William Sanderson

Ian McShane

Anna Gunn

Jeffrey Jones

Events unfold in 1889--about ten years after the series ended--as dignitaries and most of the series regulars gather to celebrate South Dakota's statehood. When Sen. George Hearst makes an offer to Charlie Utter for his property claim, and Charlie declines, the results are explosive.—user-35583

Deadwood: The Movie

Deadwood: The Movie (2019)

Jon Stewart

Snoop Dogg

Rachel True

Stephen Baldwin

After Kenny accidentally kills a cop's diabetic horse by feeding it the food he purchased from a munchie run, he is put in jail and is given a 1 million dollar bail. The rest of the group must bail Kenny out before Nasty Nate gets to him. The group decides to sell marijuana that Thurgood gets through his job as a janitor at a pharmaceutical lab. They become pals with rap star Sir Smoke-A-Lot and the rivals of dealer Samson Simpson. On the side, Thurgood seeks the love of Mary Jane, an anti-pot daughter of a dealer. What follows is typical pothead behaviour with a ton of cameos. Look carefully.—Tim Brooks

Half Baked

Half Baked (1998)

Biao Yuen

Sammo Kam-Bo Hung

Billy Chan

Fat Chung

A plump butcher student of Wong Fei Hung, Lam Sai-Wing (Sammo) gets into trouble with a rival kung-fu school known as Five Dragons and is accused of raping the head of that school's goddaughter and killing his son. Now Ko, the head of five dragons, wants revenge.—Anonymous

The Magnificent Butcher

The Magnificent Butcher (1979)

Jet Li

Michelle Yeoh

Anthony De Longis

Shidô Nakamura

Martial arts legend Huo Yuanjia became the most famous fighter in all of China at the turn of the 20th Century. Huo faced personal tragedy but ultimately fought his way out of darkness and into history, defining the true spirit of martial arts. His self-discovery, and the choices he made, inspired his nation. The son of a great fighter who did not wish for his child to follow in his footsteps, the bullied Huo Yuanjia resolves to teach himself how to fight - and win. Years of training enable him to ace match after match in his home region of Tianjin. But as his fame as a martial arts master grows, so does his pride. After an ill-advised fight leads to another master's death, members of Huo's family are slain in revenge. Grieving and ashamed, Huo wanders the country in shock. Near death, he is rescued by women from an idyllic village, and is offered simple kindness and generosity that help him heal and regain his equilibrium over a period of several years. Huo realizes that the future of martial arts lies in sportsmanship and not brutality, and he rejoins society to apply what he has learned. Returning to Tianjin, Huo takes steps to come to terms with his past and restore his family's name. His evolving, graceful Mizong (Missing) Fist method of fighting brings Huo renewed success, and he forms the progressive Jingwu Sports Federation. Taking note, duplicitous members of the Foreign Chamber of Commerce engineer a Shanghai tournament pitting Huo against four fighters, each representing the major foreign powers in China. Huo commits to the bout and faces off against, respectively, a British boxer, a Spanish swordsman, a Belgian soldier, and a Japanese martial artist. What happened that day in 1910 has never been, and will never be, forgotten in China.—Rogue Pictures

Fearless

Fearless (2006)

Catherine Deneuve

Omar Sharif

Fanny Ardant

Barbara Walters

An intimate look at the life and work of Greek-American opera singer Maria Callas, as told in her own words.

Maria By Callas

Maria By Callas (2017)

Fuyuki Murakami

Masayuki Mori

Tatsuya Nakadai

Eitarô Ozawa

This is the story of Mama, a.k.a. Keiko, a middle-aged bar hostess who must choose to either get married or buy a bar of her own. Her family hounds her for money, her customers for her attention, and she is continually in debt. The life of a bar hostess is examined as well as the way in which the system traps and sometimes kills those in it.—PastaQueen

When a Woman Ascends the Stairs

When a Woman Ascends the Stairs (1960)

