Barbara Stanwyck

Beulah Bondi

Elizabeth Patterson

Sterling Holloway

Just before Christmas, Lee Leander is caught shoplifting. It is her third offense. She is prosecuted by John Sargent. He postpones the trial because it is hard to get a conviction at Christmas time. However, he feels sorry for her and arranges for her bail; he also ends up taking her home to his mother for Christmas. Surrounded by a loving family (in stark contrast to Lee's own family background), they fall in love. This creates a new problem: how do they handle the upcoming trial?—John Oswalt

Remember the Night

Remember the Night (1939)

Jack Carson

Ben Welden

Lester Dorr

Jonathan Hale

The Saint in New York

The Saint in New York (1938)

Henry Brandon

George Chandler

Robert Taylor

William Haade

Three Comrades

Three Comrades (1938)

Gene Lockhart

Terry Kilburn

Bess Flowers

Kathleen Lockhart

Sweethearts

Sweethearts (1938)

Sarah Edwards

Margaret Sullavan

Hattie McDaniel

The Shining Hour

The Shining Hour (1938)

Rosslyn J. Cowen

Joan Charles

Woody McGillicuddy

Frances Grey

Unashamed: A Romance

Unashamed: A Romance (1938)

Laurence Olivier

Michael Rennie

Eva Moore

Ralph Richardson

Laurence Olivier plays Logan, a barrister who falls in love with Leslie (played by Merle Oberon), the woman he thinks his client will soon be divorcing.—H. A. Lakatos

The Divorce of Lady X

The Divorce of Lady X (1938)

Bob Hope

Otto Kruger

Hedda Hopper

Shirley Ross

Bob Hope is an out of work writer who stays home and plays house husband while his wife goes to work for her former fiancé and Hope's publisher who is still carrying a torch for her.

Thanks for the Memory

Thanks for the Memory (1938)

Ruth Hussey

Howard Da Silva

Scotty Beckett

Trevor Bardette

The life of Marie Antoinette (1755-1793) from her betrothal and marriage in 1770 to her beheading. At first, she's a Hapsburg teenager isolated in France, living a virgin's life in the household of the Dauphin, a shy solitary man who would rather be a locksmith. Marie discovers high society with the help of Orleans and her brothers-in-law. Her foolishness is at its height when she meets a Swedish count, Axel de Fersen. He helps her see her fecklessness. In the second half of the film, she avoids an annulment, becomes queen, bears children, and is a responsible ruler. The affair of the necklace and the general poverty of France feed revolution. She faces death with dignity.—

Marie Antoinette

Marie Antoinette (1938)

Rolfe Sedan

Dwight Frye

Paul Kelly

Louis Mercier

Agadez is a lonely French outpost baking under the desert sun and commanded by the cruel and oppressive Captain Savatt (C. Henry Gordon). To it comes, at his own request, Legionnaire Jim Wilson (Paul Kelly soon followed by his fiancée, Carla Preston (Lorna Gray), who has been tracing him from post to post. Legionnaires seize the fort and turn Savitt loose in the Arab-haunted desert with only a fraction of the water and food needed to get back to civilization. But Savitt gets through and returns to the fort at the head of an avenging troop of men. But Arabs surround Savitt and his men, and the mutineers, knowing that to leave the fort and aid them means their own death...—Les Adams

Adventure in Sahara

Adventure in Sahara (1938)

Michèle Morgan

Jacques Soukoff

Claude Walter

Raymond Aimos

Life's a rotten business, says Jean, a deserter who arrives at night in Le Havre, looking to leave the country. He lucks into civilian clothes, a little bit of money, a passport, and a dog, and he also meets Nelly, a 17-year-old who's grown up too fast. She's the object of lust of men: including a boyfriend Maurice, her putative protector Zabel, and Lucien, a local hood. Jean falls for her, faces down Lucien, and gives her courage to stand on her own feet. A ship is leaving for Venezuela; can at least one of them be on it, or is that just a dream?—

Port of Shadows

Port of Shadows (1938)

Samuel S. Hinds

Lionel Barrymore

Martin Spellman

Myrna Loy

Jim Lane is a test pilot, whose professional life is dangerous, and whose personal life compensates for that danger by fast living and recklessness. As such, he lives from paycheck to paycheck, and is often in debt, but knows his lucrative job will eventually get him out of those debts. On a coast to coast record attempt speed flight, Jim's plane, the Drake Bullet (named after the company's owner), hits some mechanical problems and Jim is forced to make an emergency landing on a farmer's field in Kansas. The farm belongs to the Barton family, whose straight talking daughter, Ann Barton, falls for Jim, and visa versa. They impulsively decide to get married and live in New York. Jim's sidekick and mechanic, "Gunner" Morris, doesn't know if Jim and marriage go hand in hand, both because of the type of person he is and his profession. Ann too soon learns that she plays second fiddle to Jim's work, she referring to the sky as Jim's mistress. Ann also truly comes to understand the dangers of Jim's work, he who is often required to push the planes beyond their physical limits. With each flight, Ann fears that she will become a widow, as she has seen it before with the wives of Jim's colleagues. Can Jim and Ann's marriage survive the many pressures stemming from Jim's life as a test pilot?—Huggo

