Chill Wills

Oliver Hardy

Minna Gombell

Harry Anderson

It's 1938, but Stan doesn't know the war is over; he's still patrolling the trenches in France, and shoots down a French aviator. Oliver sees his old chum's picture in the paper and goes to visit Stan at the Soldier's Home. Thinking Stan is disabled (it's just that he's sitting on his leg), Oliver takes pity on him and takes him home for a nice home-cooked meal. But Oliver's wife has other ideas and leaves him to fend for himself. After blowing up the kitchen, Oliver is helped by his next-door neighbor, Mrs. Gilbert... until the big-game hunting Mr. Gilbert comes home unexpectedly, carrying a shotgun.—Paul Penna

Block-Heads

Block-Heads (1938)

Bijan Daryani

Sean Stolzenthaler

Kaye Tuckerman

Harry Aspinwall

Joseph Kehr, a mentally disturbed aspiring actor returns to New York City to become the 'greatest actor of his generation'. In his pursuit of rising to the top, he enlists in an infamous acting class led by Professor Payton, a cunningly sharp-tongued teacher known for her relentless determination of breaking her students. His mind unravels as he discovers the power of the internet and is haunted by Bugsy Cloverdale, a social media Guru. Joseph's obsession of fame spirals out of control as he is forced to compete with a washed-up movie star.

The Actor

The Actor (2018)

Keke Palmer

Ice Cube

E.J. Murray

Harry Lennix

The continuing adventures of the barbers at Calvin's Barbershop. Gina, a stylist at the beauty shop next door, is now trying to cut in on his business. Calvin is again struggling to keep his father's shop and traditions alive--this time against urban developers looking to replace mom and pop establishments with name-brand chains. The world changes, but some things never go out of style--from current events and politics to relationships and love, you can still say anything you want at the barbershop.—Sujit R. Varma

Barbershop 2: Back in Business

Barbershop 2: Back in Business (2004)

Marlon Brando

Harry Andrews

Stephanie Beacham

Anna Palk

Prequel to the Henry James classic "Turn of the Screw" about the events leading up to the deaths of Peter Quint and Ms. Jessel, and the the slow corruption of the children in their care.—Humberto Amador

The Nightcomers

The Nightcomers (1971)

