Jeri Ryan

Bruce Willis

Emily Mortimer

Cuba Gooding Jr.

Russ Duritz (Bruce Willis) is a wealthy L.A. image consultant, but as he nears 40, he's cynical, dogless, chickless, and estranged from his father (Daniel von Bargen), and he has no memories of his childhood. One night he surprises an intruder (Spencer Breslin), who turns out to be an almost-8-year-old kid. There's something oddly familiar about the chubby lad, whose name is Rusty. The boy's identity sparks a journey into Russ' past that the two of them take--to find the key moment that defined who Russ is. Two long-suffering women look on with disbelief: Russ's secretary Janet (Lily Tomlin) and his lovely assistant Amy, to whom Rusty takes a shine. What, and who, is at the end of this journey?—

The Kid

The Kid (2000)

Samantha Robinson

Madeline Brewer

Jessica Parker Kennedy

Devin Druid

In Daniel Goldhaber and Isa Mazzei's paranoid horror thriller "Cam," an erotic webcam performer finds her followers stolen by a doppelganger who hijacks her channel, pushes the sexual envelope further, and otherwise seems determined to destroy her life. Call it identity theft of a possibly supernatural kind.—Hugo Van Herpe

Cam (2018)

Will Sasso

Nicollette Sheridan

Richard Kline

Billy Connolly

Following a ship wreck, a baby is rescued by a clan of Ninja warriors and raised by them as one of their own. But Haru (Chris Farley), as he is called, never quite fits in, nor does he manage to make a worthy Ninja. However, the good-natured and persevering Haru, in his own bumbling way, and with some help from Gobei (Robin Shou), manages to prove himself to be a winner in the end.—Jeff Hole

Beverly Hills Ninja

Beverly Hills Ninja (1997)

Jeffrey Jones

Hector Elizondo

T.J. Thyne

Tracy Morgan

Two guys by the name of Silas and Jamal decided to one day smoke something magical, which eventually helps them to ace their college entrance exam. This eventually lands them in Harvard, where they're surrounded by the world of Ivy Leaguers. Although their new lifestyle is much different from back home, they kept on having fun until their supernatural smoke runs out. Now, they are on their own and they have to rely on each other to survive.—Michael Ji

How High

How High (2001)

Chloe Levine

Aria Shahghasemi

Alice Barrett

Sarah Rich

"No Alternative" is a coming-of-age drama that blasts open the world of grunge-era teenagers in the early 90s. Thomas Harrison is determined to start his own alternative band after the suicide of Kurt Cobain -- it's an obsession that blinds him to what's either the mental collapse, or the eruption of musical genius, of his little sister, Bridget. Bridget boldly rejects her brother's music, and the music of an entire generation of slackers, by taking on the persona of a gangsta' rapper named "Bri Da B."

No Alternative

No Alternative (2018)

Anne Gee Byrd

Karan Soni

John Kassir

Mike Erwin

Alyssa, a successful photographer, wakes one morning to find her apartment ransacked and her husband mysteriously missing. Left without even a photograph to offer the police, she turns to his colleague Eve, a talented jazz pianist with a flirtatious charm and disarming grace. Eve helps her confront her husband's longtime struggle with depression and to, over time, accept his absence. While getting to know this woman through such unusual circumstances, Alyssa is surprised to find herself falling in love again.—AnonymusB

And Then There Was Eve

And Then There Was Eve (2017)

Nikki SooHoo

Alison Rich

Gabriela Lopez

Dennis Nicomede

The seemingly endless possibilities of dating apps send a group of friends into a whirlwind of sex, jealousy, and self-doubt in this ensemble comedy that examines dating culture in the age of swiping.

The Browsing Effect

The Browsing Effect (2018)

Nick Di Paolo

Steven Wright

Katie Fields

Christina Kostoulakos

Aging local standup comic Sweeney, "The Character King", gets an opportunity to do a national cable show out of Los Angeles. The only caveat is that Sweeney must drop the locally referenced material from his act, the biggest pieces being the portrayal of his colorful Boston "characters," that have become a staple of his home field success. Sweeney makes the hard decision to stop doing the characters. But, to his dismay, the characters "come-to-life" and seek their revenge; they try to kill Sweeney.

