Alan Hale

Janet Shaw

Una O'Connor

Claude Rains

Sir Robin of Locksley, defender of downtrodden Saxons, runs afoul of Norman authority and is forced to turn outlaw. With his band of Merry Men, he robs from the rich, gives to the poor and still has time to woo the lovely Maid Marian, and foil the cruel Sir Guy of Gisbourne, and keep the nefarious Prince John off the throne.—Little Pine Weasel

The Adventures of Robin Hood

The Adventures of Robin Hood (1938)

Katharine Hepburn

Ann Doran

Bess Flowers

Cary Grant

Free-thinking Johnny Case finds himself betrothed to a millionaire's daughter. When her family, with the exception of black-sheep Linda and drunken Ned, want Johnny to settle down to big business, he rebels, wishing instead to spend the early years of his life on "holiday." With the help of his friends Nick and Susan Potter, he makes up his mind as to which is the better course, and the better mate.—Terri A. Mabry

Holiday

Holiday (1938)

Patsy Kelly

Sarah Edwards

Willie Best

Ann Dvorak

A cynical writer, unwittingly infiltrates a loony house of philanthropists. Mrs. Emily Kilbourne runs a household that, due to her charitable nature, is as much a loony-bin as happy home. When he joins the menage, Aherne falls head over heels in love with the eldest daughter, played by Constance Bennett.—colissimo

Merrily We Live

Merrily We Live (1938)

Henry Fonda

Bette Davis

Donald Crisp

In one of her most renowned roles, Bette Davis portrays Julie Marsden, a spoiled Southern belle who risks losing her suitor with her impetuous behavior. Engaged to successful banker Preston Dillard, Julie pushes him away with her arrogant and contrary ways, leading to a scandalous scene at a major social event and his subsequent departure. When Preston eventually returns and Julie attempts to win him back, she discovers that it may be too late.—Jwelch5742

Jezebel

Jezebel (1938)

Ginger Rogers

Hattie McDaniel

Jack Carson

Fred Astaire

Dr. Tony Flagg's friend, Steven, has problems in the relationship with his fiancee, Amanda, so he persuades her to visit Dr. Flagg. After some minor misunderstandings, she falls in love with Dr. Flagg. When he tries to use hypnosis to strengthen her feelings for Steven, things get complicated.—

Carefree

Carefree (1938)

Lenore Aubert

David Niven

Gary Cooper

US multi-millionaire Michael Barndon marries his eight wife, Nicole, the daughter of a broken French Marquis. But she doesn't want to be only a number in the row of his ex-wives and starts her own strategy to "tame" him.—Stephan Eichenberg

Bluebeard's Eighth Wife

Bluebeard's Eighth Wife (1938)

Margaret Hamilton

Lon McCallister

Walter Brennan

Cora Sue Collins

Sentiment rules in this version of the Twain tale of boyhood in 1850 Missouri, reasonably faithful except for minor details and making the character Jim a boy instead of a man. Includes the whitewash episode, puppy love, the graveyard murder, the boys' running away to Jackson's Island, the salvation of Muff Potter, and the cave adventure.—Rod Crawford

The Adventures of Tom Sawyer

The Adventures of Tom Sawyer (1938)

Asta

Billie Burke

Mrs. Topper's friend Mrs. Parkhurst has convinced Mrs. Topper to file for a divorce from Cosmo, due to the strange circumstances of his trip with ghost Marion Kirby. Marion comes back from heaven's door to help Cosmo again, this time only with dog Mr. Atlas. Due to the strange behavior of Cosmo, the judge refuses to divorce them, so Mrs. Parkhurst takes Mrs. Topper on a trip to France, where she tries to arrange the final reasons for the divorce, with the help of a gold-digging French baron. Marion takes Cosmo to the same hotel, to bring them back together and to get her own final ticket to heaven, but the whole thing turns out to be not so easy...—Stephan Eichenberg

Topper Takes a Trip

Topper Takes a Trip (1938)