Kresimir Mikic

Salvatore Striano

Christine Sønderris

Samson Semere

The story begins with Rie at an underground drilling site. She is taking photos and asking questions of the crew. She is an artist/photographer/journalist doing a piece on the giant machines underground that society relies on.The workers are from all over, all speak different languages and have different backgrounds. Rie has a hard time connecting with them even though most of them speak English and they all have things in common like families and kids. She would like to go into the main drill and see how it works with an experienced worker, Vio and his helper Bharag. However, the foreman sees her inside and explains it is not safe, there are only two tanks oxygen so only two people should go. He does allow Rie to sit outside and watch via camera and through the window. She sees that the pressure inside the container is similar to being far under the ocean as Bharag shows her a water bottle squeezing under the pressure.While Vio is inside working on the cutterhead, which seems to be the main drill head, the foreman hears an alarm for carbon monoxide poisonous gas somewhere in the tunnel. A red light is blinking. Rie asks what is going on and the foreman explains he does not know. Finally above the machinery in the tunnel the Foreman sees smoke indicating a fire. He tells Rei to get inside the cutter's medical bay and he will turn on the oxygen. He also gives her a breather. He shuts the door, locking her in. Vio and Bharag are in the tiny compartment next to hers. She tries to explain she does not know what is going on.Some time passes in which we see Rie getting warmer and warmer in the industrial compartment. She starts to sweat and removes all non-essential clothing. She takes a look at the thermometer and it is 50C- very hot. She bangs on the window to the main compartment and yells through that she is very hot and needs to get out. She takes a piece of heavy equipment and manages to loosen the large screw holding the doors between the compartments sealed, and moves from the medical compartment into the main drill area with Vio and Bharag. They close the door behind her, so now all 3 are in the same small compartment. Vio explains if there was a fire it would explain the heat in the outer medical compartment. Rie asks how much oxygen Vio does not know and says the best thing to do is to calmly wait for help so as to save as much oxygen as possible.Some time passes in which we see them undressing, getting comfortable, maybe sleeping, looking bored. Bharag shares a sandwich with Rie. He tells her not to drink too much water and she asks why, prompting a conversation about Bharag being smuggled out of his home country, Eritrea, and how the smugglers would taint the water with gasoline to prevent people from drinking too much. Rie prompts Vio for action saying they cannot wait, how does anyone know they are there? What if they die waiting for help? Vio explains the pressure to get outside is too much, and opening the door would cause any fire to consume the last of their oxygen. He explains there is a medical supply area outside but it is too dangerous for any of them to go, and they are not even sure the supplies are still there, so it is better to wait. Rie's phone goes off- it is not a call though, it is an alarm that she is supposed to pick up her daughter from school. A conversation about their families passes between the three of them, with Rie admitting she had not even thought of her daughter, and Vio shaming her for not thinking of her kids. Vio insists they continue to wait for help even though they are all hot and breathing laboriously.Rie seems to accept his course of action but secretly doesn't. A short time later she claims she has to pee and says she will go into the medical bay to do so, asking for the door to be shut for privacy. What she really tries to do is shut the door between the compartments, effectively locking Vio and Bharag inside the main compartment, while she stays in the medical bay with a breathing filter. Before she can secure the door with the large clunky screw, Vio realizes what she is doing and pushes it open. He sees she was hiding a breather in the medical compartment the whole time, and sees that she had tried to lock them out.Suddenly the lights go out- we are not sure what happens, but we can assume that Vio and Rie are fighting over the breather. Eventually a flashlight is turned on. Vio has the breather and states that now he can get to the medical supplies outside and see if there are any left, yelling at Rie that she should have told them sooner there was a breather. They have a short debate on who should go out, with Bharag saying he needs to survive for his family, for money. He explains to Rie his family paid a lot of money to get him free and now they have nothing, so he needs to stay alive to pay them back. Rie asks how much and he says, too much. She repeats and he finally relents, $8,000. Rie says she has that and she can pay it for him when they get out. Rie doesn't seem to trust Vio and Bharag is also on edge about who should take the breather and try to make it to the supply closet, neither says anything but what if Vio just leaves them and does not return?Before Vio can do anything there is light outside the small window. A rescue crew has arrived. They say they will open the door from outside but before they do Vio says they must decompress the unit or they will all die. The crew says they will have to decompress from the inside because the machinery outside is broken. Vio begins the decompression.Before anything else can happen, there is an explosion outside and the rescue crew is gone, the window covered by smoke and debris. All three occupants of the drill go back into the main compartment but they cannot breathe and the decompression has taken its toll- Vio is struggling. Still they manage to open the door to the cutterhead, the small opening above the main compartment where the drill is located, an area no one is supposed to be in because it is so far underground there is no air and it is very unsafe. Rie crawls out, dragging Bharag with her, but Vio passes out inside the compartment and Rie leaves him there. She has the breather with her. She tries to rouse Bharag but he seems to have suffered the consequences of decompression as well and passes in and out. Rie says they need to dig their way around the cutter to the main tunnel. She frantically tries to do so, but every direction she digs she hits metal- it is useless. She lays down with Bharag and says they need to stay warm and stay together. The tunnel is now a mushy mess from water leaking down from above.Some time passes, in which Rie and Bharag share the breather, each taking a few breaths and then passing it back. Each time they pass the breather, they each struggle more. You can see the agony on their faces after each one finishes their breath, and they each claw and start to be more aggressive with the breather. This scene is extremely intense, you almost feel as if you are drowning and the breather is your only lifeline. Both become more and more desperate. Between breaths, Rie says "For your family," another breath, "the money", effectively saying in very few words that he should die and let her live so she can give his family the money. A struggle ensues- you cannot see much due to the flashlight dimming, but you see the mud slipping over the two as they both struggle for the breather. The struggle is tense and slow, highlighting their weakened state and lack of energy as they both slowly suffocate.Finally the scene settles, and you can see Bharag is on top of Rie with the breather. You cannot see Rie's face but it looks as if she is face-down in a puddle. Bharag has attempted to kill her so that he may survive. The scene fades to black.Moments later, light breaks through, and Rie's body is pulled from the tunnel. Bharag barely looks alive himself but opens his eyes when he sees the light.The scene then cuts to Bharag on a medical plane, with an oxygen mask around his face. He is clean and bandaged. He looks across from him to see Rie on the other side, laying down but breathing with a tube in her mouth. For a moment he does not seem sure she is alive, for a moment you wonder if he is going to try to kill her again so she does not tell what happened between them in the cutterhead. He stares at her body intensely. Finally he sees her breathing and sees her fingers move. He seems surprised. The camera pans out to where we can only see Rie as she opens her eyes, slowly comes to, and turns to see Bharag next to her. We do not get to see Bharag's face, only Ries' face, but the questions in her stare are obvious: what now? What would you do, if you had survived with another who had tried to kill you?