Sweeney Killing Sweeney

Sweeney Killing Sweeney (2018)

Ellen Page

Kate Mara

Tonya Pinkins

Elias Koteas

Lucy and others demonstrate outside a prison about to execute a mentally disabled man for killing a cop. She meets Mercy, who is there with her mom and dad, a cop, to support the execution. Once home again with her big sister Martha and kid brother Ben, Lucy googles Mercy. She's a lawyer. Lucy's dad is to be executed in a few months for allegedly killing her mom 8 years ago, when Lucy was 14 and Ben a baby. Martha has been like a mom for them since. The siblings have a pro bono lawyer trying to get their dad off death row. The cute Mercy keeps meeting up with Lucy.—Scott Filtenborg

My Days of Mercy

My Days of Mercy (2017)

Adam Sandler

Michael McKean

Walter Robles

Parker Posey

An alien couple known as Beldar and Prymatt with cone-shaped heads from the planet called Remulak is mistakenly ditched on earth, during a scouting mission for planet conquest. While here, they dodge the INS, have a child and discover that life on Earth is quite good. But unfortunately they are being chased by the government who knows something is not quite right with the Conehead family. After they are rescued and taken back to their planet, Beldar vows to return to earth and conquer it.—Anthony Pereyra {hypersonic91@yahoo.com}

Coneheads

Coneheads (1993)

Orson Welles

Hilton Edwards

Micheál MacLiammóir

Robert Coote

Filming Othello begins with Welles standing behind a moviola. He directly addresses the camera and announces: "This is to be a conversation, certainly not anything so formal as a lecture, and what we're going to talk about is Othello, Shakespeare's play and the film I made of it." Welles initially conducts a monologue where he recalls the events that lead up to the creation of Othello and some of the problems that plagued the production. As the film progresses, he switches to a conversation in a restaurant between himself and two of the film's co-stars, Micheal MacLiammoir (who played Iago) and Hilton Edwards (who played Brabantio). The three men talk at length about the making of Othello. Welles then resumes his monologue from his position behind the moviola. He then runs footage on the moviola of a question and answer session he conducted during a 1977 screening of Othello in Boston. Welles concludes the film in his position as a monologuist, proclaiming: "There are too many regrets, there are too many things I wish I could have done over again. If it wasn't a memory, if it was a project for the future, talking about Othello would have been nothing but delight. After all, promises are more fun than explanations. In all my heart, I wish that I wasn't looking back on Othello, but looking forward to it. That Othello would be one hell of a picture. Goodnight."—X

Filming 'Othello'

Filming 'Othello' (1978)

Mercedes McNab

Christine Baranski

Christopher Lloyd

Jimmy Workman

When an adorable baby boy is added to the Addams household, Wednesday and Pugsley do not hate him, they just aren't necessarily excited about his existence. OK...yeah, they do hate him. So they plot to get rid of him one way or another. Meanwhile, their parents hire a nanny for him and she charms Fester, but has evil intentions for him. The Addamses must stop her, but how?

Addams Family Values

Addams Family Values (1993)

Valeria Golino

Udo Kier

Alba Rohrwacher

Fiorenzo Mattu

10-year-old Vittoria's summer will be one of two mothers to challenge, to hate, to love and to forgive. Shy Vittoria has a close relationship with her loving good mother Tina. But their quiet Sardinian life will be upset when the young girl discovers that local party girl Angelica is her birth mother. When Angelica is forced to move away because of financial troubles, she asks to become acquainted with Vittoria. Tina agrees, comforted by the idea that the woman will soon be leaving town. Searching for something deep and inexplicable, Vittoria and Angelica spend more and more time together against Tina's will.—Happy_Evil_Dude

Daughter of Mine

Daughter of Mine (2018)

