Lee Van Cleef

Gary Cooper

Harry Morgan

Lon Chaney Jr.

On the day he gets married and hangs up his badge, Marshal Will Kane is told that a man he sent to prison years before, Frank Miller, is returning on the noon train to exact his revenge. Having initially decided to leave with his new spouse, Will decides he must go back and face Miller. However, when he seeks the help of the townspeople he has protected for so long, they turn their backs on him. It seems Kane may have to face Miller alone, as well as the rest of Miller's gang, who are waiting for him at the station.—Man_With_No_Name_126

High Noon

High Noon (1952)

Helena Yea

Harry Anderson

Emily Perkins

Annette O'Toole

In 1960, a group of social outcasts who are bullied by a gang of greasers led by Henry Bowers are also tormented by an evil demon who can shape-shift into a clown and feed on children's fears and kill them. After defeating the demonic clown as kids, it resurfaces thirty years later and they must finish it off as adults once again.—Blake

It (1990)

Harry C. Bradley

Gene Lockhart

Rosalind Russell

Ann Doran

Having been away for four months, Hildy Johnson (Rosalind Russell) walks into the offices of the New York City-based The Morning Post, where she is a star reporter, to tell her boss, editor Walter Burns (Cary Grant), that she is quitting. The reason for her absence was among other things to get a Reno divorce, from, of all people, Walter, who admits he was a bad husband. Hildy divorced Walter largely because she wanted more of a home life, whereas Walter saw her more as a driven hard-boiled reporter than subservient homemaker. Hildy has also come to tell Walter that she is taking the afternoon train to Albany, where she will be getting married tomorrow to staid straight-laced insurance agent, Bruce Baldwin (Ralph Bellamy), with whose mother (Alma Kruger) they will live, at least for the first year. Walter doesn't want to lose Hildy, either as a reporter or a wife, and if he does, doesn't believe Bruce is worthy of her. Walter does whatever he can at least to delay Hildy and Bruce's trip, long enough to persuade Hildy to stay for good. His plan includes doing whatever he can to place Bruce in a bad light, while dangling a big story under her nose, namely covering what the newspaper believes is the unfair imminent execution of convicted cop killer, Earl Williams (John Qualen). Hildy doesn't trust Walter in dealing with her and Bruce in an above-board manner, but the lure of what potentially may become the biggest story in years, which includes true love, a bumbling sheriff (Gene Lockhart) and a corrupt mayor (Clarence Kolb), the latter's actions largely in light of an upcoming election, may prove to be too much for Hildy to resist, especially if it ends up being an exclusive. Regardless of the story outcome, Hildy will have to decide if the thrill of the chase was worth the anguish on her personal life.—Huggo

His Girl Friday

His Girl Friday (1940)

Ellen Barkin

Tom Skerritt

Stacy Keach

Harry Dean Stanton

Cheech and Chong meet up by chance on the highway somewhere in California. They go in search of some dope and are accidentally deported to Mexico where in their desperation to get home they agree to drive a van back to the States so they can get back in time for a gig they are due to play. Unaware of the properties from which the van is constructed they make their way back having acquired a couple of female hitch-hikers whilst all the time avoiding the cops whom they are not even aware are following them.—Garry 'Gadget' Myles

Up in Smoke

Up in Smoke (1978)

Jeffrey Jones

Annie Potts

Shawnee Smith

John Candy

Harry is the latest generation of the Crumbs, famous and extremely talented detectives. Unfortunately talent seems to have skipped a generation and Harry is reduced to "gumshoe" work at a remote branch of the Crumb detective agency. Back at headquarters, Crumb executive Elliot Draison hatches an evil plan which requires the inclusion of an incompetent detective. With Harry Crumb on the case Draison thinks everything will run fine for him. Despite his best efforts Crumb actually makes some headway in the case...—Murray Chapman

Who's Harry Crumb?

