behind. Overcome by grief and longing for his wife, Jean falls into a depression and Pere Jules goes searching for Juliette.—dlevy1201

L'Atalante

L'Atalante (1934)

Irene Hervey

Robert Donat

Elissa Landi

Paul Fix

Edmond Dantes is imprisoned in the Chateau d'If without trial, for carrying a message from Napoleon in exile on Elba. After being told that he died in prison, his fiancé Mercedes is forced to marry his rival Count Mondego. Twenty years later, Dantes escapes with the help of the Abbe Faria, who leaves him the treasure of Monte Cristo. Dantes, now called the Count of Monte Cristo, plans his revenge on the three who framed him.—Will Gilbert

The Count of Monte Cristo

The Count of Monte Cristo (1934)

Margaret Sullavan

Hedda Hopper

Hans Pinneberg is a young German clerk, who, in the troubled economic times, wants only to accept life peacefully. He and his sweetheart, Emma Merceau, whom he affectionately calls "Lammchen," marry after they confirm that she is pregnant. Hans brings Lammchen to his town but keeps their marriage secret because his boss, autocratic corn merchant Emil Kleinholz, employs only unmarried clerks, as he is looking for a husband for his immature daughter Marie. After Marie chooses Hans, the whole Kleinholz family, out for a Sunday outing, see Hans and Lammchen kissing in the park, and Hans quits when Kleinholz insults Lammchen. After three weeks of unemployment pass, Lammchen writes to Hans's stepmother Mia in Berlin, who answers promising Hans a job in a clothing store. In Berlin, they find Mia living with Holger Jachman, an underworld bon vivant , who develops an interest in Lammchen. Through Jachman's influence, Hans gets work as a salesman, but he spends most of his first salary on an expensive dressing table, which Lammchen has admired, rather than paying Mia for rent. However, during a party, Jachman, intoxicated, leaves 200 marks for the rent before passing out. When the store institutes a policy of paying salesmen on a percentage basis, Herr Heilbutt, the head salesman and a nudist whom Hans has come to like, resigns in protest. After Hans's colleague Kessler snidely informs him that Mia uses the apartment to introduce "lonely men to lovely women," Hans breaks up a breakfast party and takes Lammchen away from the apartment. They are offered a room by kindly furniture hauler Herr Puttbreese, but Hans loses his job after insulting screen actor Franz Schlüter, a customer who has used two hours of Hans's time without buying anything. After Jachman invites Hans and Lammchen to an expensive cafe and gets nowhere flirting with Lammchen, the police finally catch up with him and arrest him, leaving Hans and Lammchen with the bill, but an envelope from Jachman then arrives containing more than enough money to cover it. When Lammchen goes into labor, Herr Puttbreese takes her to the hospital because Hans cannot be found. After Hans is involved in a street riot, he comes home ashamed to look Lammchen in the face, but after seeing his son, Hans is encouraged to take care of him. Lammchen reminds Hans that "we created life, so why be afraid of it," and after Heilbutt arrives with a job offer for Hans in Amsterdam, the baby yawns amidst the adults' celebration.

Little Man, What Now?

Little Man, What Now? (1934)

Edward Van Sloan

Marlene Dietrich

Jane Darwell

Richard Alexander

Young Princess Sophia of Germany is taken to Russia to marry the half-wit Grand Duke Peter, son of the Empress. The domineering Empress hopes to improve the royal bloodline. Sophia doesn't like her husband, but she likes Russia, and is very fond of Russian soldiers. She dutifully produces a son--of questionable fatherhood, but no one seems to mind that. After the old empress dies, Sophia engineers a coup d'etat with the aid of the military, does away with Peter, and becomes Catherine the Great.—John Oswalt

The Scarlet Empress

The Scarlet Empress (1934)

Spencer Tracy

Loretta Young

Glenda Farrell

Dickie Moore

Man's Castle

Man's Castle (1933)

Isabel Jewell

Lee Tracy

Jean Harlow

Louise Beavers

Lola Burns is at the top of the pile in Hollywood. But life ain't easy, what with her father and brother always hanging around for handouts, and devious studio publicity honcho Space Hanlon cooking up endless lurid newspaper stories. Makes a girl want to give up pictures.—Jeremy Perkins {J-26}

Bombshell

Bombshell (1933)

Annabella

Raymond Cordy

Paul Ollivier

Michel André

Jean is a young cab driver. Anna, a flower-girl neighbour, is in love with him. But he is still thinking to Pola, who just left him. Jean asks her to the bal. Many events (Pola's come back, two villains...) will disturb this arising love.—Yepok

July 14

July 14 (1933)

Gary Cooper

Miriam Hopkins

Two Americans sharing a flat in Paris, playwright Tom Chambers and painter George Curtis, fall for free-spirited Gilda Farrell. When she can't make up her mind which one of them she prefers, she proposes a "gentleman's agreement": She will move in with them as a friend and critic of their work, but they will never have sex. But when Tom goes to London to supervise a production of one of his plays, leaving Gilda alone with George, how long will their gentleman's agreement last?—Capel Cleggs

Design for Living

Design for Living (1933)

Ruby Keeler

Ann Sothern

Dennis O'Keefe

Chester Kent produces musical comedies on the stage. With the beginning of the talkies era he changes to producing short musical prologues for movies. This is stressful to him, because he always needs new units and his rival is stealing his ideas. He can get an contract with a producer if he is able to stage in three days three new prologues. In spite of great problems, he does it.—Stephan Eichenberg

Footlight Parade

Footlight Parade (1933)

Dick Powell

Bebe Daniels

Renowned Broadway producer/director Julian Marsh is hired to put together a new musical revue. It's being financed by Abner Dillon to provide a starring vehicle for his girlfriend, songstress Dorothy Brock. Marsh, who is quite ill, is a difficult taskmaster who works long hours and continually pushes the cast to do better. When Brock breaks her ankle one of the chorus girls, Peggy Sawyer, gets her big chance to be the star. She also finds romance along the way.—garykmcd

42nd Street

42nd Street (1933)

Edward G. Robinson

Mary Astor

Prohibition is ending so bootlegger Bugs Ahearn decides to crack California society. He leases a house from down-on-her-luck Ruth and hires her as social secretary. He rescues Polly Cass from a horsefall and goes home to meet her dad who sells him some phony stock certificates. When he learns about this he sends to Chicago for mob help.—Ed Stephan

The Little Giant

The Little Giant (1933)

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