Guinn 'Big Boy' Williams

Harry C. Bradley

Peggy Wood

Andy Devine

A screenplay entitled "A Star Is Born" is stamped with the words, "Final Shooting Script," then opened to reveal the following story: Esther Blodgett returns one winter evening to her home, an isolated farmhouse in North Dakota, after seeing a movie with her little brother Aleck, which starred her screen idol, Norman Maine. Esther's Aunt Mattie disdains Esther's obsession with the movies, and her father and grandmother Lettie are surprised to hear that Esther wants to be a movie star. After Mattie berates her, Esther runs to her room in tears. Lettie then tells Esther of her own past dreams of coming across the country in a "prairie schooner," and although she cautions Esther about the heartbreak that always comes to those who pursue their dreams, Lettie encourages Esther and gives her money to take a train to Hollywood. In Hollywood, Esther goes to Grauman's Chinese Theatre, where she steps in the footprints of Norman Maine. Esther naively expects to begin immediately as an extra, but she learns the depressing news that no extra has been signed by Central Casting in the past two years. When she is told that she has only a one in one hundred thousand chance to succeed, she replies that maybe she is that "one." Esther makes friends with Danny McGuire, an out-of-work assistant director who lives in her rooming-house, and when he gets a job, they go to a performance at the Hollywood Bowl, where Norman arrives drunk with actress Anita Regis and then starts a fight with a persistent photographer. Danny gets Esther a job as a waitress at a party his director is giving. Norman arrives at the party following another drunken escapade, which his exasperated press agent, Matt Libby, has kept out of the newspapers. Anita catches Norman in the kitchen flirting with Esther, and after she breaks a plate over his head, Norman and Esther leave together. Although he invites her to his place to talk over her career plans, Esther refuses, and after he gives her a goodnight kiss, he asks her to wait a moment so that he can take one last look at her before she goes in. Norman then phones and awakens studio head Oliver Niles at nearly three in the morning to arrange for a screen test for Esther, whose sincerity and honesty he praises. After the test, Esther signs a contract, and she is soon transformed by posture and voice coaches, and makeup artists into "Vicki Lester." Unable to find a suitable female lead for his next picture, Norman talks Oliver into using Esther, and she is a smash hit with the preview audience, who disparage Norman's performance. Norman and Esther celebrate at the Cafe Trocadero overlooking the city, where Norman tells Esther that she now can have anything in the world, but reveals that stardom has not made him happy and that he feels he has thrown his life away. Esther comforts him and tries to convinces him that it is not too late, and they hug. At a boxing match, Norman proposes marriage, and the couple marry quietly at a small town courthouse, which spoils Libby's plans to cash in on the publicity. Soon after their honeymoon trip in a trailer, Norman's contract is canceled, and he is relegated to the role of house husband, while Esther becomes a top star. Norman starts drinking again, and during the Academy Awards ceremonies, he drunkenly interrupts Esther's acceptance speech for the award for finest performance by an actress and accidentally slaps her in the face. Sometime later, at Esther's instigation, Oliver visits Norman, now in a sanitarium, to offer him a role in a picture, but when Norman learns that it is not the lead, he good-naturedly declines. During Christmas week, Norman, out of the sanitarium and on the wagon, visits Santa Anita Racetrack, where he runs into Libby. Although Norman tries not to get riled as Libby brutally razzes him, when Libby crudely suggests that he is sponging off his wife, Norman hits Libby, who belts him. Norman then orders a bottle of scotch, and four days later, Esther learns that he has been arrested for crashing his car into a tree while intoxicated. Through Esther's pleading with the judge, Norman is released to her custody, but the newspapers make the incident into a front-page story. At their beach house in Malibu, Norman overhears Esther tell Oliver that she must now quit the movies so that she can go away with Norman. After Oliver leaves, Norman finds Esther crying. He tells her that he is going for a swim, and before he leaves her, he asks, as he did the night they met, for one last look at her. He then walks into the ocean and drowns. Outside the church where Norman's funeral is held, the uncaring comments and actions of Esther's fans cause her to scream hysterically. She is about to leave town, when Lettie arrives and convinces her that tragedy is a test and that she must not run away from herself. Later, as Esther is about to be interviewed on radio at a premiere in front of Grauman's Chinese Theatre, she sees Norman's footprints and starts to swoon, but she recovers and says with pride into the microphone, "Hello, everybody. This is Mrs. Norman Maine." The last page of the screenplay, which contains the above line, is shown, and the screenplay is closed.

A Star Is Born

A Star Is Born (1937)

Gail Russell

Tom Fadden

Harry Morgan

Phil Brown

Danny Hawkins, who lives in a psychological shadow because his father died by a hangman's noose, accidentally kills a man in a fight over a girl, Gilly Johnson, and is afraid to notify the police. He wins the love of the girl but when she tries to influence him to admit his guilt, he runs away.—Les Adams

Moonrise

Moonrise (1948)

Clint Eastwood

Nazzareno Natale

Harry Dean Stanton

Marianne Koch

With nothing but profit on his mind, a taciturn American with a lightning-fast right hand rides into San Miguel, a sun-bleached border town where everyone is either rich or dead. As the amoral man with no name discovers that the sleepy town provides the perfect opportunity to make a quick buck, the mysterious stranger soon finds himself caught in the middle of a destructive, long-standing feud. After all, the corrupt Baxters and the murderous Rojos, two feuding families fighting for control, won't let a nameless nobody get a slice of the cake. But the dusty, poncho-clad newcomer has already set his sights on the grand prize--the only way to get it is to play the gangs off against each other in a deadly battle of wits. Of course, no one has pulled such a reckless stunt and lived to tell the tale. How far is a man willing to go for a fistful of dollars?—Nick Riganas

A Fistful of Dollars

A Fistful of Dollars (1964)