Mary Astor

Joan Blondell

Melvyn Douglas

An investigator for the District Attorney's office quits to open his own detective agency. However, business is so bad that he finally decides to give it up and go back to his old job. As his wife is at his office closing up, a wealthy society matron walks in with a case: she wants to know if her husband is having an affair with his ex-girlfriend, who is now married. The wife accepts what looks to be an easy case, figuring than she can then persuade her husband to re-start the agency. However, when the client's husband is found murdered, she decides to investigate the murder herself. Her husband has also been assigned by the D.A. to investigate the murder, and he doesn't know that his wife is also on the case. Complications ensue.—frankfob2@yahoo.com

There's Always a Woman

There's Always a Woman (1938)

Frances Gifford

Ward Bond

Mild mannered paleontology professor Dr. David Huxley is excited by the news that an intercostal clavicle bone has been found to complete his brontosaurus skeleton, a project four years in the construction. He is equally excited about his imminent marriage to his assistant, the officious Alice Swallow, who is interested in him more for his work than for him as a person. David needs the $1 million endowment of wealthy dowager Mrs. Carleton Random to complete the project. Her lawyer, Alexander Peabody, will make the decision on her behalf, so David needs to get in his favor. However, whenever David tries to make a good impression on Peabody, the same young woman always seems to do something to make him look bad. She is the flighty heiress Susan Vance. The more David wants Susan to go away, the more Susan seems not to want or be able to. But David eventually learns that Alexander Peabody is her good friend, who she calls Boopy, and Susan's Aunt Elizabeth, with whom David has also made a bad impression without her knowing who he is, is Mrs. Carleton Random. However getting in Aunt Elizabeth and Boopy's good graces is not as easy as Susan smoothing the waters with them. Throw into the mix a tame pet leopard named Baby that Susan's brother Mark inexplicably sends her from Brazil, Aunt Elizabeth's big game hunting friend Major Horace Applegate, Aunt Elizabeth's pet terrier George who has a penchant for burying bones and other things, and a traveling circus passing through town and David may never be able to finish his project or make it to his wedding. But David may come to the realization that there is something more important in his life.—Huggo

Bringing Up Baby

Bringing Up Baby (1938)

Lloyd Nolan

Irving Bacon

Horace McMahon

Cornel Wilde

Exclusive

Exclusive (1937)

Charles Bickford

Randolph Scott

William Frawley

The setting is a small town in Pennsylvania in 1858-9. Sally Watterson and her father have stopped in town with their traveling medicine show, but when their wagon catches fire, they find themselves stranded. They're taken in by Mrs. Cortlandt and her grandson, Peter, who is trying to set up a pipeline that will supply oil throughout the state. Sally and Peter soon fall in love and marry. Neither their marriage nor Peter's pipe dreams flow too smoothly.—Daniel Bubbeo

High, Wide and Handsome

High, Wide and Handsome (1937)

Dorothy Mackaill

Victor Jory

Wilfrid Hyde-White

Ben Williams

Bulldog Drummond goes up against foreign agents trying to steal plans for a top-secret aircraft.

Bulldog Drummond at Bay

Bulldog Drummond at Bay (1937)