Matt Bush

Alexandra Billings

Ray Romano

Stephen Oyoung

The movie opens with Michael (Mark Duplass) & Andy (Ray Romano) in a doctor's office as she gives Michael the news that he has cancer & it has spread to several areas. She recommends he see a specialist to learn more about his prognosis and options. Andy interrupts and tries to get the doctor to give them more information about Michael's prognosis but she avoids doing this. Michael absorbs the news from the doctor without much show of emotion.
The scene jumps to an abandoned drive-in theater where Michael and Andy are pulling a barrel into place to play a game. They use tennis rackets to hit racquetballs off the backside of the screen, trying to get the ball to bounce into a 55-gallon barrel they've positioned nearby. We learn later in the film they made up this game themselves and call it Paddleton. When they finish and are walking home, Andy asks Michael what he learned from the specialist. Michael ignores the question, grabs Andy's hat and runs away. Next we see them together in Andy's apartment, making a pizza then watching a movie called "Death Punch". It is obvious they've seen the movie several times as they quote lines in synch with the film and have choreographed punches and blocks as they sit side-by-side on the couch. Next there are several short scenes in quick succession; them going to work, at their jobs (Michael at a copy shop & Andy at an office), playing the game again, Michael on-line at a cancer support website, them working a jig-saw puzzle together as they watch the same movie again. As you watch their scenes together it becomes more and more obvious they really enjoy each other's company and have a very close relationship, sharing lots of inside jokes and ongoing conversations.
As they are leaving another game at the theater, Andy tells Michael that he has been preparing a half-time speech to motivate a losing team that is so good he could probably sell it to a coach someday. Michael asks to hear it but Andy says it's not ready yet. Michael also unsuccessfully tries to guess the partially completed hang-man phrase on his sweatshirt that we later learn was given to him by Andy. Michael tells Andy he's seen 2 oncologists and the gist of it is that he is terminal with less than 6 months to live. He doesn't want to wait til he gets really sick and die in a hospital so he intends to use an assisted-suicide method he's discovered through the support group. He asks Andy to help him because he doesn't want to do it alone. Andy is obviously reluctant and at first tells Michael that he can't just give up. Michael explains that he doesn't want things to change between them just because of his illness, that he really just wants to continue living, doing the things they enjoy doing together until he is no longer able. At this point Andy relents and agrees that he will help. Andy investigates and finds that the closest pharmacy that will fill the prescription is 6 hours away so they decide to take a road trip.
Along the drive they have interesting conversations during which we learn Andy doesn't like small talk and doesn't think he's good at it. They also stop at an ostrich farm for Michael because "I've never seen one in real life." At the pharmacy they discover the pharmacist they spoke with before they left is not on duty. Andy wants to leave and come back "when Phil is here" but Michael insists they go ahead. The pharmacist, David, tells them Phil left clear instructions and begins to read the instructions for the process. The men want to skip that part since Phil told them about it but David tells them it's required. Next Andy tries to pay for the prescription, telling Michael "Just let me do this" even though it's really expensive but then his credit card is denied. After the pharmacy they check into a hotel which once again Andy had intended to pay for but can't since his card isn't working. In the room Andy suggests that he keep the prescription in his upstairs apartment since it is safer from floods and thieves. He then goes back to the pharmacy and purchases a children's toy safe to keep it in. Andy won't tell Michael the combination for the safe. After hanging out in the hotel room for a while they go to a bar where it is a combination of karaoke and open-mic. Andy goes to the bathroom and stares into the mirror while practicing his half-time speech. He comes out clearly prepared to tell it to Michael and maybe everyone but decides against it when he sees David, the pharmacist, has joined Michael at the bar. Andy's actions and comments make it obvious that he doesn't like David's intrusion on their time together. It is at this point that Michael steps up to the mike and starts to tell everyone about "a very special movie" that he enjoys very much ("Death Punch") and describes some of the scenes in the movie that we've seen when they watched earlier. As Michael's description begins to falter Andy comes to his rescue and together they do a good job of portraying the scenes. Later at the hotel they decide to enjoy the hot-tub even though it's after hours. They are joined by the clerk who checked them in earlier who lets them know she thinks that what they have together is wonderful. They ask for clarification and she says its obvious that the two of them have a very special, close relationship. They realize she thinks they are homosexual and they tell her they aren't. As conversation continues it becomes clear the clerk is attracted to Andy so Michael excuses himself to the room. When Andy comes back in he can't tell if Michael is breathing or not so he wakes him. Michael asks how it went with the clerk and Andy says nothing happened.
The next morning Michael is gone along with the safe and Andy panics. He runs around the area trying to find Michael til he winds up back at the hotel to discover him in the lobby relaxing. Andy then grabs the safe and refuses to give it back to Michael. Next we see them driving home, not speaking to one another and Andy riding in the backseat holding the safe. Once they arrive home Andy sets the safe on the stairs and Michael comes out to pick it up. Andy gives Michael a riddle to determine the combination, Michael guesses it and they share a laugh together. Andy tells Michael that if he is acting strangely then it's because he finds it difficult to just be normal during this process. Michael nods in acknowledgement. Next there are several scenes where we see them back in their routines, spending time together but also showing Michael getting weaker and sicker. At a birthday celebration for Andy with just the two of them in Michael's apartment, Andy blows out his cupcake candle then asks Michael "You still got cancer." Michael laughs and says yeah and Andy says "That never works", ostensibly referring to his birthday wish.
Some time later as they are hanging out together Michael says he's ready to take the prescription. As they prepare the concoction Andy offers to tell Michael his half-time speech. Michael tells him he's already heard it, many times, through the vent as Andy practiced it upstairs. They laugh about this. Andy then tells Michael that when Michael was applying for the apartment, Andy thought he looked like weird, "like you might be one of those guys with a lot of hands and feet in your freezer" and he tried to talk the manager into not renting to him. He says this was before he knew Michael was such a cool guy. Michael then asks about his hang-man shirt and Andy tells him that the shirt doesn't actually have an answer. When Michael asks why he would do that Andy says it's because he's noticed that when they did jigsaw puzzles together, they enjoyed the hard work and the process of completing it and even though they were happy at the end to have completed it, Michael always seemed "just a little sad" that it was over. Andy thought he would give Michael a puzzle that he could think about and work on, enjoying the process but never having that moment of sadness since he could never get it. Andy hoped that this would make it Michael's favorite shirt. Michael then takes the anti-nausea pill to keep him from throwing up after he takes the lethal prescription. While they wait an hour for it to completely kick in, they have their final conversations. Michael tells Andy he can have his car and his phone. Andy says he'll take the car but doesn't want his phone, he wants a better phone. Michael asks why he wants a better phone since he probably won't know how to use it anyway. Michael then asks Andy if he wants to arrange a signal that Andy would recognize as being from Michael just in case there is an afterlife. They banter back and forth about what would be a good sign, never settling on one, when Andy's timer goes off for the elapsed hour.
Back in Michael's apartment, Michael considers different options on where he wants to be at the end before finally deciding on the bedroom. Andy goes to the kitchen to mix the drink (the lethal prescription powder mixed with water) and brings it to him. Michael pauses briefly and sets the glass down like he might be reconsidering before picking up the glass and swallowing it all quickly. Michael wants to lay down so they both stretch out together side-by-side on Michael's bed. Michael quickly starts to become very anxious, shaking and crying, telling Andy he's scared. Andy sits up and begins doing his best to calm Michael, telling him that it will be all right, everything is going to be OK. Michael asks to hold Andy's hand, tells him he's going a good job and tells him that he loves him. Andy places his other hand comfortingly on Michael's head as Michael breathes deeply to try and maintain control. Both are crying. Michael tells Andy he's going to close his eyes. Very soon Michael's breathing becomes shallow. Michael has stopped shaking and Andy tells him "I love you too" just as Michael seems to have one final exhale.
Next we see Andy as he continues life without his best friend, doing things like watching "Death Punch", playing Paddleton alone. In the final scene we see a mother and young son moving into Michael's apartment. Andy helps her carry an armload of stuff to her door and tries to strike up a conversation with her son, offering to teach him Paddleton sometime ("It doesn't sound like a lotta fun, but it is".)