Lionel Stander

Gary Cooper

Ann Doran

Longfellow Deeds lives in a small town and leads a small-town kind of life, including playing the tuba in the town band. When a relative dies and leaves Deeds a fortune, Longfellow picks up his tuba and moves to the big city, where he becomes an instant target for everyone from the greedy opera committee to the sensationalist daily newspaper. Deeds outwits them all until Babe Bennett comes along. Babe is a hot-shot reporter who figures that the best way to get close to Deeds is to pose as a damsel in distress. When small-town boy meets big-city girl, anything can, and does, happen.—A.L.Beneteau

Mr. Deeds Goes to Town

Mr. Deeds Goes to Town (1936)

Matt Willis

Strother Martin

Mel Blanc

The editor of a New York exploitation newspaper meets the wife he had abandoned years ago, while using another name, at a Lonely Hearts ball sponsored by his newspaper. She threatens to expose him as a wife-deserter, wife-beater and an impostor, and, in anger, he pushes her and accidentally kills her. Later, when her body is found, he assigns his protégé reporter to the story, as a good, exploitable follow-up story to the ball. And, then, he is forced to sit back and watch while the reporter slowly tracks down the killer.—Les Adams

Scandal Sheet

Scandal Sheet (1952)

James Stewart

Beulah Bondi

Frances Gifford

Naive and idealistic Jefferson Smith, leader of the Boy Rangers, is appointed on a lark by the spineless governor of his state. He is reunited with the state's senior senator--presidential hopeful and childhood hero, Senator Joseph Paine. In Washington, however, Smith discovers many of the shortcomings of the political process as his earnest goal of a national boys' camp leads to a conflict with the state political boss, Jim Taylor. Taylor first tries to corrupt Smith and then later attempts to destroy Smith through a scandal.—James Yu

Mr. Smith Goes to Washington

Mr. Smith Goes to Washington (1939)

Timothy Dalton

Julian Glover

Judy Cornwell

The Earnshaws are Yorkshire farmers during the early 19th Century. One day, Mr. Earnshaw returns from a trip to the city, bringing with him a ragged little boy called Heathcliff. Earnshaw's son, Hindley, resents the child, but Heathcliff becomes companion and soulmate to Hindley's sister, Catherine. After her parents die, Cathy and Heathcliff grow up wild and free on the Moors and despite the continued enmity between Hindley and Heathcliff they're happy-- until Cathy meets Edgar Linton, the son of a wealthy neighbor.—Marg Baskin

Wuthering Heights

Wuthering Heights (1970)

Sylvester Stallone

Charlotte Rampling

Robert Mitchum

Murder. Marlowe. Mitchum. No one is a saint in the City of Angels. The immortal Robert Mitchum stars as Raymond Chandler's legendary detective Philip Marlowe in the neo-noir mystery Farewell, My Lovely. The hard-boiled Marlowe's latest cases (one, a search for an ex-convict''s lost love, and the other, the murder of a client) take on an even more sinister turn when they begin to connect, leading the private eye deeper and deeper into the seamy underbelly of 1940s Los Angeles. As the stakes are raised and the body count swells, it looks like Marlowe might be next on the list to take the big sleep. Also featuring Charlotte Rampling, Sylvia Miles, Harry Dean Stanton, and Sylvester Stallone in an early role, Farewell, My Lovely is an unflinching take on Chandler's pulpy novel and a mystery film as powerful and complex as its leading man.

Farewell, My Lovely

Farewell, My Lovely (1975)

Tom Skerritt

David Lynch

Ed Begley Jr.