Test Pilot

Test Pilot (1938)

Annabella

Nigel Bruce

Tyrone Power

Loretta Young

De Lesseps is a young aristocrat who conceives the idea for the Suez Canal. When Napoleon fails him, the British show interest. Though the production values make the film entertaining its historical content is generally agreed to be awful.—Ed Stephan

Suez

Suez (1938)

Henry Fonda

Tim Holt

Joan Bennett

College sweethearts Julie and Ives have planned to marry. Their plans go amiss when Julie meets a weak writer and runs off to marry him. After her husband dies, she's left in Paris, penniless and with a daughter to support. She decides to return to her home town with the intent to renew her romance with Ives. His family and a scheming co-ed vow to avert a reunion of the two...—Daniel Bubbeo

I Met My Love Again

I Met My Love Again (1938)

Vladimir Sokoloff

Dorothy Lamour

Two Alaskan salmon fishermen, Tyler Dawson (skipper of the "Who Cares") and Jim Kimmerlee of the "Old Reliable," are lifelong pals. Their romantic rivalry over young Dian ends amicably. But a more serious rift, with violent consequences, arises when Tyler befriends Russian fish pirates while Jim finds himself aligned with local vigilantes. Notable glacier scenery.—Rod Crawford

Spawn of the North

Spawn of the North (1938)

Marjorie Woodworth

Don Ameche

Eddie Hall

Lon Chaney Jr.

Roger Grant, a classical violinist, disappoints his family and teacher when he organizes a jazz band, but he and the band become successful. Roger falls in love with his singer Stella, but his reluctance to lose her leads him to thwart her efforts to become a solo star. When the World War separates them in 1917, Stella marries Roger's best friend Charlie. Roger comes home after the war and an important concert at Carnegie Hall brings the corners of the romantic triangle together.—Jim Beaver

Alexander's Ragtime Band

Alexander's Ragtime Band (1938)

Julien Rivière

Georges Lemaire

Marie-Claire Pissaro

Clary Monthal

The battle of the sexes as drawing room social satire. Philippe, a middle-aged newspaper editor, has lived for six years with Paulette, a successful stage actress. He tells her friend Claudine, a realistic and enterprising reporter, that he's thinking of proposing. Into the mix steps Carl Erickson, a charming Hollywood matinée idol in Paris briefly. He meets Paulette, sees her act (his box seat compliments of Philippe), and sets out to seduce her. The next two days bring talk, tears, separation, despair, surprises, and, perhaps, reconciliation as characters speak "exactly half the truth." It's a quadrille of changing partners.—

Quadrille

Quadrille (1938)

Arletty

Marcel Pérès

Marcel Melrac

On the mournful bank of the meandering Canal St. Martin, at the cheap Parisian Hôtel du Nord, the dejected young lovers, Pierre and Renée, take a room, bent on fulfilling an unholy pact. Then, in the dead of night, a nearly fatal gunshot chills the bone to the marrow, splitting the couple, apparently, forever. However--amid a sad but beautiful panorama of streetwise prostitutes; hard-as-nails procurers in impeccable suits; forlorn survivors; murderous former companions, and the police--unfulfilled desires, secret passions, and a dangerous romantic triangle have the final say. Now, in love's name, high expectations for a fresh start and a deadly semi-automatic pistol separate hope from despair. Can life be as easy as a fairy tale?—Nick Riganas

Hotel du Nord

Hotel du Nord (1938)

Sidney D'Albrook

Louis King

James Stewart

Stenographer Alice Sycamore is in love with her boss Tony Kirby, who is the vice-president of the powerful company owned by his greedy father Anthony P. Kirby. Kirby Sr. is dealing a monopoly in the trade of weapons, and needs to buy one last house in a 12-block area owned by Alice's grandfather, Martin Vanderhof. However, Martin is the patriarch of an anarchic and eccentric family where the members do not care for money but for having fun and making friends. When Tony proposes to Alice, she states that it would be mandatory to introduce her simple and lunatic family to the snobbish Kirbys, and Tony decides to visit Alice with his parents one day before the scheduled get-together. There is an inevitable clash of classes and lifestyles: the Kirbys spurn the Sycamores and Alice breaks with Tony, changing the lives of the Kirby family.—Claudio Carvalho, Rio de Janeiro, Brazil

You Can't Take It with You

You Can't Take It with You (1938)

Frank Mills

Alan Ladd

David Newell

Harry Ritz

Movie producer chooses a simple girl to be "Miss Humanity" and to critically evalute his movies from the point of view of the ordinary person. Hit song: "Love Walked In."—Ed Stephan

The Goldwyn Follies

The Goldwyn Follies (1938)

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