Cutterhead

Cutterhead (2018)

Marcin Dorocinski

Jowita Budnik

Magdalena Kolesnik

Katarzyna Bargielowska

We look at three women. The 40-year-old prosecutor Dorota, the young student Magda and a distinguished surgeon, Teresa. They have something in common, an alcohol addiction.

Playing Hard

Playing Hard (2018)

Ed Speleers

Samantha Barks

Tanya Reynolds

Rachel Hurd-Wood

A fairy-tale romance takes an unexpected turn when Mark discovers that his beautiful bride-to-be, Connie, has actually been plotting against him.

For Love or Money

For Love or Money (2019)

Chinaza Uche

Dean Cameron

Ebbe Bassey

Russell G. Jones

After being sent to Nigeria against his will, a stubborn Nigerian-American teenager joins forces with an Internet scammer in order to return to the United States.

Nigerian Prince

Nigerian Prince (2018)

Roman Flügel

Sonja Moonear

David Moufang

A look at five pioneers of electronic music for whom work is their raison d'etre.

If I Think of Germany at Night

If I Think of Germany at Night (2017)

Amaury Nolasco

Aubrey Peeples

Robert Rusler

Josh Peck

Upon graduating college, a brokenhearted aspiring writer, without a dime or connections, packs his bags and heads to Los Angeles in the hopes of finding a new beginning. He quickly gets immersed into two very different worlds - one young, provocative and alluring, the other rooted in diversity, community and loyalty - both with their own unique appeals, advantages and dangers. Through his new experiences, he realizes who he is and where he belongs.—Deborah Del Prete

Locating Silver Lake

Locating Silver Lake (2018)

Sandra Mae Frank

Tony Spitz

Annabelle Reed

Craig Fogel

Beelzebub, a powerful demon hellbent to possess and consume souls, goes after siblings and their lifelong friends at a rundown country house.

Soul to Keep

Soul to Keep (2018)

Basil Eidenbenz

Ioachim Ciobanu

Aggy Kukawka

Alex Cotet

A teenager named Andrei transitions from a teenager into an adult.

Oh, Ramona!