Who's Harry Crumb? (1989)

Everett McGill

Sissy Spacek

Barbara E. Robertson

Seventy-three year old Alvin Straight is a simple living and stubborn man who lives on his social security. He needs to do things on his own terms. He is in failing health. Both his hips are shot, which requires him to use two canes to walk. He is diabetic. He has emphysema from years of smoking. And he has poor eyesight. Beyond the obvious maladies, he doesn't tell his mentally disabled daughter Rose, who lives with him, of many of these issues. He learns that his brother Lyle Straight, from who he has been estranged for ten years, has just suffered a heart attack. Because of both his and Lyle's mortality, Alvin wants to make peace with his brother before it's too late, which means traveling from his home in the rural town of Laurens, Iowa to Lyle's home in rural Mount Zion, Wisconsin. As with other issues in his life, he needs to make the trip on his own terms, which means on his own. As he doesn't possess a driver's license and since his eyesight is bad, he decides to make the trip driving his aged riding lawn mover towing a trailer which will carry his gear and double as his sleeping quarters. After one mis-start, he is on his way. On that trip, he affects and is affected by those he encounters. But he just hopes that he can finish the trip the way he started it, and before either he, Lyle or the lawn mower give out for good.—Huggo

The Straight Story

The Straight Story (1999)

Chuck Hicks

Paul Newman

George Kennedy

Luke Jackson is a cool, gutsy prisoner in a Southern chain gang, who, while refusing to buckle under to authority, keeps escaping and being recaptured. The prisoners admire Luke because, as Dragline explains it, "You're an original, that's what you are!" Nevertheless, the camp staff actively works to crush Luke until he finally breaks.—alfiehitchie

Cool Hand Luke

Cool Hand Luke (1967)

Jennifer Daniel

Jacqueline Pearce

Harry Phipps

Noel Willman

Harry Spalding and his wife Valerie inherit a cottage in a small country village after his brother mysteriously dies. The locals are unfriendly and his neighbor Dr. Franklyn (a doctor of theology) suggests they leave. They decide to stay only to find that a mysterious evil plagues the community.—H P Holley

The Reptile

The Reptile (1966)

Lil' Kim

Meagan Good

La La Anthony

Harry Shum Jr.

YOU GOT SERVED follows the competitive world of street dancing where crews battle each other for money and respect. Elgin and David are best friends and leaders of the best dance crew in the area. When another town's top group challenges them to a battle, David and Elgin, along with their buddies, must create and perfect the most cutting edge moves in order to remain on top. The stakes are raised as friends double-cross each other and true motives are revealed. When the biggest battle comes to town, David and Elgin must work past their differences to prove that they are still the best crew on the streets.—anonymous

You Got Served

You Got Served (2004)

Dylan McDermott

Tim Robbins

Crispin Glover

An oddball family on a Kansas farm are trapped in their farmhouse by an impending storm. The patriarch of the clan is a retired soda pop tycoon. He is currently dating a children's TV evangelist. Also living at the farm is his layabout daughter and her precocious 8 year old daughter, his would-be artist son, the son's fiancée, and the black maid. Also thrown into the mix is the daughter's ex-husband, a ne-er-do-well who is seeking to get back in his ex-wife's good graces.—John Sacksteder

Twister

Twister (1989)

Ian McShane

Sean Connery

Harry Landis

Robert Lang

A gang of hijackers led by Ray Petrie (Ian McShane) seize a British plane as it is landing in Scandinavia. Ruthless Military Police Chief Colonel Tahlvik (Sir Sean Connery) is assigned to rescue the plane and its passengers. But he must also deal with the problem of the British Ambassador, whose residence has been seized by a second group of terrorists.—Jonathon Dabell

The Terrorists

The Terrorists (1974)

Harry Lennix

Seymour Cassel

Josh Pence

Tara Holt

A sleeper cell terrorist travels to America and hides in plain sight as an engineering student. As he waits for the rest of his terrorist cell to join him for a deadly mission, he falls in love which jeopardizes his beliefs and the mission

The Algerian

The Algerian (2014)

Samuel S. Hinds

Blanche Friderici

Tycoon John Glidden, dying but still vigorous, is so dissatisfied with his relatives and associates that, rather than will his money to any of them, he decides to give it away in million-dollar amounts to strangers picked from the city directory. He picks a meek china salesman, a prostitute, a forger, two ex-vaudevillians who hate road hogs, a condemned man, a mild-mannered clerk, a boisterous Marine, and an oppressed inmate of an old ladies' home.—Rod Crawford