Raymond Massey

Madeleine Carroll

It's the late nineteenth century. British Major Rudolf Rassendyll is in central Europe on a fishing vacation, he having no intention of attending what is the reason others are in the country, namely the coronation of Rudolf V to the throne the following day. In a chance encounter with Rudolf V and two of his longtime trusted advisers, Colonel Zapt and Fritz von Tarlenheim, in the countryside, Rassendyll discovers that he and the future King are not only distant cousins, hence both having the long held family male given name of Rudolf, but that they could be twins. Spending the evening with the three men, Rassendyll further discovers the future king is an irresponsible heavy drinker, something that his older half brother, Michael, wants to use to ascend to the throne himself. Michael, using his own operatives, has managed to drug Rudolf, heavily enough to miss the coronation ceremony, at which time Michael plans to address the people to name him king instead. With risk to all three of their lives if discovered, Zapt and von Tarlenheim are able to convince Rassendyll to masquerade as Rudolf at the coronation. Another risk is Michael using other means to dispose of who he believes is his brother. Michael, however, has other issues with which he has to address. Antoinette de Mauban, Michael's girlfriend, does not want him to be king as such would mean marriage to who has been the king's long ago named betrothed, namely Rudolf and Michael's cousin, Princess Flavia. In turn, another of Michael's operatives, Rupert of Hentzau, is in love with Antoinette himself, and thus has his own self-directed motivations different than Michael's. Conversely, other complications arise as Rassendyll, in posing as his cousin, falls in love with Princess Flavia himself. Flavia, who has had a long relationship of animosity with Rudolf who she does not love let alone really like, has fallen in love with this new version of Rudolf. She may be torn if she ever discovers the truth of the deception as she has long been bound a sense of duty, which means marrying the king, whoever he may be.—Huggo

The Prisoner of Zenda

The Prisoner of Zenda (1937)

Tully Marshall

Humphrey Bogart

Leslie Howard

Stand-In

Stand-In (1937)

Michael Powell

Finlay Currie

Niall MacGinnis

John Laurie

A trio wanders the cliffs of an Outer Hebridean island and encounters a gravestone at the edge of a precipice; it reads, "Peter Manson ... gone over." One man in the trio knows the story of the gravestone and tells it to the others... It is ten years earlier, and the way of life on the island is dying; steam trawlers from the mainland threaten its survival as a fishing port. Peter Manson, one of the community's leaders, resists evacuating to the mainland, though his son Robbie is about to leave the island himself. Meanwhile, Robbie's twin sister plans to marry his best friend, Andrew Gray. Andrew and Robbie argue over evacuation and decide to settle the matter by racing to the top of a cliff. Ruth is terrified: she may lose them both. The race ends in tragedy, which tears apart the families of Manson and Gray. Times passes and Ruth reveals she is pregnant with an illegitimate child. This promises to bring the two families back together, but not before desperation hits the islanders. Evacuation is inevitable. And so is one last tragedy.—sspurli

The Edge of the World

The Edge of the World (1937)

Lionel Barrymore

Jean Harlow

Dennis O'Keefe

Carol Clayton is the daughter of a horse breeder at Saratoga. Though engaged to wealthy Hartley Madison, and disgusted by bookie Duke Bradley, her father owes Bradley a lot of money and Bradley takes a shine to her.—Ed Stephan

Saratoga

Saratoga (1937)