Oh, Ramona! (2019)

David Warner

Susan George

Dustin Hoffman

June Brown

Upon moving to Britain to get away from American violence, astrophysicist David Sumner and his wife Amy are bullied and taken advantage of by the locals hired to do construction. When David finally takes a stand it escalates quickly into a bloody battle as the locals assault his house.—Andrew Hyatt

Straw Dogs

Straw Dogs (1971)

Buzz Aldrin

Queen Elizabeth II

William Anders

Neil Armstrong

In the 1960s, US President John F Kennedy proposed landing a man on the moon before the decade was finished. This film has interviews with most of the surviving astronauts of the Apollo program who were making ready to make that great voyage with an army of experts determined to make the endeavor possible. Through training, tragedy and triumph, we follow the greatest moments of one of Humanity's great achievements.—Kenneth Chisholm (kchishol@rogers.com)

In the Shadow of the Moon

In the Shadow of the Moon (2007)

Harold Perrineau

Susan Walters

Josh Schwartz

Aurora Perrineau

Two young women, torn apart by a childhood tragedy, unexpectedly reunite and embark on an illuminating 24-hour journey, where they unlock memories of long-forgotten innocence and what it means to truly believe.

Virginia Minnesota

Virginia Minnesota (2018)

Loni Anderson

Jennifer Coolidge

Lochlyn Munro

Michael Clarke Duncan

The Roxbury Guys, Steve and Doug Butabi, want to get into the best club in town, and also hope to open their own club. Vivica, a gold-digging supermodel, and her friend Cambi try to work the Roxbury Guys for their money, only to find out the pair is broke.—Sean Bradley

A Night at the Roxbury

A Night at the Roxbury (1998)

Pamela Tiffin

Leon Askin

Horst Buchholz

John Banner

Berlin is the epitome of political and economic polarization. A microcosm of that polarization is the life of American C.R. MacNamara, known as Mac to his friends. He is Coca-Cola's head of West Berlin operations, although he feels he deserves to be Coca-Cola's head of European operations based in London. His wife Phyllis wants him to get a steady, stable job back in head office in Atlanta. His West Berlin staff is still used to treating him like their old master, the Führer. The one exception is his secretary Ingeborg, who is the latest in his long line of secretary mistresses. And he's working on a trade agreement of getting Coca-Cola into the Russian market. His life goes into a tailspin when he hosts Scarlett Hazeltine, 17-year-old spoiled partygirl daughter of his Atlanta-based boss, Wendell Hazeltine. Unlike most of the stops she's made on her European trip, Scarlett seems to like West Berlin and stays longer than expected. On the day that Mac learns that Mr. and Mrs. Hazeltine will be in Berlin in 24 hours to retrieve their daughter, he learns that Scarlett has married Otto Ludwig Piffl, a staunch East German Communist. Mac feels this marriage will ruin his career and does whatever he can to get rid of Otto for good and wipe any record of the marriage off the official books. But when Mac further learns that Scarlett is pregnant, he must get Otto back, which is more difficult than getting rid of his was, and to make him respectable in Mr. Hazeltine's eyes. Meanwhile, Phyllis has her own ideas of what is right and wrong in both Scarlett's and Mac's lives and takes appropriate action.—Huggo

One, Two, Three

One, Two, Three (1961)

Eric Roberts

Lukas Haas

Robert Catrini

Harry Dean Stanton

The steel line of sex and tension is palpable throughout this harrowing and heart-stirring Hollywood romance between Frank Sinatra and Ava Gardner. It's 1949 and Sinatra, the former king of swoon who once enchanted millions of "bobby soxers", is at the downturn of his career as the once golden "Voice" is now compromised by a hemorrhage to his vocal cords while his reputation is lambasted by the press who parade his alleged Mafia connections, liberal sympathies, and extramarital affairs. In the midst of his despair, he falls hard and fast for Gardner, MGM's sultry starlet with whom he shares proclivities for passion, whiskey, obstinacy, and sexual infidelities. Equal to his desire to maintain the interest of the mercurial Gardner, is his almost sacred infatuation aimed at attaining the role of Private Angelo Maggio in Columbia Picture's From Here to Eternity, the sole ray of hope in salvaging his career. An acknowledged long shot due to his questionable acting chops and heretofore box office bombs, Sinatra actively campaigns for the role while divorcing his wife, Nancy, and entering a sexually charged, but suspicion-filled marriage with Gardner that is marked by infidelities, Ava's abortions and Frank's suicide attempts as their hapless romance is parodied by the press who play them off each other. Acclaimed director, Michael Oblowitz, impeccably stylized the film, using locations in Rome, Italy, Hollywood, CA and Sinatra's Palm Springs home to bring Frank and Ava to life. In addition to introducing Rico Simonini and Emily Elicia Low in the title roles, the film also features Eric Roberts, Lukas Haas, Richard Portnow, Domenick Lombardozzi, Neil Sandilands, Jonathan Silverman, Terry Moore and the legendary Harry Dean Stanton; in his last feature film appearance.—Rico Simonini

Frank and Ava

Frank and Ava (2020)

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