If I Had a Million

If I Had a Million (1932)

Chill Wills

Oliver Hardy

Minna Gombell

It's 1938, but Stan doesn't know the war is over; he's still patrolling the trenches in France, and shoots down a French aviator. Oliver sees his old chum's picture in the paper and goes to visit Stan at the Soldier's Home. Thinking Stan is disabled (it's just that he's sitting on his leg), Oliver takes pity on him and takes him home for a nice home-cooked meal. But Oliver's wife has other ideas and leaves him to fend for himself. After blowing up the kitchen, Oliver is helped by his next-door neighbor, Mrs. Gilbert... until the big-game hunting Mr. Gilbert comes home unexpectedly, carrying a shotgun.—Paul Penna

Block-Heads

Block-Heads (1938)

Bijan Daryani

Sean Stolzenthaler

Kaye Tuckerman

Harry Aspinwall

Joseph Kehr, a mentally disturbed aspiring actor returns to New York City to become the 'greatest actor of his generation'. In his pursuit of rising to the top, he enlists in an infamous acting class led by Professor Payton, a cunningly sharp-tongued teacher known for her relentless determination of breaking her students. His mind unravels as he discovers the power of the internet and is haunted by Bugsy Cloverdale, a social media Guru. Joseph's obsession of fame spirals out of control as he is forced to compete with a washed-up movie star.

The Actor

The Actor (2018)

Keke Palmer

Ice Cube

E.J. Murray

The continuing adventures of the barbers at Calvin's Barbershop. Gina, a stylist at the beauty shop next door, is now trying to cut in on his business. Calvin is again struggling to keep his father's shop and traditions alive--this time against urban developers looking to replace mom and pop establishments with name-brand chains. The world changes, but some things never go out of style--from current events and politics to relationships and love, you can still say anything you want at the barbershop.—Sujit R. Varma

Barbershop 2: Back in Business

Barbershop 2: Back in Business (2004)

Marlon Brando

Harry Andrews

Stephanie Beacham

Anna Palk

Prequel to the Henry James classic "Turn of the Screw" about the events leading up to the deaths of Peter Quint and Ms. Jessel, and the the slow corruption of the children in their care.—Humberto Amador

The Nightcomers

The Nightcomers (1971)