Paddleton

Paddleton (2019)

Ingrid Caven

János Derzsi

György Cserhalmi

Narcissus and Psyche is based on a novel by Sandor Weores. Borrowing the character of Psyche from mythology and placing her in Europe in the 19th century, the authors give her a "modern" life. She is an attractive young woman - and remains so throughout the film, in spite of one hardship after another. Psyche is libidinous, and her prurient interests shock her staid contemporaries.—Eleanor Mannikka

Narcissus and Psyche

Narcissus and Psyche (1980)

Amanda Plummer

Pit Bukowski

Adam Ild Rohweder

Paulina Galazka

When the brilliant but sexually inexperienced computer science student PIET is turned down by bright and beautiful KLARA, he is deeply hurt. He takes a dose of a sleep medication, leading to a tumultuous night during which he loses his innocence in more ways than one.—Schattenkante

A Young Man with High Potential

A Young Man with High Potential (2018)

Siu Loi Chow

Wei Tu Lin

Kuan Tai Chen

Wu Chi Liu

Chen Kuan-tai battles assassins that use a deadly, beheading weapon to kill dissidents. Based on true events, the film's weapon was completely fabricated because in real life, no one ever survived to tell what the weapon actually looked like.—Celestial Pictures

The Flying Guillotine

The Flying Guillotine (1975)

Lionel Stander

Walter Slezak

Robert Rietty

Young Jim Hawkins has an unforgettable encounter with pirate Captain Long John Silver and his murderous mates.

Treasure Island

Treasure Island (1972)

Machiko Kitagawa

Sô Yamamura

Setsuko Hara

Nobuo Kaneko

The businessman Ogata Shingo works with his son Shuichi, who is his secretary, and they live together in the suburb with their wives Yasuko and Kikuko respectively. Shuichi has a love affair and a loveless marriage with Kikuko. Yasuko has dedicated her entire life to her family but Shingo married her only because her older sister had died. Kikuko is the pride and joy of Shingo and they are close to each other. Out of the blue, Shingo and Yasuko's daughter Fusako leaves her husband and arrives at Shingo's home with her two children. Shingo investigates and finds the address of Shuichi's lover. Meanwhile Kikuko goes to the hospital and Shingo learns that she was pregnant but decided to abort her child.—Claudio Carvalho, Rio de Janeiro, Brazil

Sound of the Mountain

Sound of the Mountain (1954)

Kichijirô Ueda

Mariko Okada

Seiji Miyaguchi

Isuzu Yamada

This film intends to portray a working/ living environment rather than tell a strongly plotted story. Major themes are money and the lack of it, the power of the police, the decline in geisha popularity and standards and the exploitation of girls by management.

Flowing

Flowing (1956)

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