Frances Langford

Ronald Reagan

Susan Hayward

The film opens with a telephone operator connecting a call to the Hollywood Hotel. As the opening credits scroll across the screen "Hooray for Hollywood" is played by an unseen orchestra. The song continues as the action begins. We see several signs: "Clark Gable Beware!," then a trumpet player improvises; "Kay Francis Here He Comes!," then a saxophone player plays; "Leslie Howard Watch Your Step!," then a trombone player plays a lick; "Garbo I Tank You Like Him!," then a string bass player slaps his bass; "Olivia de Havilland Your Midsummer Nights Dream Is On His Way!," and then Benny Goodman (himself) improvises on his clarinet (all instrumentalists are members of Goodman's band). The camera reveals that each of these instrumentalists and many other members of the band are in a motorcade, with each person in a different car with a different sign plastered on the front of each car. They are parading, under police escort, to the St. Louis Airport. Once they arrive, they continue the song with Georgia (Johnnie Scat Davis) and Alice (Frances Langford) singing the lyrics; then, the band members also sing. The band is seeing one of its saxophone players, Ronnie Bowers (Dick Powell), off to Hollywood; he has signed a ten-week movie contract with Miracle Pictures; the studio's motto is: "Miracle Pictures Studio, If Its a Good Picture, Its a Miracle." As his plane taxies away from the loading area, the band launches into "California, Here I Come."
The next sequence is a montage of various Hollywood sights as "Hooray for Hollywood" plays in the background. Ronnie is met at the airport by Bernie Walton (Allyn Joslyn) from the Miracle Pictures publicity department. The studio photographer takes a couple of shots of his arrival, after which he is escorted to the Hollywood Hotel, where he'll be staying.
The scene switches to the hotel suite of film star Mona Marshall (Lola Lane) where the famous gossip columnist, Louella Parsons (herself), is interviewing Miss Marshall while she is being fitted with a gown to wear to the premier of her newest film. Mona is ranting and raving and thoroughly overacting about everything. She is the prototypical spoiled, self-absorbed female movie star. When she learns that someone else has been cast in the lead role of a film she had coveted, she refuses to appear at the premier of her film that evening. Instead, she and her assistant leave town.
The studio head is in a panic when he learns the star of his film will not appear at the premier. The studio publicity man, Bernie, comes up with a solution. Hell find a double to stand-in for Mona. After Bernie auditions several women, he chooses Virginia Stanton (Rosemary Lane) as Monas substitute (Rosemary and Lola Lane are sisters, so there is a definite resemblance). To escort her to the premier, he selects Ronnie Bowers, the new guy the studio has signed to a short term contract.
Bernie and the studios make-up crew take Virginia to Monas Hollywood Hotel penthouse suite and transform her into a Mona look-a-like. Ronnie is thrilled that his first night in Hollywood he will be escorting the famous Mona Marshall to her film premier. When he gets to the penthouse, a call comes from the front desk that Alexander DuPrey (Alan Mowbray), Mona's co-star in "Glamour Girl," is coming up to escort her to the premier. Bernie has told the maid not allow anyone except Ronnie into Monas suite. When she hears that DuPrey is coming up, she panics. Ronnie, however, rescues the situation by socking DuPrey to keep him out of Monas suite.
At the premier at Cathay Circle, the announcer interviewing the stars as they arrive is future President of the United States, a very young Ronald Reagan.
After the premier, Ronnie and Mona/Virginia return to the Hollywood Hotel's Orchid Room for a party. As they dance together, she tells him shes tired of all the photographs and autograph seekers, so they walk out into a garden area where they sit by a fountain pool. As she dunks her toes into the cool water, he sings "I'm Like a Fish Out of Water." After he sings a chorus, she sings as they dance together in the fountain. During this number, Monas sister, Dot (Mabel Todd), chases Fuzzy (Ted Healy), who is trying to avoid her, into the garden where they sing a chorus of the song. Ronnie and Mona/Virginia hide when they see Dot and Fuzzy coming (Virginia is certain Dot will realize that she isnt Mona) and turn on the fountain which soaks both of them. As the song concludes, Ronnie and Mona/Virginia kiss.