Lucky is an old US Navy veteran of rigid habits and attitudes in a small town. When his routine is interrupted by a sudden collapse at home, Lucky finds himself realizing that his remarkably healthy old age is going to face an inevitable decline and he has to accept it. In that difficult reassessment, Lucky must face up to what he believes in and how much it compares to his neighbors' priorities. In doing so, Lucky finds that his life has its positive side as he searches for some meaning that he can accept.—Kenneth Chisholm (kchishol@rogers.com)

Lucky

Lucky (2017)

Harry Fleer

Chuck Hicks

Marie Devereux

Peter Breck

Johnny Barrett, an ambitious journalist, is determined to win a Pulitzer Prize by solving a murder committed in a lunatic asylum and witnessed only by three inmates, from whom the police have been unable to extract the information. With the connivance of a psychiatrist, and the reluctant help of his girlfriend, he succeeds in having himself declared insane and sent to the asylum. There he slowly tracks down and interviews the witnesses - but things are stranger than they seem ...—David Levene

Shock Corridor

Shock Corridor (1963)

Valerie Leon

Aubrey Morris

George Coulouris

Harry Fielder

On the night before her anniversary, Margaret Fuchs receives an ancient Egyptian ring with a red stone as a birthday gift from her father, Prof. Julian Fuchs. Margaret has frequent nightmares about an expedition in Egypt with five members, including her father, finding the tomb of Queen Tera, an evil sorcerer with a severed hand. The members collect the sarcophagus with a totally preserved mummy, the severed hand with the ring with a red stone, and three relics. Margaret is possessed by the spirit of Tera and chases the expedition members to retrieve the objects and gives life back to Tera.—Claudio Carvalho, Rio de Janeiro, Brazil

Blood from the Mummy's Tomb

Blood from the Mummy's Tomb (1971)

Nastassja Kinski

Dean Stockwell

Hunter Carson

A man wanders out of the desert after a four year absence. His brother finds him, and together they return to L.A. to reunite the man with his young son. Soon after, he and the boy set out to locate the mother of the child, who left shortly after the man disappeared.—Ed Sutton

Paris, Texas

Paris, Texas (1984)

Shah Rukh Khan

Evelyn Sharma

Manjot Singh

Anushka Sharma Kohli

The story revolves around Harry and Sejal's journey across Europe. A search for Sejal's engagement ring makes Harry understand love and relationships better. Sejal experiences new found freedom, security and solace in Harry's company and in between all of this - there is love, life, lies, thrill, fantasy and the search for the voice within.—Official

Jab Harry Met Sejal

Jab Harry Met Sejal (2017)

Donna Douglas

Anthony Eisley

Joe Turkel

A riverboat singer with a weakness for gambling wants to find his lucky redhead, but his girlfriend Frankie is not amused.

Frankie and Johnny

Frankie and Johnny (1966)

Klaus Kinski

Harry Wüstenhagen

Friedrich Schoenfelder

Alice Treff

Several employees on a nobleman's estate show up at a former abbey, reputed to be haunted, to search for a hidden treasure. Howver, a mysterious hooded figure begins killing off those who may have figured out where the treasure is hidden.

The Black Abbot

The Black Abbot (1963)

Trevor Bardette

Jessica Tandy

In 1844, Abigail Wells receives a request from her previously-unknown wealthy distant cousin Nicholas Van Ryn, and she and her husband Ephraim Wells, a devout but poor Connecticut farmer who owns his own land, reluctantly allow one of their daughters, Miranda, the one with wanderlust, to accept the position of companion to Nicholas and his wife Johanna's 8-year-old daughter Katrine at Dragonwyck, the Van Ryn manor in the Hudson Valley. The Wells are reluctant to send Miranda because Nicholas doesn't believe in God, which would be a drastic shock to her; also, Nicholas' tenant farmers are beholden to him and not allowed to work toward purchasing from him any land of his on which they farm. Upon her arrival at the Van Ryn manor, Miranda catches the eye of young physician Dr. Jeff Turner. This does not sit well with Nicholas; not only is Jeff a vocal supporter of tenant-farmer rights, but he also has eyes for Miranda--whose eyes are turned in Nicholas' direction--as the openly odd interactions between Nicholas, Johanna and even Katrine stem from an absence of love. What happens in the manor is affected in part by Nicholas' goal as a father; not achieving that goal might result in adverse consequences, the changing times of land ownership, and long-held secrets at the manor.—Huggo

Dragonwyck

Dragonwyck (1946)

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