Guinn 'Big Boy' Williams

Peggy Wood

Andy Devine

A screenplay entitled "A Star Is Born" is stamped with the words, "Final Shooting Script," then opened to reveal the following story: Esther Blodgett returns one winter evening to her home, an isolated farmhouse in North Dakota, after seeing a movie with her little brother Aleck, which starred her screen idol, Norman Maine. Esther's Aunt Mattie disdains Esther's obsession with the movies, and her father and grandmother Lettie are surprised to hear that Esther wants to be a movie star. After Mattie berates her, Esther runs to her room in tears. Lettie then tells Esther of her own past dreams of coming across the country in a "prairie schooner," and although she cautions Esther about the heartbreak that always comes to those who pursue their dreams, Lettie encourages Esther and gives her money to take a train to Hollywood. In Hollywood, Esther goes to Grauman's Chinese Theatre, where she steps in the footprints of Norman Maine. Esther naively expects to begin immediately as an extra, but she learns the depressing news that no extra has been signed by Central Casting in the past two years. When she is told that she has only a one in one hundred thousand chance to succeed, she replies that maybe she is that "one." Esther makes friends with Danny McGuire, an out-of-work assistant director who lives in her rooming-house, and when he gets a job, they go to a performance at the Hollywood Bowl, where Norman arrives drunk with actress Anita Regis and then starts a fight with a persistent photographer. Danny gets Esther a job as a waitress at a party his director is giving. Norman arrives at the party following another drunken escapade, which his exasperated press agent, Matt Libby, has kept out of the newspapers. Anita catches Norman in the kitchen flirting with Esther, and after she breaks a plate over his head, Norman and Esther leave together. Although he invites her to his place to talk over her career plans, Esther refuses, and after he gives her a goodnight kiss, he asks her to wait a moment so that he can take one last look at her before she goes in. Norman then phones and awakens studio head Oliver Niles at nearly three in the morning to arrange for a screen test for Esther, whose sincerity and honesty he praises. After the test, Esther signs a contract, and she is soon transformed by posture and voice coaches, and makeup artists into "Vicki Lester." Unable to find a suitable female lead for his next picture, Norman talks Oliver into using Esther, and she is a smash hit with the preview audience, who disparage Norman's performance. Norman and Esther celebrate at the Cafe Trocadero overlooking the city, where Norman tells Esther that she now can have anything in the world, but reveals that stardom has not made him happy and that he feels he has thrown his life away. Esther comforts him and tries to convinces him that it is not too late, and they hug. At a boxing match, Norman proposes marriage, and the couple marry quietly at a small town courthouse, which spoils Libby's plans to cash in on the publicity. Soon after their honeymoon trip in a trailer, Norman's contract is canceled, and he is relegated to the role of house husband, while Esther becomes a top star. Norman starts drinking again, and during the Academy Awards ceremonies, he drunkenly interrupts Esther's acceptance speech for the award for finest performance by an actress and accidentally slaps her in the face. Sometime later, at Esther's instigation, Oliver visits Norman, now in a sanitarium, to offer him a role in a picture, but when Norman learns that it is not the lead, he good-naturedly declines. During Christmas week, Norman, out of the sanitarium and on the wagon, visits Santa Anita Racetrack, where he runs into Libby. Although Norman tries not to get riled as Libby brutally razzes him, when Libby crudely suggests that he is sponging off his wife, Norman hits Libby, who belts him. Norman then orders a bottle of scotch, and four days later, Esther learns that he has been arrested for crashing his car into a tree while intoxicated. Through Esther's pleading with the judge, Norman is released to her custody, but the newspapers make the incident into a front-page story. At their beach house in Malibu, Norman overhears Esther tell Oliver that she must now quit the movies so that she can go away with Norman. After Oliver leaves, Norman finds Esther crying. He tells her that he is going for a swim, and before he leaves her, he asks, as he did the night they met, for one last look at her. He then walks into the ocean and drowns. Outside the church where Norman's funeral is held, the uncaring comments and actions of Esther's fans cause her to scream hysterically. She is about to leave town, when Lettie arrives and convinces her that tragedy is a test and that she must not run away from herself. Later, as Esther is about to be interviewed on radio at a premiere in front of Grauman's Chinese Theatre, she sees Norman's footprints and starts to swoon, but she recovers and says with pride into the microphone, "Hello, everybody. This is Mrs. Norman Maine." The last page of the screenplay, which contains the above line, is shown, and the screenplay is closed.

A Star Is Born

A Star Is Born (1937)

Gail Russell

Tom Fadden

Phil Brown

Danny Hawkins, who lives in a psychological shadow because his father died by a hangman's noose, accidentally kills a man in a fight over a girl, Gilly Johnson, and is afraid to notify the police. He wins the love of the girl but when she tries to influence him to admit his guilt, he runs away.—Les Adams

Moonrise

Moonrise (1948)

Clint Eastwood

Nazzareno Natale

Marianne Koch

With nothing but profit on his mind, a taciturn American with a lightning-fast right hand rides into San Miguel, a sun-bleached border town where everyone is either rich or dead. As the amoral man with no name discovers that the sleepy town provides the perfect opportunity to make a quick buck, the mysterious stranger soon finds himself caught in the middle of a destructive, long-standing feud. After all, the corrupt Baxters and the murderous Rojos, two feuding families fighting for control, won't let a nameless nobody get a slice of the cake. But the dusty, poncho-clad newcomer has already set his sights on the grand prize--the only way to get it is to play the gangs off against each other in a deadly battle of wits. Of course, no one has pulled such a reckless stunt and lived to tell the tale. How far is a man willing to go for a fistful of dollars?—Nick Riganas

A Fistful of Dollars

A Fistful of Dollars (1964)

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