When Mona reads the morning paper and sees a photo of Virginia posing as her at the premier, she explodes. She rushes to the studio and demands they fire both Virginia and Ronnie. When Ronnie arrives for his appointment with the head of the studio, Mona storms out of the office and slaps him when he calls her darling. Bernie informs Ronnie that the studio head has fired him. Completely confused, Ronnie goes with Bernie to a coffee shop where Virginia is the waitress, which confuses Ronnie even more. Before anyone can explain, he stalks out of the coffee shop. When he encounters Mona as she is leaving the hotel, she slaps him again. Finally, Bernie explains to Ronnie that it was Virginia he escorted to the premier. Ronnie and Virginia are out on a sightseeing date when they climb over a hill to the Hollywood Bowl. To illustrate the Bowl's exceptional acoustics, Virginia sings "Silhouetted in the Moonlight" from the stage while Ronnie remains on the hill.
After being summarily fired, Ronnie acquires Fuzzy as his manager. Ronnie and Fuzzy see Benny Goodman, Alice and Georgia on a Hollywood street corner and learn that the band has been booked at the Hollywood Hotel.
Ronnie and Fuzzy find work as waiters at Callaghan's, a drive-in restaurant. Virginia comes by the drive-in and agrees to wait for Ronnie until he gets off.
The scene switches to the Orchid Room where Benny Goodman introduces the song, "Let That Be a Lesson to You." Georgia sings the lyrics, but suddenly the scene switches back to the drive-in where Ronnie sings a lyric about himself as he serves Virginia a milk shake. Later, Virginia and most of the drive-ins customers also join in the song. Dot, who also shows up at the drive-in, sings a chorus to Fuzzy.
A director from Miracle Studio happens to be a customer at Callaghan's and hears the performance. He tells Ronnie he wants to hire him. Virginia tries to talk Ronnie and Fuzzy out of quitting their waiting jobs, but they wont listen.
When Ronnie and Fuzzy arrive at the film location the next day, they discover that the director wants Ronnie to dub the singing voice of Alexander DuPrey.
In a rehearsal sequence, Benny Goodman and His Orchestra play "Sing, Sing, Sing," which features Gene Krupa's marvelous extended drum solo and solos by Harry James on trumpet and Benny Goodman on clarinet. Then, Goodman's quartet (Lionel Hampton on vibes, Teddy Wilson on piano, Gene Krupa on drums and Goodman on clarinet) plays "I've Got a Heartful of Music." At the preview screening of Mona Marshall and Alexander DuPrey's film "Love & Glory," Ronnie sings "I've Hitched My Wagon to a Star" as DuPrey mouths the lyrics on screen. Even though Ronnie's voice doesn't fit DuPrey, everyone is impressed with DuPrey's vocal abilities. Louella Parsons asks him to sing on her radio show. He accepts, but later panics when Mona asks whose voice he will use. Ronnie has disappeared and the studio cant locate him. They call Virginia for help and she finds him working as a waiter at Callaghan's drive-in again. Ronnie, however, doesn't want to dub for DuPrey any more. If he sings, he says, he wants it to be his face on the screen.
Virginia cooks up an idea. Again posing as Mona, Virginia picks up DuPrey to accompany him to Louella's radio program. Fuzzy is the chauffeur and Mona's father, Chester (Hugh Herbert), is also along to help. They drive until DuPrey demands he be let out of the car. They gladly let him out, but by then, it is too late for him to make the radio show.
The CBS broadcast begins with Raymond Paige and His Orchestra (themselves) performing a reprise of "Silhouetted in the Moonlight." Jerry Cooper, Paige's male vocalist, and Alice are the vocal soloists. Next, Paige, his instrumentalists and a chorus perform "Dark Eyes" in their jazz symphonique style. Then, Louella Parsons introduces Ronnie and Mona to perform a scene from "Love & Glory." During this sequence, Ronnie reprises "I've Hitched My Wagon to a Star."
Everybody (Ronnie, Virginia, Georgia, Alice, Mona, Jerry, Dot, Fuzzy, and the chorus) gets involved in the finale, "Sing, You Son of a Gun," which evolves into a final reprise of "Hooray for Hollywood."

Hollywood Hotel

Hollywood Hotel (1937)

Ellen Drew

Beulah Bondi

Victor Moore

Louise Beavers

At a family reunion, the Cooper clan find that their parents' home is being foreclosed. "Temporarily," Ma moves in with son George's family, and Pa moves in with daughter Cora. But the parents are like sand in the gears of their middle-aged children's well regulated households. Can the old folks take matters into their own hands?—Rod Crawford

Make Way for Tomorrow

Make Way for Tomorrow (1937)

Nigel Bruce

William Powell

Benita Hume

Mrs. Fay Cheyney, a rich American widow, insinuates herself into London society. Two men in particular -- middle-aged Lord Kelton and Lord Arthur Dilling, a young playboy -- pursue her. All are present at a large weekend house party, and though both men press their suit, Fay seems to favor Kelton. Then Dilling sees Fay's butler lurking in the gardens, recognizes him as a jewel thief who was apprehended in Monte Carlo, and realizes that Fay is probably after the hostess's pearls. Fay does get hold of the pearls -- but before she can pass them to her accomplice, Dilling gets hold of her.—Tony Fontana  and Determined Copy Editor

The Last of Mrs. Cheyney

The Last of Mrs. Cheyney (1937)

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